Unemployment and the CARES Act For Non-US Artists April 7, 2020 By Brian Taylor Goldstein Shocking as it may sound, USCIS has passed a tiny wind of hope in the direction of artist visas during this coronavirus pandemic. The Department of Homeland Security (which sets the policies for USCIS) has confirmed that applying for unemployment […]
Read the rest of this article »Cancelled Engagements, Unemployment, Layoffs, and Visa Renewals March 31, 2020 By Brian Taylor Goldstein As the tumbleweeds blow through Times Square and we begin to consider the viability of Easter peeps or even kale to supplement the dwindling toilet paper supplies, there is an understandable amount of angst and confusion on many fronts. Not least […]
Read the rest of this article »By Brian Taylor Goldstein In short, not much. As you can imagine, this was announced without any details as to how, exactly, this was going to work in terms of screening, implementation, flight schedules, etc. But here what we know so far… Anyone who has been in one of the 26 European countries in the […]
Read the rest of this article »By Brian Taylor Goldstein Let’s all step back and take a breath for moment. As you can imagine, the coronavirus has overrun (dare I say “infected?”) our office with an ever growing stream of cancellations based on force majeur and concerns from venues, presenters, agents, and artists from around the world. As the situation has […]
Read the rest of this article »By Robyn Guilliams, Esq. Dear Law & Disorder, I am a member of a band in Canada, and we do quite a few performances in the U.S. each year. Our accountant has always told us that we don’t need to file income tax returns in the U.S., because the band is incorporated, and also […]
Read the rest of this article »I recently spoke with my friend Ken Ueno, a composer on the faculty at UC Berkeley, about the upcoming premiere of his opera Gallo. It will be presented by Guerrilla Opera in May in Boston. Below are excerpts from our chat. CC: How did you come to decide to compose an opera? KU: Theater has […]
Read the rest of this article »By: Edna Landau To ask a question, please write Ask Edna. House concerts are a wonderful way to discover new talent. My friend Michael Reingold, who is the founder and Artistic Director of New York House Concerts, recently invited me to hear a young American cellist by the name of Dane Johansen in a concert consisting […]
Read the rest of this article »By: Edna Landau To ask a question, please write Ask Edna. One of the seminars I have led most often in recent years is entitled “A Backstage View of Artist Management”. Here are some of the questions I am most frequently asked: How will I know when I am ready for management? The hardest thing about […]
Read the rest of this article »By Sedgwick Clark “He’s so variable.” That’s the first thing critics say about Valery Gergiev. He conducted his Mariinsky Orchestra three times at Carnegie Hall in an eight-day period early this month, interrupted by four Met performances (two on Saturday) and runouts to Newark and Washington, D.C. Even when he was busy at the Met, […]
Read the rest of this article »By: Edna Landau Dear Edna: I am a violinist with a Bachelor’s and Master’s degree from a major American conservatory. I have won top prizes in some competitions and have always expected that I would be able to attract management and enjoy a solo career. As of late, I have begun to have my doubts […]
Read the rest of this article »
