Posts Tagged ‘Michele Mariotti’
Tuesday, April 25th, 2017
By ANDREW POWELL Published: April 25, 2017 BOLOGNA — Teatro Comunale’s busy direttore musicale Michele Mariotti, 38, ventured his 33rd and 34th operas* this month with a foray in verismo, the terse tribulations of Cavalleria rusticana, and, incongruously, La voix humaine, a vehicle for the Bologna-schooled soprano, former mezzo, Anna Caterina Antonacci. He chose big […]
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Tags: Andrea Faidutti, Anna Caterina Antonacci, Bologna, Carmen Topciu, Cocteau, Coro del Teatro Comunale di Bologna, Emma Dante, Gezim Myshketa, La voix humaine, Marco Berti, Mascagni, Michele Mariotti, Orchestra del Teatro Comunale di Bologna, Poulenc, Recensione, Review, Teatro Comunale
Posted in Munich Times | Comments Off on Voix and Cav
Friday, March 25th, 2016
By ANDREW POWELL Published: March 25, 2016 BOLOGNA — Two years ago all was bleak in music circles here. Orchestra Mozart had folded. Claudio Abbado died. Teatro Comunale lumbered toward a fiscal guillotine mandated by the government. Now, the sun is back, much of it radiating from the reorganized opera house where Nicola Sani holds […]
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Tags: Andrea Faidutti, Attila, Beethoven, Bologna, Carmela Remigio, Coro del Teatro Comunale di Bologna, Daniele Abbado, Fabio Sartori, Gezim Myshketa, Giuseppe Gipali, Giuseppe Verdi, Ildebrando d’Arcangelo, Maria José Siri, Michael Schade, Michele Mariotti, Michele Pertusi, Nicola Sani, Orchestra del Teatro Comunale di Bologna, RAI, Recensione, Review, Riccardo Zanellato, Simone Piazzola, Stefanna Kybalova, Teatro Comunale, Teatro La Fenice, Teatro Massimo di Palermo, Veronica Simeoni
Posted in Munich Times | Comments Off on Mariotti Cheers Up Bologna
Wednesday, September 23rd, 2015
By ANDREW POWELL Published: September 23, 2015 MUNICH — Post is under revision. Still image from video © Bayerische Staatsoper Related posts: Nitrates In the Canapés Muti the Publisher Honeck Honors Strauss Kušej Saps Verdi’s Forza Time for Schwetzingen
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Tags: Amanda Forsythe, Andrew Foster-Williams, Antonino Fogliani, Antonio Pappano, Antú Romero Nunes, Bad Wildbad, Bavarian State Opera, Bayerische Staatsoper, Bongiovanni, Bryan Hymel, Camerata Bach Chor Poznań, CD, Commentary, Coro del Teatro Comunale di Bologna, Damiano Michieletto, Dan Ettinger, Decca, DVD, Evgeniya Sotnikova, Gerald Finley, Graham Vick, Guillaume Tell, Günther Groissböck, Jochen Schönleber, John Osborn, Juan Diego Flórez, Judith Howarth, Kritik, Luca Tittoto, Malin Byström, Marina Rebeka, Michael Spyres, Michael Volle, Michele Mariotti, München, Münchner Opernfestspiele, Munich, Munich Opera Festival, National Theater, Nationaltheater, Naxos, Nicola Alaimo, Nicolas Courjal, Opus Arte, Orchestra del Teatro Comunale di Bologna, Pesaro, Raffaele Facciolà, Review, Rossini, Rossini Opera Festival, Royal Opera House, Sofia Fomina, Tara Stafford, Virtuosi Brunenses
Posted in Munich Times | Comments Off on Guillaume Tells
Sunday, April 26th, 2015
By ANDREW POWELL Published: April 26, 2015 MUNICH — He will always be attached to Rossini, but Michele Mariotti, 36, can probe and illuminate a vast repertory besides. This much was evident March 23 in a refreshing return engagement with the Münchner Symphoniker. The Pesaro-born maestro’s podium technique and constructive manner recall another Rossinian, the […]
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Tags: Guillaume Tell, Meeresstille und glückliche Fahrt, Mendelssohn, Michele Mariotti, München, Münchner Symphoniker, Munich, Prinz-Regenten-Theater, Ray Chen, Review, Rossini, Schubert, Wolfgang Amadeus Mozart
Posted in Munich Times | Comments Off on Mariotti North of the Alps