Posts Tagged ‘Munich’

Mastersingers’ Depression

Tuesday, May 17th, 2016

By ANDREW POWELL Published: May 17, 2016 MUNICH — Beckmesser blew his brains out at the end of Die Meistersinger von Nürnberg last night here (May 16) in the Nationaltheater. That was after first aiming his gun at the back of the head of Sachs — who was sitting moping because Stolzing had ignored his […]

Read the rest of this article »

Gloom, Doom from the Arcanto

Tuesday, May 10th, 2016

By ANDREW POWELL Published: May 10, 2016 MUNICH — As if to unify its program of late Beethoven and Schubert last week (May 4) at the Court Church of All Saints, the Arcanto Quartet stressed gloom wherever possible. Playing of intensity and integrity supported this approach, and, to be sure, the Heiliger Dankegesang String Quartet, […]

Read the rest of this article »

500 Years of Pure Beer

Saturday, April 23rd, 2016

By ANDREW POWELL Published: April 23, 2016 MUNICH — Before there was Food Babe, there was Duke Wilhelm IV of Bavaria (reign 1508–1550), a man who valued good music and liked his beer free of nettles, sawdust, roots, and other 16th-century “adjuncts,” as unwelcome food ingredients are now termed. Wilhelm made musical history in 1523 […]

Read the rest of this article »

Petrenko Hosts Petrenko

Friday, April 22nd, 2016

By ANDREW POWELL Published: April 22, 2016 MUNICH — Vasily Petrenko’s debut at Bavarian State Opera this weekend prompts a glance at two Russian-born, modestly profiled conductors who have built distinct careers in Western Europe while sharing a last name. The guest from Liverpool will lead Boris Godunov, last revived two years ago by company […]

Read the rest of this article »

BR’s Full-Bodied Vin Herbé

Friday, March 18th, 2016

By ANDREW POWELL Published: March 18, 2016 MUNICH — It would be a novelty to hear Le vin herbé the way composer Frank Martin conceived it. The 1940 secular chamber oratorio reportedly soars when realized in concert by twelve French-singing voices, double string trio, double bass and piano — its lean forces yet complex harmony […]

Read the rest of this article »

Six Husbands in Tow

Sunday, March 13th, 2016

By ANDREW POWELL Published: March 13, 2016 MUNICH — Some contracts come with strings attached. Others with husbands. In a remarkable set of coincident artistic priorities for company boss Nikolaus Bachler — or a broad capitulation — Bavarian State Opera’s 2016–17 season, announced today, features no fewer than six divas in performance with their husbands. […]

Read the rest of this article »

Die Fledermaus Returns

Sunday, January 31st, 2016

By ANDREW POWELL Published: January 31, 2016 MUNICH — Three years ago Bavarian State Opera’s yearly Silvester performances of Die Fledermaus came to a sudden, poorly excused halt. Never mind that they were a global signature of the company; Carlos Kleiber famously led ten of them. As substitutes, the powers-that-be provided La traviata (Verdi was […]

Read the rest of this article »

Muti Crowns Charles X

Thursday, January 14th, 2016

By ANDREW POWELL Published: January 14, 2016 MUNICH — Framed by an andante Kyrie and a beguiling instrumental Communion marked grave, Cherubini’s 1825 Coronation Mass for Charles X is one handsome piece of music. No, its movements are not exactly symphonic. They sound bonded to the flow of the service, so much so that unset […]

Read the rest of this article »

Poulenc Heirs v. Staatsoper

Thursday, January 7th, 2016

By ANDREW POWELL Published: January 7, 2016 MUNICH — Bavarian State Opera will defy the heirs of Francis Poulenc and proceed with revival performances of its literally explosive staging of Dialogues des Carmélites later this month, the company said today. The 2010 production by Dmitri Tcherniakov departs from the scheme of the composer and the […]

Read the rest of this article »

Trifonov’s Rach 3 Cocktail

Wednesday, December 30th, 2015

By ANDREW POWELL Published: December 30, 2015 MUNICH — The first-movement cadenza exploded out of its context in Daniil Trifonov’s novel reading here Dec. 14 of Rachmaninoff’s Third Piano Concerto. This meant, among other compromises, a slight suppression of everything that preceded it, including, crucially, the development section. Trifonov understated the folksy first subject and […]

Read the rest of this article »