Archive for the ‘Munich Times’ Category

Pogorelich Soldiers On

Monday, March 16th, 2015

By ANDREW POWELL Published: March 16, 2015 MUNICH — Ivo Pogorelich wants to continue to play. He has recital programs planned out till 2020. He keeps several concertos in his repertory (two of them, the Chopin F-Minor and Prokofiev Third, performed here persuasively in recent seasons). He is “pleased,” he writes, about a new box […]

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Gergiev Prep Hours Clarified

Friday, March 13th, 2015

By ANDREW POWELL Published: March 13, 2015 MUNICH — This morning the Munich Philharmonic detailed the rehearsal hours put in by Valery Gergiev for a Stravinsky program here in December 2013. They totaled 14¼, a lavish allocation by the heavily branded maestro given his skimpy work in Poland and Russia the same week, to wit: […]

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Leipzig’s Finest

Friday, March 6th, 2015

By ANDREW POWELL Published: March 6, 2015 MUNICH — Julian Rachlin’s ebullient, craggy, not so lyrical reading of Tchaikovsky’s Violin Concerto held listeners in rapt attention Feb. 17 here at the Gasteig. His tone, rich and glowing, illuminated this view of the essentially blissful score (1878), as did the occasional wabi-sabi rasp or squeal, and […]

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MPhil Vague on Gergiev Hours

Tuesday, February 24th, 2015

By ANDREW POWELL Published: February 24, 2015 MUNICH — Fourteen months ago irate journalists confronted Valery Gergiev at a news conference here amid his preparations for a Stravinsky program with the Munich Philharmonic. The confrontation wasn’t over music, rather politics, but it did lead to questions for the orchestra’s management about his hours and pay, […]

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Russians Disappoint

Saturday, February 14th, 2015

By ANDREW POWELL Published: February 14, 2015 MUNICH — After four straight days on the road, the Russian National Orchestra looked decidedly bushed for its Jan. 26 MünchenMusik concert at the Gasteig: not the smartest way to play this demanding city. The all-Tchaikovsky program emerged tired-sounding, also somewhat stale interpretively, despite conductor Mikhail Pletnev’s manifest […]

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Kuhn Paces Bach Oratorio

Sunday, February 8th, 2015

By ANDREW POWELL Published: February 8, 2015 ERL — Conceivably for the first time someone has conducted Wagner’s Ring and Bach’s Weihnachts-Oratorium, complete, in the same year. Gustav Kuhn, the someone, brought stylistic fluency to both cycles, apparently unfazed and undiminished by the chasm in between. The Bach opened the Tiroler Festspiele’s winter activities in […]

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Edusei’s Slick Elias

Sunday, January 25th, 2015

By ANDREW POWELL Published: January 25, 2015 MUNICH — Although it brings together skilled players, the Münchner Symphoniker has operated as something of a fifth wheel in the musical scene here. That may be about to change. Kevin John Edusei, the orchestra’s new Bielefeld-born chief conductor, 38, revealed impressive capacities as musician and personality in […]

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Carydis Woos Bamberg

Sunday, January 4th, 2015

By ANDREW POWELL Published: January 4, 2015 BAMBERG — When the Bamberger Symphoniker replaces its Chefdirigent next year, it could do worse than hiring Constantinos Carydis. The intense but discreet Athenian secured creative and technically superb playing in a Nordic and Impressionist program Nov. 29 here at the Joseph-Keilberth-Saal, confirming skills he has shown in […]

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Plush Strings of Luxembourg

Wednesday, December 31st, 2014

By ANDREW POWELL Published: December 31, 2014 MUNICH — Lëtzebuerg Stad, a.k.a. Luxembourg-Ville, population 100,000, holds a spiffier position in the musical firmament these days. Its orchestra has graduated from the legendary but somewhat seedy aegis of Radio Luxembourg — once a commercial thorn in the national broadcasting sides of France and Britain — and […]

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Schultheiß Savors the Dvořák

Saturday, December 13th, 2014

By ANDREW POWELL Published: December 13, 2014 MUNICH — Passive accompanist and intent visionary: Gianandrea Noseda managed to be both Nov. 18 in his debut program with the busy Bavarian State Orchestra. For Dvořák’s Violin Concerto (1879) he indulged David Schultheiß in a lyrical reading that generally took its time, ignoring chances in the outer […]

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