Monday, November 9th, 2015
Mark Morris’s After You, a new commission from American Ballet Theatre, is textbook pleasant and thus a convenient opener for a company wishing to present a thirty-minute ensemble work. Performed by 12 dancers and set to a composition by Johann Hummel (Septet in C-major, Op.114 “The Military”), the ballet’s title, After You, refers to what is said when two people nearly collide. One person gives permission for the other to take the lead. Thus the ballet, seen October 27 at the former New York State Theater, evokes an abnormally civilized world of dance—especially for Morris, who has been celebrated for making ballets to classical music that dabble in physicalized human faux pas
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Tags: American Ballet Theatre, Calvin Royal III, Cory Stearns, Frederick Ashton, Gillian Murphy, Green Table, Isaac Mizrahi, Johann Hummel, Kurt Jooss, Marcelo Gomes, Mark Morris, Monotones I and II, Rachel Straus, Satie, Stella Abrera, Stephanie Jordan, Thomas Forster, Veronika Park
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Monday, September 21st, 2015
Two mid-size ballet companies in North America are in search of artistic directors. Gradimir Pankov is leaving his post at Les Grands Ballets Canadiens of Montreal after 15 years. John McFall is departing Atlanta Ballet after 20 years. In comparison to the majority of the 140-odd ballet troupes across the North American continent, which have minimal seasons and only a handful of dancers, Les Grands and Atlanta employ between 20 and 30 dancers and commission in-demand choreographers for their seasons and tours. So, what is required to helm a ballet company?
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Tags: American Ballet Theatre, Angel Corella, Atlanta Ballet, Christopher Wheeldon, Frederick Ashton, George Balanchine, Gradimir Pankov, Jerome Robbins, John Cranko, John McFall, José Manuel Carreño, Les Ballets Grands Canadiens, Lourdes Lopez, Miami City Ballet, Morphoses, New York City Ballet, Pennsylvania Ballet, Rachel Straus, San Jose Cleveland Ballet, Sarasota Ballet, Silicon Vallet Ballet
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