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	<title>Musical America Blogs</title>
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		<title>Spring for Ives</title>
		<link>http://www.musicalamerica.com/mablogs/?p=11239</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=11239#comments</comments>
		<pubDate>Thu, 23 May 2013 06:27:44 +0000</pubDate>
		<dc:creator>sedgwickclark@aol.com</dc:creator>
				<category><![CDATA[Why I Left Muncie]]></category>

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		<description><![CDATA[by Sedgwick Clark Too bad that we have only one more season of Carnegie Hall’s Spring for Music series to anticipate. Programs have been stimulating and the artists notable. Tickets cost only $25 a seat! But our economy hasn’t cooperated: The Oregon Symphony under Carlos Kalmar—whose concert in the initial season was my favorite concert [...]]]></description>
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		<title>Hi, I&#8217;m Adam Schoenberg</title>
		<link>http://www.musicalamerica.com/mablogs/?p=11233</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=11233#comments</comments>
		<pubDate>Thu, 23 May 2013 04:15:38 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Ask Edna]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=11233</guid>
		<description><![CDATA[By: Edna Landau To ask a question, please write Ask Edna. Adam Schoenberg is a very gifted young composer with a knack for building relationships. He first entered my life early in 2011, shortly after I started writing this blog. He wrote me a lovely e-mail, saying that there were things he wanted to “Ask Edna” [...]]]></description>
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		<title>New I-94 Process for Artists Touring the United States</title>
		<link>http://www.musicalamerica.com/mablogs/?p=11215</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=11215#comments</comments>
		<pubDate>Wed, 22 May 2013 05:13:26 +0000</pubDate>
		<dc:creator>ggartslaw</dc:creator>
				<category><![CDATA[Artist Management]]></category>
		<category><![CDATA[Arts Management]]></category>
		<category><![CDATA[Employees]]></category>
		<category><![CDATA[Law and Disorder: Performing Arts Division]]></category>
		<category><![CDATA[Taxes]]></category>
		<category><![CDATA[Touring]]></category>
		<category><![CDATA[Visas]]></category>
		<category><![CDATA[airline carrier]]></category>
		<category><![CDATA[artist]]></category>
		<category><![CDATA[Brian Taylor]]></category>
		<category><![CDATA[canada]]></category>
		<category><![CDATA[cards]]></category>
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		<category><![CDATA[departure date]]></category>
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		<category><![CDATA[electronic travel]]></category>
		<category><![CDATA[Goldstein]]></category>
		<category><![CDATA[immigration]]></category>
		<category><![CDATA[ITIN]]></category>
		<category><![CDATA[processing times]]></category>
		<category><![CDATA[Tour]]></category>
		<category><![CDATA[travel]]></category>
		<category><![CDATA[travel records]]></category>
		<category><![CDATA[uscis]]></category>
		<category><![CDATA[visa category]]></category>
		<category><![CDATA[visa petition]]></category>
		<category><![CDATA[visas]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=11215</guid>
		<description><![CDATA[By Brian Taylor Goldstein, Esq. Dear Law and Disorder: I heard that US Immigration will no longer be giving foreign artists the little white card they used to get when an artist entered the US. The cards were stamped with the artist’s visa category and the date they had to leave. It was my understanding [...]]]></description>
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		<title>Expunged &#8216;Tannhäuser&#8217; opens Debate on Artistic Freedom</title>
		<link>http://www.musicalamerica.com/mablogs/?p=11177</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=11177#comments</comments>
		<pubDate>Fri, 17 May 2013 10:58:34 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Akademie der Künste]]></category>
		<category><![CDATA[bayreuth festival]]></category>
		<category><![CDATA[Burkhard C. Kosminski]]></category>
		<category><![CDATA[Cicero]]></category>
		<category><![CDATA[Der Spiegel]]></category>
		<category><![CDATA[Deutsche Oper am Rhein]]></category>
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		<category><![CDATA[Klaus Staeck]]></category>
		<category><![CDATA[musical america]]></category>
		<category><![CDATA[Patrice Chéreau]]></category>
		<category><![CDATA[Rebecca Schmid]]></category>
		<category><![CDATA[richard wagner]]></category>
		<category><![CDATA[Sebastian Baumgartner]]></category>
		<category><![CDATA[stefan herheim]]></category>
		<category><![CDATA[Tannhäuser]]></category>
		<category><![CDATA[World War Two]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=11177</guid>
		<description><![CDATA[By Rebecca Schmid The tolerance of German audiences for extreme stage productions is a source of national pride and the envy of many abroad. But a production of Tannhäuser at the Deutsche Oper am Rhein which had to be stripped down to concert performance last week has set off a national debate about the sanctity [...]]]></description>
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		<title>A Performer with a Passion for Teaching</title>
		<link>http://www.musicalamerica.com/mablogs/?p=11140</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=11140#comments</comments>
		<pubDate>Thu, 16 May 2013 04:15:41 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Ask Edna]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=11140</guid>
		<description><![CDATA[By: Edna Landau To ask a question, please write Ask Edna. Anyone who has read my blog over the past year knows that I am fascinated by the career trajectories of successful people. This week, I have chosen to spotlight a much admired viola professor. My first introduction to Barbara Westphal was in the early 1980’s [...]]]></description>
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		<title>Board Term Limits&#8211;The Kindest Cut of All?</title>
		<link>http://www.musicalamerica.com/mablogs/?p=11153</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=11153#comments</comments>
		<pubDate>Wed, 15 May 2013 06:37:53 +0000</pubDate>
		<dc:creator>ggartslaw</dc:creator>
				<category><![CDATA[Arts Management]]></category>
		<category><![CDATA[Law and Disorder: Performing Arts Division]]></category>
		<category><![CDATA[Non-Profits]]></category>
		<category><![CDATA[Venues]]></category>
		<category><![CDATA[board member]]></category>
		<category><![CDATA[board members]]></category>
		<category><![CDATA[board membership]]></category>
		<category><![CDATA[Brian Taylor]]></category>
		<category><![CDATA[Goldstein]]></category>
		<category><![CDATA[nominating committee]]></category>
		<category><![CDATA[performing arts center]]></category>
		<category><![CDATA[term limits]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=11153</guid>
		<description><![CDATA[By Brian Taylor Goldstein, Esq. Dear Law and Disorder: We are a small non-profit that runs a performing arts center. In up dating our by-laws, its been recommended that we establish term limits for our directors and officers, as well as a formal nominating committee. Do we really need such formalities? We’re very small and [...]]]></description>
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		<title>Safe and sorry</title>
		<link>http://www.musicalamerica.com/mablogs/?p=11106</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=11106#comments</comments>
		<pubDate>Fri, 10 May 2013 19:42:30 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=11106</guid>
		<description><![CDATA[It may have been Robert A. Heinlein or Napoleon Bonaparte who first crafted that variation on Occam’s Razor “Never attribute to malice that which can be adequately explained by stupidity.”]]></description>
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		<title>A Tale of Two Pianists</title>
		<link>http://www.musicalamerica.com/mablogs/?p=11092</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=11092#comments</comments>
		<pubDate>Thu, 09 May 2013 22:39:45 +0000</pubDate>
		<dc:creator>sedgwickclark@aol.com</dc:creator>
				<category><![CDATA[Why I Left Muncie]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=11092</guid>
		<description><![CDATA[by Sedgwick Clark Evgeny Kissin Two pianistic superstars played two days apart last weekend at Carnegie Hall. I had avoided their recitals for years but thought I should try again since I was in town for the weekend. The first was Evgeny Kissin, 41. His prodigious prowess is documented from his earliest years at the [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>A Healthy Approach to Competitions</title>
		<link>http://www.musicalamerica.com/mablogs/?p=11074</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=11074#comments</comments>
		<pubDate>Thu, 09 May 2013 04:15:53 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[Publicity and Promotion]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=11074</guid>
		<description><![CDATA[By: Edna Landau To ask a question, please write Ask Edna. ‘Tis the season to perform in a competition. A little over two weeks ago, the American Pianists Association announced that pianist Sean Chen is the winner of the 2013 Christel DeHaan Classical Fellowship, valued at over $100,000. As I write this column, 63 candidates are [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Student Visas: A School for Scandal?</title>
		<link>http://www.musicalamerica.com/mablogs/?p=11059</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=11059#comments</comments>
		<pubDate>Wed, 08 May 2013 06:26:18 +0000</pubDate>
		<dc:creator>ggartslaw</dc:creator>
				<category><![CDATA[Agents]]></category>
		<category><![CDATA[Artist Management]]></category>
		<category><![CDATA[Employees]]></category>
		<category><![CDATA[Law and Disorder: Performing Arts Division]]></category>
		<category><![CDATA[Taxes]]></category>
		<category><![CDATA[Touring]]></category>
		<category><![CDATA[Visas]]></category>
		<category><![CDATA[academic year]]></category>
		<category><![CDATA[Brian Taylor]]></category>
		<category><![CDATA[campus concerts]]></category>
		<category><![CDATA[campus recitals]]></category>
		<category><![CDATA[conservatories]]></category>
		<category><![CDATA[curricular practical training]]></category>
		<category><![CDATA[cwa]]></category>
		<category><![CDATA[degree program]]></category>
		<category><![CDATA[Goldstein]]></category>
		<category><![CDATA[graduate school degree]]></category>
		<category><![CDATA[immigration law]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[optional practical training]]></category>
		<category><![CDATA[part time]]></category>
		<category><![CDATA[recitals]]></category>
		<category><![CDATA[Russia]]></category>
		<category><![CDATA[russian musician]]></category>
		<category><![CDATA[student visa]]></category>
		<category><![CDATA[students]]></category>
		<category><![CDATA[tax obligations]]></category>
		<category><![CDATA[uscis]]></category>
		<category><![CDATA[visas]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=11059</guid>
		<description><![CDATA[By Brian Taylor Goldstein, Esq. Dear Law and Disorder: May a non-resident alien (Russian) musician here for an advance graduate school degree on an F-1 visa be paid for playing some off-campus recitals? Are they considered &#8220;Curricular Practical Training&#8221; which is supposed to be allowed, if approved by the Designated School Official? (Of course, 30% of the gross [...]]]></description>
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