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		<title>Off to Africa!</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4827</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4827#comments</comments>
		<pubDate>Wed, 16 May 2012 16:00:52 +0000</pubDate>
		<dc:creator>sedgwickclark@aol.com</dc:creator>
				<category><![CDATA[Why I Left Muncie]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=4827</guid>
		<description><![CDATA[by Sedgwick Clark
I’m off for a two-and-a-half-week safari vacation in South Africa with PK and our favorite traveling buddies. From Cape Town and the wine lands to Kruger National Park to Victoria Falls in Zimbabwe, it will undoubtedly be a far cry from the MGM back lot and grainy second-unit location images impressed upon me [...]]]></description>
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		<title>How Do I Draft An Engagement Agreement For My Trio?</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4834</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4834#comments</comments>
		<pubDate>Wed, 16 May 2012 06:02:22 +0000</pubDate>
		<dc:creator>ftmartslaw</dc:creator>
				<category><![CDATA[Agents]]></category>
		<category><![CDATA[Artist Management]]></category>
		<category><![CDATA[Contracts]]></category>
		<category><![CDATA[Employees]]></category>
		<category><![CDATA[Independent Contractors]]></category>
		<category><![CDATA[Law and Disorder: Performing Arts Division]]></category>
		<category><![CDATA[Taxes]]></category>
		<category><![CDATA[agent]]></category>
		<category><![CDATA[Agreements]]></category>
		<category><![CDATA[Brian Taylor]]></category>
		<category><![CDATA[corporation]]></category>
		<category><![CDATA[Drafting]]></category>
		<category><![CDATA[engagement contract]]></category>
		<category><![CDATA[engagement fees]]></category>
		<category><![CDATA[fiduciary duties]]></category>
		<category><![CDATA[ftm]]></category>
		<category><![CDATA[Goldstein]]></category>
		<category><![CDATA[manager]]></category>
		<category><![CDATA[writing contracts]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=4834</guid>
		<description><![CDATA[By Brian Taylor Goldstein
Dear FTM Arts Law,
I am a manager who will be writing contracts on behalf of a trio. They don’t have a corporation and there is no “leader.” They just get together and perform together. How do I handle their engagement fees so that I do not look like their employer? None of [...]]]></description>
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		<title>The Fortress of Being: John Jasperse&#8217;s &#8220;Fort Blossom revisited&#8221;</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4820</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4820#comments</comments>
		<pubDate>Sat, 12 May 2012 23:44:33 +0000</pubDate>
		<dc:creator>rachel.straus@earthlink.net</dc:creator>
				<category><![CDATA[The Torn Tutu]]></category>
		<category><![CDATA[Ben Asriel]]></category>
		<category><![CDATA[Burr Johnson]]></category>
		<category><![CDATA[Erika Hand]]></category>
		<category><![CDATA[Fort Blossom revisited]]></category>
		<category><![CDATA[John Jasperse]]></category>
		<category><![CDATA[Lindsay Clark]]></category>
		<category><![CDATA[New York Live Arts]]></category>
		<category><![CDATA[Ryoji Ikeda]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=4820</guid>
		<description><![CDATA[In the women’s bathroom of New York Live Arts, each stall sported a small bottle of lower anatomy cleansing solution. Its odd presence must have been care of choreographer John Jasperse whose erogenous zone oriented “Fort Blossom revisited (2000/2012)” held its New York premiere on May 9 in the Chelsea theater.]]></description>
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		<title>Angela Meade makes Berlin Debut; Peaches takes Opera Underground</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4796</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4796#comments</comments>
		<pubDate>Fri, 11 May 2012 12:02:15 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Armin Gramer]]></category>
		<category><![CDATA[Daniel Cramer]]></category>
		<category><![CDATA[Deutsche Oper]]></category>
		<category><![CDATA[Ensemble Kaleidoskop]]></category>
		<category><![CDATA[Guillermo Garcia Calvo]]></category>
		<category><![CDATA[HAU1]]></category>
		<category><![CDATA[I Due Foscari]]></category>
		<category><![CDATA[james jorden]]></category>
		<category><![CDATA[Leo Nucci]]></category>
		<category><![CDATA[Mascha Mazur]]></category>
		<category><![CDATA[Monteverdi]]></category>
		<category><![CDATA[Olof Borman]]></category>
		<category><![CDATA[Orfeo]]></category>
		<category><![CDATA[Peaches]]></category>
		<category><![CDATA[Ramon Vargas]]></category>
		<category><![CDATA[Roberto Rizzi Brignoli]]></category>
		<category><![CDATA[Sabine Neumann]]></category>
		<category><![CDATA[Tagesspiegel]]></category>
		<category><![CDATA[Timo Kreuser]]></category>
		<category><![CDATA[Ulrike Schwab]]></category>
		<category><![CDATA[verdi]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=4796</guid>
		<description><![CDATA[The Deutsche Oper maintains a dedicated West Berlin following not only for its provocative stagings but sober concert operas showcasing star singers. Of nine “premieres” this season, four are in concert, and in the best scenario feature works known for their dramaturgical weaknesses. The house claimed in a press conference last season that it turned [...]]]></description>
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		<title>Job Hopping</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4767</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4767#comments</comments>
		<pubDate>Thu, 10 May 2012 04:15:19 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Arts Administration]]></category>
		<category><![CDATA[Ask Edna]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=4767</guid>
		<description><![CDATA[By: Edna Landau
To ask a question, please write Ask Edna.
Dear Edna:
Although my question is more of a general workplace question than a musical one, I am writing in recognition of the many years you spent at the helm of an artist management agency in hopes that you will give me an honest reaction based on your [...]]]></description>
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		<title>Death in the Concert Hall</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4779</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4779#comments</comments>
		<pubDate>Wed, 09 May 2012 22:01:23 +0000</pubDate>
		<dc:creator>sedgwickclark@aol.com</dc:creator>
				<category><![CDATA[Why I Left Muncie]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=4779</guid>
		<description><![CDATA[by Sedgwick Clark
Mahler Meets Shostakovich
German baritone Matthias Goerne and Norwegian pianist Leif Ove Andsnes performed a fascinating recital of songs by Mahler and Shostakovich at Carnegie Hall on 5/1, all to do with death. Neither composer is Mr. Rogers, but Mahler has been in such vogue for the last 40 years and is such a [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&amp;p=4779</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>If We Paid For It, Don&#8217;t We Own It?</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4772</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4772#comments</comments>
		<pubDate>Wed, 09 May 2012 04:11:47 +0000</pubDate>
		<dc:creator>ftmartslaw</dc:creator>
				<category><![CDATA[Contracts]]></category>
		<category><![CDATA[Copyrights]]></category>
		<category><![CDATA[Law and Disorder: Performing Arts Division]]></category>
		<category><![CDATA[Licensing]]></category>
		<category><![CDATA[Music Rights]]></category>
		<category><![CDATA[Brian Taylor]]></category>
		<category><![CDATA[choreography]]></category>
		<category><![CDATA[copyright protection]]></category>
		<category><![CDATA[creator]]></category>
		<category><![CDATA[designer]]></category>
		<category><![CDATA[ftm]]></category>
		<category><![CDATA[Goldstein]]></category>
		<category><![CDATA[license]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[ownership]]></category>
		<category><![CDATA[permission]]></category>
		<category><![CDATA[volunteer]]></category>
		<category><![CDATA[volunteers]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=4772</guid>
		<description><![CDATA[By Brian Taylor Goldstein
Dear FTM Arts Law:
I am writing on behalf of our non-profit theater group. Several years ago, one of our volunteers designed a new logo for our theater. We paid her $500. At the time, she was friends with our Artistic Director, but they had a falling out. She recently sent us a [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Lifting Ballerinas</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4749</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4749#comments</comments>
		<pubDate>Mon, 07 May 2012 06:30:19 +0000</pubDate>
		<dc:creator>rachel.straus@earthlink.net</dc:creator>
				<category><![CDATA[The Torn Tutu]]></category>
		<category><![CDATA[Andantino]]></category>
		<category><![CDATA[Fokine]]></category>
		<category><![CDATA[Frederic Chopin]]></category>
		<category><![CDATA[George Balanchine]]></category>
		<category><![CDATA[In G Major]]></category>
		<category><![CDATA[In the Night]]></category>
		<category><![CDATA[Jerome Robbins]]></category>
		<category><![CDATA[Jock Soto]]></category>
		<category><![CDATA[Maria Kowroski]]></category>
		<category><![CDATA[Massine]]></category>
		<category><![CDATA[Nancy McDill]]></category>
		<category><![CDATA[New York City Ballet]]></category>
		<category><![CDATA[New York State Theater]]></category>
		<category><![CDATA[Petipa]]></category>
		<category><![CDATA[Ravel]]></category>
		<category><![CDATA[Robert Fairchild]]></category>
		<category><![CDATA[Sebastian Marcovici]]></category>
		<category><![CDATA[Sterling Hyltin]]></category>
		<category><![CDATA[The Cage]]></category>
		<category><![CDATA[Tyler Angle]]></category>
		<category><![CDATA[Water Flowing Together]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=4749</guid>
		<description><![CDATA[Have you ever wondered what it would take to partner a female ballet dancer? The May 6 matinee at New York City Ballet was an excellent primer for any one considering that question. In each of the four works from the All (Jerome) Robbins program, at the former New York State Theater, the male lead rarely left the side of his female partner.]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Korngold replaces Golijov; Double-Portrait of Nancarrow and Vivier</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4732</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4732#comments</comments>
		<pubDate>Fri, 04 May 2012 14:31:55 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Berlin Philharmonic]]></category>
		<category><![CDATA[Deutschland Radio]]></category>
		<category><![CDATA[Eugene Symphony]]></category>
		<category><![CDATA[Gustavo Dudamel]]></category>
		<category><![CDATA[Holger Hettinger]]></category>
		<category><![CDATA[Korngold]]></category>
		<category><![CDATA[Laboratorium]]></category>
		<category><![CDATA[Leonidas Kavakos]]></category>
		<category><![CDATA[Ligeti]]></category>
		<category><![CDATA[Lucerne Festival Academy]]></category>
		<category><![CDATA[Nancarrow]]></category>
		<category><![CDATA[Oswaldo Golijov]]></category>
		<category><![CDATA[Patrick Crossland]]></category>
		<category><![CDATA[Ravel]]></category>
		<category><![CDATA[Strauss]]></category>
		<category><![CDATA[Vivier]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=4732</guid>
		<description><![CDATA[While Berlin can boast its share of world premieres, the cancellation of Oswaldo Golijov’s Violin Concerto with Leonidas Kavakos and the Philharmonic last month dealt a blow to what would have been one of the most exciting events of the season. Even though the announcement came as little surprise given that he failed to finish [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&amp;p=4732</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Soloist, Collaborator or Both?</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4724</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4724#comments</comments>
		<pubDate>Thu, 03 May 2012 05:00:29 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Listening to Your Inner Voice]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=4724</guid>
		<description><![CDATA[By: Edna Landau
To ask a question, please write Ask Edna.
Dear Edna:
I am a pianist finishing my first of two years in a graduate program at an American conservatory. I received my undergraduate degree at the same conservatory. Over the years, I was fortunate to have been frequently sought out as a collaborative artist for recitals with [...]]]></description>
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