We are living in the age of the male choreographer, again. Seventeenth and 18th century ballet masters were traditionally male and the acknowledged great names in ballet—Petipa, Fokine, Massine, Balanchine, Ashton, Tudor, MacMillan, Cranko, and now Ratmansky—are all men. Modern dance, on the hand, was until recently the domain of the female choreographer. (Think Isadora Duncan and Martha Graham.) Yet modern dance, which is now called contemporary dance, no longer boasts as many strong female choreographers as it did in its heyday (1910 to 1960). What happened to the predominance of powerful, highly visible female choreographers?
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