Archive for the ‘Munich Times’ Category
Tuesday, May 2nd, 2017
By ANDREW POWELL Published: May 2, 2017 MUNICH — Like the miracle of compound interest, Bavarian State Opera’s pricing can chart smartly upwards when you’re not watching. The company sells using an astounding total of 128 price points — the product of eight price categories for its National Theater home and sixteen sliding scales. Things […]
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Tags: Andrea Battistoni, Bavarian State Opera, Bayerische Staatsoper, Charles Castronovo, Giuseppe Verdi, Leo Nucci, München, Münchner Opernfestspiele, Munich, Munich Opera Festival, National Theater, Nationaltheater, News, Plácido Domingo, Sonya Yoncheva
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Sunday, April 30th, 2017
By ANDREW POWELL Published: April 30, 2017 FERRARA — Lanky Teodor Currentzis looms over his MusicAeterna players the way Basil Fawlty loomed over Manuel, and with comparable gestures. It is anyone’s guess how their 13-year relationship has survived, what with labor conditions in Russia, the quirks of period-instrument practice, their joint move from Novosibirsk (in […]
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Tags: Alexander Melnikov, Associazione Ferrara Musica, Beethoven, Ferrara, MusicAeterna, News, Perm, Recensione, Review, Südwest-Rundfunk, SWR, SWR Symphonie-Orchester, Teatro Comunale di Ferrara, Teodor Currentzis, Wolfgang Amadeus Mozart
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Tuesday, April 25th, 2017
By ANDREW POWELL Published: April 25, 2017 BOLOGNA — Teatro Comunale’s busy direttore musicale Michele Mariotti, 38, ventured his 33rd and 34th operas* this month with a foray in verismo, the terse tribulations of Cavalleria rusticana, and, incongruously, La voix humaine, a vehicle for the Bologna-schooled soprano, former mezzo, Anna Caterina Antonacci. He chose big […]
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Tags: Andrea Faidutti, Anna Caterina Antonacci, Bologna, Carmen Topciu, Cocteau, Coro del Teatro Comunale di Bologna, Emma Dante, Gezim Myshketa, La voix humaine, Marco Berti, Mascagni, Michele Mariotti, Orchestra del Teatro Comunale di Bologna, Poulenc, Recensione, Review, Teatro Comunale
Posted in Munich Times | Comments Off on Voix and Cav
Monday, April 24th, 2017
By ANDREW POWELL Published: April 24, 2017 MUNICH — It was a short courtship by recent standards. Dalmatian conductor Ivan Repušić (pr. REP-oosh-itch), 39, debuted with the Münchner Rundfunk-Orchester in a concert La rondine in Oct. 2015, returned for a gala two months later and signed his contract* last June. His background, happily, is stable: […]
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Tags: BR Chor, Chor des Bayerischen Rundfunks, Duruflé, Henry Raudales, Herz-Jesu-Kirche, Ivan Repušić, Ljubomir Puškarić, Max Hanft, München, Münchner Rundfunk-Orchester, Munich, Okka von der Damerau, Respighi, Review
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Monday, March 13th, 2017
By ANDREW POWELL Published: March 13, 2017 MUNICH — Bavaria’s Culture Ministry declined to comment last week on the handicapping of online ticket buyers by Bavarian State Opera, one of the entities it supervises. In theory the Bavarian State Ministry of Education and Culture, Science and Art, to give it its full name, supports culture […]
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Tags: Bavarian State Opera, Bayerische Staatsoper, Ludwig Spaenle, München, Munich, National Theater, Nationaltheater, News
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Monday, March 13th, 2017
By ANDREW POWELL Published: March 13, 2017 MUNICH — Philipp Stölzl’s new and relatively sane production of Andrea Chénier will be video-streamed Saturday by Bavarian State Opera as part of a regular free service. — when: 2 p.m. EDT (11 a.m. PDT), March 18, 2017 — where: https://www.staatsoper.de/tv.html Omer Meir Wellber brings his inimitable visceral […]
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Tags: Andrea Chénier, Anja Harteros, Bavarian State Opera, Bayerische Staatsoper, Giordano, Kaufmann, Luca Salsi, München, Munich, News, Omer Meir Wellber, Philipp Stölzl
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Thursday, March 9th, 2017
By ANDREW POWELL Published: March 9, 2017 MUNICH — Making a taut and impassioned case for Mahler’s Tenth Symphony (1910) here at the Herkulessaal Feb. 17, Yannick Nézet-Séguin still rather confirmed Leonard Bernstein’s dictum that the composer “had said it all in the Ninth.” Mahler’s inspiration sustained itself, as tidily executed by the Symphonie-Orchester des […]
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Tags: Bavarian Radio Symphony Orchestra, Berg, Dem Andenken eines Engels, Herkulessaal, Mahler, München, Munich, Review, Symphonie-Orchester des Bayerischen Rundfunks, Veronika Eberle, Yannick Nézet-Séguin
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Tuesday, March 7th, 2017
By ANDREW POWELL Published: March 7, 2017 MUNICH — Without citing an error, Bavarian State Opera claimed last month that the report here about its handicapping of online ticket buyers contains “false statements” but at the same time said it would “leave it as it is.” The report, based on research by people using two […]
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Tags: Bavarian State Opera, Bayerische Staatsoper, CTS Eventim, München, Munich, National Theater, Nationaltheater, News
Posted in Munich Times | Comments Off on Staatsoper Objects to Report
Saturday, March 4th, 2017
By ANDREW POWELL Published: March 4, 2017 ZURICH — The goal presumably was to freshen the tale of Jason and his cooperative wife Medea as told by Thomas Corneille (filtering his brother Pierre and Euripides) and mise en musique by Charpentier. But stage director Andreas Homoki’s new Médée (1693) for Opernhaus Zürich, where he doubles […]
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Tags: Andreas Homoki, Charpentier, Chor der Oper Zürich, Christie, Corneille, Ivan Thirion, Médée, Mélissa Petit, Nahuel di Pierro, Opernhaus Zürich, Orchestra La Scintilla, Reinoud van Mechelen, Review, Stéphanie d’Oustrac, Zurich, Zurich Opera House
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Friday, February 24th, 2017
By ANDREW POWELL Published: February 24, 2017 SALZBURG — The gimmicky proposition of Mozart’s Requiem enhanced with equine ballet dominated this year’s Mozartwoche schedule, and no doubt budget. It capped, in a way, five iterations of the festival lavishly managed by Marc Minkowski and his front-office counterpart Matthias Schulz, and it brought in for the […]
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Tags: Académie Équestre Nationale du Domaine de Versailles, András Schiff, Ave verum corpus, Bartabas, Beethoven, Cappella Andrea Barca, Charles Dekeyser, Elisabeth Kulman, Felsenreitschule, Funeral Anthem for Queen Caroline, Genia Kühmeier, Georg Friedrich Händel, Großes Festspielhaus, Haydn, Leif Ove Andsnes, Les Musiciens du Louvre, Marc Minkowski, Mozarteum, Mozartwoche, Peter Sonn, Piano, Review, Salzburg, Salzburger Bachchor, The Ways of Zion Do Mourn, Thomas Hengelbrock, Vienna Philharmonic, Wolfgang Amadeus Mozart
Posted in Munich Times | Comments Off on Horses for Mozartwoche