Saturday, October 4th, 2014
The blogosphere is alive with news about the current forays of New York City ballet principal dancers Robert Fairchild, Megan Fairchild, and Tyler Peck into Broadway.
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Tags: An American in Paris, Andrew Veyette, Broadway, Christopher Wheeldon, Edgar Degas, Fancy Free, George Balanchine, Jack Cole, Jerome Robbins, kennedy center, Little Dance, Little Dancer Aged Fourteen, marie van Goethem, Megan Fairchild, New York City Ballet, NY Export: Opus Jazz, On The Town, Rachel Straus, Robert Fairchild, Susan Stroman, Tyler Peck
Posted in The Torn Tutu | Comments Off on Ballet Goes to Broadway, Again
Friday, March 15th, 2013
Peck, a twenty-five year old City Ballet corps member, is not a complete novice in the art of choreography. La Jolla is his fourth work for City Ballet, following his most recent critical success, Year of the Rabbit. But La Jolla, set to Bohuslav Martinu’s Sinfonietta la Jolla, didn’t win me over. Peck’s choreography rarely conjures any sense of La Jolla as an actual place. The ballet seems to be in the service of displaying the dancers’ high level of technical ability, and Peck’s choreographic proficiency. He skillfully arranges his 18 dancers in geometric formations and patterns through an array of steps that feature the classical ballet lexicon. It’s a charming, impressive display. However the confounding part about La Jolla is what it actually evokes: the urgent, frenetic pace of New York.
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Tags: Alexei Ratmansky, Amar Ramasar, California, Cleo Person, Concerto DSCH, Jerome Robbins, Justin Peck, N.Y. Export: Opus Jazz, New York City Ballet, New York State Theater, Paz de la Jolla, Reid Bartelme, Sterling Hyltin, Tyler Peck, Year of the Rabbit
Posted in The Torn Tutu | Comments Off on Paz de la Jolla: A trip to the ballet, not to California