Saturday, January 31st, 2015
Peck’s Heatscape video promo doesn’t express bohemian culture as much as it reveals the corporatization of culture, marketed to young people in spaces owned by real estate titans. Let’s hope Peck’s actual ballet doesn’t fumble so drastically into contested urban spaces, where art and big business are meeting. Let’s hope Heatscape is just a hot dance.
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Tags: Bohuslav Martinu, Camila Álvarez, Concerto for Piano and Orchestra No. 1 in D Major, David Edelstein, Deuce Coupe, Edward Villella, Ezra Hurwit, Heatscape, Justin Peck, Kravis Center, Lourdes Lopez, Miami City Ballet, Natalie Edgar, New York City Ballet, Paz de la Jolla, Rachel Straus, Right to Wynwood, Shepard Fairey, Tony Goldman, Twyla Tharp, Wynwood
Posted in The Torn Tutu | Comments Off on Justin Peck’s New Graffiti Ballet
Friday, March 15th, 2013
Peck, a twenty-five year old City Ballet corps member, is not a complete novice in the art of choreography. La Jolla is his fourth work for City Ballet, following his most recent critical success, Year of the Rabbit. But La Jolla, set to Bohuslav Martinu’s Sinfonietta la Jolla, didn’t win me over. Peck’s choreography rarely conjures any sense of La Jolla as an actual place. The ballet seems to be in the service of displaying the dancers’ high level of technical ability, and Peck’s choreographic proficiency. He skillfully arranges his 18 dancers in geometric formations and patterns through an array of steps that feature the classical ballet lexicon. It’s a charming, impressive display. However the confounding part about La Jolla is what it actually evokes: the urgent, frenetic pace of New York.
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Tags: Alexei Ratmansky, Amar Ramasar, California, Cleo Person, Concerto DSCH, Jerome Robbins, Justin Peck, N.Y. Export: Opus Jazz, New York City Ballet, New York State Theater, Paz de la Jolla, Reid Bartelme, Sterling Hyltin, Tyler Peck, Year of the Rabbit
Posted in The Torn Tutu | Comments Off on Paz de la Jolla: A trip to the ballet, not to California