Posts Tagged ‘Jerome Robbins’
Monday, September 21st, 2015
Two mid-size ballet companies in North America are in search of artistic directors. Gradimir Pankov is leaving his post at Les Grands Ballets Canadiens of Montreal after 15 years. John McFall is departing Atlanta Ballet after 20 years. In comparison to the majority of the 140-odd ballet troupes across the North American continent, which have minimal seasons and only a handful of dancers, Les Grands and Atlanta employ between 20 and 30 dancers and commission in-demand choreographers for their seasons and tours. So, what is required to helm a ballet company?
Read the rest of this article »
Tags: American Ballet Theatre, Angel Corella, Atlanta Ballet, Christopher Wheeldon, Frederick Ashton, George Balanchine, Gradimir Pankov, Jerome Robbins, John Cranko, John McFall, José Manuel Carreño, Les Ballets Grands Canadiens, Lourdes Lopez, Miami City Ballet, Morphoses, New York City Ballet, Pennsylvania Ballet, Rachel Straus, San Jose Cleveland Ballet, Sarasota Ballet, Silicon Vallet Ballet
Posted in The Torn Tutu | Comments Off on Wanted: Artistic Director of a Ballet Company
Saturday, October 4th, 2014
The blogosphere is alive with news about the current forays of New York City ballet principal dancers Robert Fairchild, Megan Fairchild, and Tyler Peck into Broadway.
Read the rest of this article »
Tags: An American in Paris, Andrew Veyette, Broadway, Christopher Wheeldon, Edgar Degas, Fancy Free, George Balanchine, Jack Cole, Jerome Robbins, kennedy center, Little Dance, Little Dancer Aged Fourteen, marie van Goethem, Megan Fairchild, New York City Ballet, NY Export: Opus Jazz, On The Town, Rachel Straus, Robert Fairchild, Susan Stroman, Tyler Peck
Posted in The Torn Tutu | Comments Off on Ballet Goes to Broadway, Again
Friday, March 15th, 2013
Peck, a twenty-five year old City Ballet corps member, is not a complete novice in the art of choreography. La Jolla is his fourth work for City Ballet, following his most recent critical success, Year of the Rabbit. But La Jolla, set to Bohuslav Martinu’s Sinfonietta la Jolla, didn’t win me over. Peck’s choreography rarely conjures any sense of La Jolla as an actual place. The ballet seems to be in the service of displaying the dancers’ high level of technical ability, and Peck’s choreographic proficiency. He skillfully arranges his 18 dancers in geometric formations and patterns through an array of steps that feature the classical ballet lexicon. It’s a charming, impressive display. However the confounding part about La Jolla is what it actually evokes: the urgent, frenetic pace of New York.
Read the rest of this article »
Tags: Alexei Ratmansky, Amar Ramasar, California, Cleo Person, Concerto DSCH, Jerome Robbins, Justin Peck, N.Y. Export: Opus Jazz, New York City Ballet, New York State Theater, Paz de la Jolla, Reid Bartelme, Sterling Hyltin, Tyler Peck, Year of the Rabbit
Posted in The Torn Tutu | Comments Off on Paz de la Jolla: A trip to the ballet, not to California
Monday, May 7th, 2012
Have you ever wondered what it would take to partner a female ballet dancer? The May 6 matinee at New York City Ballet was an excellent primer for any one considering that question. In each of the four works from the All (Jerome) Robbins program, at the former New York State Theater, the male lead rarely left the side of his female partner.
Read the rest of this article »
Tags: Andantino, Fokine, Frederic Chopin, George Balanchine, In G Major, In the Night, Jerome Robbins, Jock Soto, Maria Kowroski, Massine, Nancy McDill, New York City Ballet, New York State Theater, Petipa, Ravel, Robert Fairchild, Sebastian Marcovici, Sterling Hyltin, The Cage, Tyler Angle, Water Flowing Together
Posted in The Torn Tutu | Comments Off on Lifting Ballerinas
Thursday, January 26th, 2012
There is nothing like a good ballet spoof. At New York City Ballet’s January 21 matinee performance, the company danced at Lincoln Center Jerome Robbins’ “The Concert” (1956). Whether you get the inside jokes regarding specific ballets, Robbins’s jabs at ballet traditions—the good, bad and the ugly—directly communicate.
Read the rest of this article »
Tags: Amanda Hankes, Andrew Veyette, Cameron Grant, Cedar Lake Contemporary Ballet Theater, concerto in d minor for two violins, Concerto Nuovo, Dancers Responding to AIDS, Danny Kaye, Frederic Chopin, J.S. Bach, Jeremy McQueen, Jerome Robbins, Knock on Wood, lincoln center, Maria Kowroski, Michael Kidd, New York City Ballet, Paramount Pictures, Russian ballet, The Concert
Posted in The Torn Tutu | Comments Off on The joys of the ballet spoof
Monday, January 24th, 2011
By Rachel Straus If you’re a ballet lover, you know her name. Sara Mearns. New York Times senior dance critic Alastair MacAulay recently called her “the greatest American ballerina of our time.” On January 21, she performed in Jerome Robbins’s Dances at a Gathering (1969) and Alexei Ratmansky’s Concerto DSCH (2008) with the New York […]
Read the rest of this article »
Tags: Alastair MacAulay, Alexei Ratmansky, Jerome Robbins, New York City Ballet, Sara Mearns, Tyler Angle
Posted in The Torn Tutu | Comments Off on The Orchid of New York City Ballet