Archive for the ‘Munich Times’ Category
Saturday, May 4th, 2013
By ANDREW POWELL Published: May 4, 2013 MUNICH — Adam Fischer keenly propelled a revival here last night (May 3) of Stephan Kimmig’s 3½-year-old staging of Don Giovanni for the Bavarian State Opera. Predictably, perhaps, the music fared better than the dramma. Hanna-Elisabeth Müller brought an evenly produced, warmly intoned Zerlina. After a tenuous start [...]
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Tags: Alex Esposito, Annette Dasch, Bavarian State Opera, Bavarian State Orchestra, Bayerische Staatsoper, Bayerische Staatsorchester, Carlos Kleiber Prize, Constantinos Carydis, Don Giovanni, Erin Wall, Gerald Finley, Hanna-Elisabeth Müller, Les contes d’Hoffmann, München, Munich, Munich Times, On the Waterfront, Review, Stanley Tucci, Stephan Kimmig, Tareq Nazmi, William Burden, Wolfgang Amadeus Mozart
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Wednesday, April 24th, 2013
By ANDREW POWELL Published: April 24, 2013 MUNICH — Members of the Bavarian Radio Symphony Orchestra venture six times a year to Lake Starnberg, some 20 miles southwest of here, to play chamber music at the Evangelische Akademie Tutzing, or “EAT,” as its website favicon reads. A mid-season program (Feb. 24) paired quintets by Mozart [...]
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Tags: Andreas Marschik, Antonio Spiller, Army of Occupation, Bavaria, Bavarian Radio, Bavarian Radio Symphony Orchestra, Beer-Hall Putsch, BR, BRSO, Christa Jardine, Commentary, Dwight Eisenhower, Elly Ney, Erich Ludendorff, Evangelische Akademie, Feldafing, George Patton, Germany, Helmut Veihelmann, Krankenhaus Tutzing, Lake Starnberg, Leopold Lercher, Lutheran Church, Munich, Munich Times, Review, Schloß Tutzing, Schumann, Silvia Natiello-Spiller, Symphonieorchester des Bayerischen Rundfunks, Thomas Mann, Tutzing, Wolfgang Amadeus Mozart, World War II, XX Corps
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Thursday, March 28th, 2013
By ANDREW POWELL Published: March 28, 2013 MUNICH — Bavarian Radio chose to film Bach’s St Matthew Passion last month here in the Herkulessaal. In blue light. Drafted for the mood-enhanced venture were Karina Gauvin, Gerhild Romberger, Maximilian Schmitt and Michael Nagy, the vocal quartet; Julian Prégardien and Karl-Magnus Fredriksson, as the Evangelist and Christus; [...]
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Tags: Arte TV, Bach, Bavarian Radio, BR, BR Chor, BR Klassik, Chor des Bayerischen Rundfunks, Concerto Köln, Gerhild Romberger, Herkulessaal, Jan Freiheit, Julian Prégardien, Karina Gauvin, Karl-Magnus Fredriksson, Matthäus-Passion, Maximilian Schmitt, Mayumi Hirasaki, Michael Nagy, München, Munich, Munich Times, Peter Dijkstra, Regensburger Domspatzen, Review, St Matthew Passion
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Thursday, February 21st, 2013
By ANDREW POWELL Published: February 21, 2013 MUNICH — As dramaturgy, Calixto Bieito’s new staging here of Mussorgsky’s 7‑scene 1869 Boris Godunov (seen and heard yesterday, Feb. 20) runs into trouble almost immediately. Set in present‑day Russia — identifiable by the up‑to‑date, thug‑police gear and the wall map in Boris’s Terem (Scene 5) — it [...]
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Tags: Alexander Tsymbalyuk, Anatoli Kotcherga, Bavarian State Opera, Bavarian State Orchestra, Bayerische Staatsoper, Bayerische Staatsorchester, Boris Godunov, Gerhard Siegel, Kent Nagano, Kevin Conners, Mezzo TV, München, Munich, Munich Times, Mussorgsky, Okka von der Damerau, Review, Sergei Skorokhodov, Staatsoper Hamburg, Vladimir Matorin, Vladimir Putin
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Wednesday, February 20th, 2013
By ANDREW POWELL Published: February 20, 2013 MUNICH — Bavarian State Opera this month dusted off (sort of) Ferruccio Soleri’s drab staging of Il barbiere di Siviglia. The Italian actor’s action scheme has devolved — presumably in his absence — into an unfocused free-for-all, permissive, at its saddest, of impromptu bopping and weaving to Rossini’s [...]
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Tags: Angela Brower, Bavarian State Opera, Bayerische Staatsoper, Constantinos Carydis, Ferruccio Soleri, Glimmerglass Young Artists, Hanna-Elisabeth Müller, Il barbiere di Siviglia, Ildar Abdrazakov, Javier Camarena, Levente Molnár, München, Munich, Munich Times, Review, Riccardo Frizza, Rossini, Tiziano Bracci
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Sunday, February 17th, 2013
By ANDREW POWELL Published: February 17, 2013 MUNICH — There is a genteel inscrutability about Herbert Blomstedt. Authoritative, tall and silver-haired, he has never cut the profile of a star. His thoughts are calmly his own, locked deep behind a probing gaze and ungroomed eyebrows. Musicians play well for him, perhaps out of a sense [...]
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Tags: Anton Bruckner, Bavarian Radio Symphony Orchestra, Bernard Haitink, BR, BRSO, Christian Thielemann, Daniel Barenboim, Henrik Wiese, Herbert Blomstedt, Lorin Maazel, München, Munich, Munich Philharmonic, Munich Times, Nielsen, Review, Stanislaw Skrowaczewski, Symphonieorchester des Bayerischen Rundfunks
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Friday, February 1st, 2013
By ANDREW POWELL Published: February 1, 2013 MUNICH — In a statement issued today here, Lorin Maazel shed light on the brevity of his tenure as Chefdirigent of the Munich Philharmonic: “I congratulate Valery Gergiev on his appointment as principal conductor … starting the 2015–16 season. I am honored to have been serving as the [...]
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Tags: Christian Thielemann, Lorin Maazel, München, Münchner Philharmoniker, Munich, Munich Philharmonic, Munich Times, News, Valery Gergiev
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Wednesday, January 23rd, 2013
By ANDREW POWELL Published: January 23, 2013 MUNICH — With the city council’s blessing today of Valery Gergiev’s hire as the next Chefdirigent of the Munich Philharmonic, all three of the Bavarian capital’s globally renowned orchestras will be in Soviet-born hands by late 2015. This September, 40-year-old Kirill Petrenko of Omsk, Siberia, finally takes over [...]
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Tags: Abendzeitung, Bavarian Radio Symphony Orchestra, Bavarian State Opera, Bavarian State Orchestra, Bayerische Staatsoper, Bayerische Staatsorchester, BRSO, Chicago Symphony Orchestra, Christian Thielemann, Commentary, Kirill Petrenko, London Symphony Orchestra, Lorin Maazel, LSO, Mariinsky Orchestra, Mariss Jansons, München, Münchener Kammerorchester, Münchner Philharmoniker, Münchner Rundfunkorchester, Münchner Symphoniker, Munich, Munich Philharmonic, Munich Times, News, Riccardo Muti, Rudolf Kempe, Symphonieorchester des Bayerischen Rundfunks, Valery Gergiev
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Tuesday, January 8th, 2013
By ANDREW POWELL Published: January 8, 2013 RAVENNA — Sacred music has lent gravitas to Riccardo Muti’s career since the 1960s. Settings of the Ordinary and the burial service by Bach, Mozart, Cherubini, Schubert, Berlioz, Brahms and Verdi have drawn his attention and received, more often than not, a disciplined performance. No, this is not [...]
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Tags: Alisa Kolosova, Arturo Toscanini, Bach, Bavarian Radio Symphony Orchestra, Berlioz, BR Chor, BRSO, Chicago Symphony Orchestra, Claudio Abbado, Commentary, Giuseppe Verdi, Herbert von Karajan, Johannes Brahms, Karajan Centrum, Luigi Cherubini, Michele Pertusi, Molfetta, München, Munich, Munich Times, Orchestra Cherubini, Ravenna, Review, Riccardo Muti, Rizzoli, Ruth Ziesak, Saimir Pirgu, Salzburger Festspiele, Schubert, Symphonieorchester des Bayerischen Rundfunks, Teatro alla Scala, Teatro dell’Opera di Roma, Vienna Philharmonic
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Friday, December 21st, 2012
By ANDREW POWELL Published: December 21, 2012 MUNICH — They all laughed eight years ago when the Bavarian State Opera set Verdi’s Rigoletto on the Planet of the Apes, and the production fast vanished. Naturally, then, the return of the deformed ducal jester in a new régie last Saturday (Dec. 15) promised relative normalcy, perhaps [...]
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Tags: Árpád Schilling, Bavarian State Opera, Bayerische Staatsoper, Bayerischer Staatsopernchor, Dimitry Ivashchenko, Franco Vassallo, Giuseppe Verdi, Joseph Calleja, Marco Armiliato, München, Munich, Munich Times, Nadia Krasteva, Patricia Petibon, Planet of the Apes, Review, Rigoletto, Vienna State Opera
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