Posts Tagged ‘Haydn’
Sunday, November 26th, 2017
By ANDREW POWELL Published: November 26, 2017 MUNICH — Post is under revision. Photos © Arthaus, BelAir Classiques, Querstand, Supraphon, Warner Classics Related posts: Winter Discs Time for Schwetzingen Ives: Violin Sonatas on CD Chung to Conduct for Trump Manon, Let’s Go
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Tags: Agnieszka Rehlis, Aida, Aldo Protti, Aleksandra Kurzak, Andrea Chénier, Anja Harteros, Anton Bruckner, Antonino Votto, Antonio Pappano, Arthaus, Artur Ruciński, Badischer Staatsopernchor, Bavarian State Orchestra, Bayerisches Staatsorchester, Bayreuther Festspiele, BelAir Classiques, Bellini, Berg, Berlioz, Birgit Nilsson, Bo Skovhus, Bohumil Gregor, Callas, CD, Cesare Valletti, Choeur de l’Opéra du Rhin, Choeur Philharmonique de Strasbourg, Cigánské melodie, Coro del Teatro alla Scala, Coro della Cappella Musicale Pontificia, Coro dell’Accademia Nazionale di Santa Cecilia, Cypresses, Cypřiše, Daniela Sindram, Deutsche Grammophon, Dmitri Tcherniakov, Dmitry Korchak, DVD, Ekaterina Semenchuk, Enzo Mascherini, Erato, Erwin Schrott, Eugenia Ratti, Fiorenza Cossotto, Gewandhaus-Orchester, Gino Penno, Giordano, Giuseppe Modesti, Giuseppe Verdi, Gypsy Melodies, Hanna Hipp, Haydn, Herbert Blomstedt, Herbert von Karajan, Italo Tajo, Ivo Žídek, Jacek Kaspszyk, John Nelson, Joyce DiDonato, Karel Berman, Karl Böhm, Kaufmann, Kirill Petrenko, La sonnambula, Leif Ove Andsnes, Leoš Janáček, Les Troyens, Libuše Prylová, Litany to the Virgin Mary, Macbeth, Marie-Nicole Lemieux, Mario del Monaco, Marlis Petersen, Martti Talvela, Massimo Palombella, Matthias Klink, Michael Spyres, Missa Papae Marcelli, Nicolas Courjal, Norwegian Chamber Orchestra, Orchestra dell’Accademia Nazionale di Santa Cecilia, Orchestre Philharmonique de Strasbourg, Palestrina, Pavol Breslik, Piero Cappuccilli, Plácido Domingo, Prague National Theatre, Premysl Kočí, Querstand, Raina Kabaivanska, Review, Róbert Pechanec, Rudolf Vonásek, Sistine Chapel Choir, Stéphane Degout, Supraphon, Szymanowski, Teatro alla Scala, Tézier, Tristan und Isolde, Věc Makropulos, Victor de Sabata, Vienna State Opera Chorus, Warner Classics, Warsaw Philharmonic, Warsaw Philharmonic Choir, Wiener Staatsopernchor, Wolfgang Windgassen
Posted in Munich Times | Comments Off on Fall Discs
Friday, February 24th, 2017
By ANDREW POWELL Published: February 24, 2017 SALZBURG — The gimmicky proposition of Mozart’s Requiem enhanced with equine ballet dominated this year’s Mozartwoche schedule, and no doubt budget. It capped, in a way, five iterations of the festival lavishly managed by Marc Minkowski and his front-office counterpart Matthias Schulz, and it brought in for the […]
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Tags: Académie Équestre Nationale du Domaine de Versailles, András Schiff, Ave verum corpus, Bartabas, Beethoven, Cappella Andrea Barca, Charles Dekeyser, Elisabeth Kulman, Felsenreitschule, Funeral Anthem for Queen Caroline, Genia Kühmeier, Georg Friedrich Händel, Großes Festspielhaus, Haydn, Leif Ove Andsnes, Les Musiciens du Louvre, Marc Minkowski, Mozarteum, Mozartwoche, Peter Sonn, Piano, Review, Salzburg, Salzburger Bachchor, The Ways of Zion Do Mourn, Thomas Hengelbrock, Vienna Philharmonic, Wolfgang Amadeus Mozart
Posted in Munich Times | Comments Off on Horses for Mozartwoche
Saturday, June 11th, 2016
By ANDREW POWELL Published: June 11, 2016 SEESHAUPT — The men from Lódź, Zagań, Poznań and Warszawa who make up the Meccore Quartet bring phenomenal energy to their work. So goes their reputation, and so it was last Thursday (June 9) here in the Alte Post’s Festsaal on the south shore of Lake Starnberg. Energy, […]
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Tags: Alte Post, Beethoven, Haydn, Jarosław Nadrzycki, Karol Marianowski, Kritik, Lake Starnberg, Meccore Quartet, Michał Bryła, Review, Seeshaupt, Tchaikovsky, Wojciech Koprowski
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Sunday, November 22nd, 2015
By ANDREW POWELL Published: November 22, 2015 MUNICH — At five o’clock last Sunday afternoon, Munich time, three Mariinsky Orchestras began to play. Two of them launched into Pikovaya dama and Die Zauberflöte at the Mariinsky complex in St Petersburg. The third, here at the Gasteig, opened the accompaniment to a witty Shchedrin vocalise. Such […]
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Tags: Alexei Volodin, Aufforderung zum Tanz, Behzod Abduraimov, Commentary, Denis Matsuev, Gasteig, Hartmann, Haydn, Herbert Schuch, Jörg Widmann, Mariinsky Orchestra, Mariinsky Theater, München, Münchner Philharmoniker, Munich, Munich Philharmonic, Naughty Limericks, Olli Mustonen, Pelageya Kurennaya, Prokofiev, Rachmaninoff, Reger, Review, Shchedrin, Valery Gergiev, Vier Tondichtungen nach Böcklin, Weber, Wolfgang Amadeus Mozart
Posted in Munich Times | Comments Off on Maestro, 62, Outruns Players
Friday, June 26th, 2015
By ANDREW POWELL Published: June 26, 2015 MUNICH — It would probably be asking too much for Yannick Nézet-Séguin to stand still while conducting. He likes to throw himself around, as if anything less might diminish the enthusiasm he intends to convey or deprive his musicians of essential signals. Mostly it works. He is after […]
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Tags: A German Requiem, Bavarian Radio Symphony Orchestra, BR Chor, Brahms, Christiane Karg, Ein deutsches Requiem, Haydn, Herkulessaal, Matthias Goerne, München, Munich, Review, Symphonie-Orchester des Bayerischen Rundfunks, Trauersinfonie, Yannick Nézet-Séguin
Posted in Munich Times | Comments Off on Nézet-Séguin: Hit, Miss
Friday, October 31st, 2014
By ANDREW POWELL Published: October 31, 2014 SALZBURG — Alexander Pereira is now gone from the main festival here, and two tenuous summers are in the offing before Markus Hinterhäuser replaces him as Intendant in 2017. His exit, under a cloud, ends a budget tempest but threatens reversals of worthy initiatives he took: lengthening the […]
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Tags: Academy of St Martin In the Fields, Alexander Pereira, Bartoli, Beethoven, Brahms, Commentary, Damiano Michieletto, Ensemble Matheus, Enzo Capuano, Felsenreitschule, Fierrabras, Gluck, Haus für Mozart, Haydn, Helga Rabl-Stadler, Ingo Metzmacher, Ivor Bolton, Javier Camarena, Jean-Christophe Spinosi, Julia Kleiter, La Cenerentola, Markus Hinterhäuser, Mendelssohn, Michail Lifits, Mozarteum, Mozarteumorchester, Murray Perahia, Nicola Alaimo, Peter Stein, Review, Richard Strauss, Rolando Villazón, Rossini, Salzburg, Salzburg Festival, Salzburger Festspiele, Schubert, Sven-Eric Bechtolf, Tomo Keller, Ugo Guagliardo, Vienna Philharmonic, Vienna State Opera Chorus, Vilde Frang, Wiener Philharmoniker, Wiener Staatsopernchor, Wolfgang Amadeus Mozart
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