Posts Tagged ‘Großes Festspielhaus’
Wednesday, August 30th, 2017
By ANDREW POWELL Published: August 30, 2017 SALZBURG — Qualitative upticks at the main festival here have heralded Markus Hinterhäuser’s installment as Intendant after a shaky two-summer void. The priority, it appears, is music itself over theater or opera, as might be expected from a boss who is also a professional pianist. Hinterhäuser is retaining […]
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Tags: Aida, Christina Gansch, Daniela Barcellona, Dmitry Belosselsky, Felsenreitschule, Francesco Meli, Giuseppe Verdi, Golda Schultz, Großes Festspielhaus, Jeanine de Bique, Kritik, La clemenza di Tito, Luca Salsi, Marianne Crebassa, MusicAeterna, Netrebko, Perm, Review, Riccardo Muti, Roberto Tagliavini, Russell Thomas, Salzburg, Salzburg Festival, Salzburger Festspiele, Sellars, Shirin Neshat, Teodor Currentzis, Vienna Philharmonic, Vienna State Opera Chorus, Wiener Philharmoniker, Wiener Staatsopernchor, Willard White, Wolfgang Amadeus Mozart
Posted in Munich Times | Comments Off on Netrebko, Barcellona in Aida
Saturday, June 3rd, 2017
By ANDREW POWELL Published: June 3, 2017 SALZBURG — When artistic control of the Whitsun Festival here moved to Cecilia Bartoli nearly six years ago, its programming changed from a steady focus on one period and place (18th-century Napoli) to shifting annual themes. First there was “Cleopatra.” Next came the idea of “sacrifice.” Then the […]
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Tags: Antonio Pappano, Ariodante, Bartoli, Christof Loy, Christophe Dumaux, Georg Friedrich Händel, Gianluca Capuano, Großes Festspielhaus, Haus für Mozart, Kathryn Lewek, Les Musiciens du Prince, Mendelssohn, Nathan Berg, Norman Reinhardt, Orchestra dell’Accademia Nazionale di Santa Cecilia, Review, Salzburg, Salzburger Bachchor, Sandrine Piau, Tatiana Serjan, Terfel, Whitsun Festival
Posted in Munich Times | Comments Off on Bartoli’s Scot-Themed Whitsun
Friday, February 24th, 2017
By ANDREW POWELL Published: February 24, 2017 SALZBURG — The gimmicky proposition of Mozart’s Requiem enhanced with equine ballet dominated this year’s Mozartwoche schedule, and no doubt budget. It capped, in a way, five iterations of the festival lavishly managed by Marc Minkowski and his front-office counterpart Matthias Schulz, and it brought in for the […]
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Tags: Académie Équestre Nationale du Domaine de Versailles, András Schiff, Ave verum corpus, Bartabas, Beethoven, Cappella Andrea Barca, Charles Dekeyser, Elisabeth Kulman, Felsenreitschule, Funeral Anthem for Queen Caroline, Genia Kühmeier, Georg Friedrich Händel, Großes Festspielhaus, Haydn, Leif Ove Andsnes, Les Musiciens du Louvre, Marc Minkowski, Mozarteum, Mozartwoche, Peter Sonn, Piano, Review, Salzburg, Salzburger Bachchor, The Ways of Zion Do Mourn, Thomas Hengelbrock, Vienna Philharmonic, Wolfgang Amadeus Mozart
Posted in Munich Times | Comments Off on Horses for Mozartwoche
Monday, February 15th, 2016
By ANDREW POWELL Published: February 15, 2016 SALZBURG — There is a pleasure in arriving in Salzburg with snow on the ground. Or maybe the word is reassurance: the city will be real, not a theme park; the people mostly locals, despite the hollowing out of property ownership here; the profile quiet, even intimate, affording […]
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Tags: András Schiff, Bartabas, Commentary, English Baroque Soloists, Felsenreitschule, Großes Festspielhaus, John Eliot Gardiner, Katia et Marielle Labèque, Mendelssohn, Monteverdi Choir, Mozarteum, Mozarteumorchester, Mozartwoche, Nikolaus Harnoncourt, Piano, Review, Salzburg, Sonate écossaise, Variations sérieuses, Wolfgang Amadeus Mozart
Posted in Munich Times | Comments Off on Mozartwoche: January’s Peace
Thursday, August 27th, 2015
By ANDREW POWELL Published: August 27, 2015 SALZBURG — Two beggars sat on either side of the entrance to the Haus für Mozart Aug. 6 as attendees arrived for Norma. As if this was not alarming enough — and it disturbed one’s thoughts more than the tense Résistance staging of Bellini’s opera inside — another […]
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Tags: Adrian Sâmpetrean, Alvis Hermanis, Artur Ruciński, Bartoli, Bellini, Boulez, Commentary, Coro della Radio-Televisione Svizzera, Decca, Della Miles, Ekaterina Semenchuk, Eleanor, Francesco Meli, Gianandrea Noseda, Giovanni Antonini, Giuseppe Verdi, Großes Festspielhaus, Haus für Mozart, Herbert von Karajan, Hilary Summers, John Osborn, Klangforum Wien, Kollegienkirche, Le marteau sans maître, Lonicera caprifolium, Maurizio Biondi, Michele Pertusi, Moshe Leiser, Netrebko, Norma, Olga Neuwirth, Orchestra La Scintilla, Patrice Caurier, Rebeca Olvera, Review, Riccardo Minasi, Salzburg, Salzburg Festival, Salzburger Festspiele, Sylvain Cambreling, Tyshawn Sorey, Vienna Philharmonic, Vienna State Opera Chorus, Wiener Philharmoniker, Wiener Staatsopernchor
Posted in Munich Times | Comments Off on Nitrates In the Canapés