Posts Tagged ‘Recensione’
Friday, May 19th, 2017
By ANDREW POWELL Published: May 19, 2017 RAVENNA — Sometimes a musician just needs a good partner. Cellist Alban Gerhardt and pianist Steven Osborne work magically together but have a habit of starting their recitals apart, as if to establish credentials. So it was April 11 here at the Teatro Alighieri, home of the Ravenna […]
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Tags: Alban Gerhardt, Associazione Musicale Angelo Mariani, Bach, Beethoven, Brahms, Cassadó y Moreu, Debussy, Ravenna, Ravenna Musica, Recensione, Review, Steven Osborne, Teatro Alighieri
Posted in Munich Times | Comments Off on Gerhardt, Osborne Team Neatly
Sunday, April 30th, 2017
By ANDREW POWELL Published: April 30, 2017 FERRARA — Lanky Teodor Currentzis looms over his MusicAeterna players the way Basil Fawlty loomed over Manuel, and with comparable gestures. It is anyone’s guess how their 13-year relationship has survived, what with labor conditions in Russia, the quirks of period-instrument practice, their joint move from Novosibirsk (in […]
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Tags: Alexander Melnikov, Associazione Ferrara Musica, Beethoven, Ferrara, MusicAeterna, News, Perm, Recensione, Review, Südwest-Rundfunk, SWR, SWR Symphonie-Orchester, Teatro Comunale di Ferrara, Teodor Currentzis, Wolfgang Amadeus Mozart
Posted in Munich Times | Comments Off on All Eyes On the Maestro
Tuesday, April 25th, 2017
By ANDREW POWELL Published: April 25, 2017 BOLOGNA — Teatro Comunale’s busy direttore musicale Michele Mariotti, 38, ventured his 33rd and 34th operas* this month with a foray in verismo, the terse tribulations of Cavalleria rusticana, and, incongruously, La voix humaine, a vehicle for the Bologna-schooled soprano, former mezzo, Anna Caterina Antonacci. He chose big […]
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Tags: Andrea Faidutti, Anna Caterina Antonacci, Bologna, Carmen Topciu, Cocteau, Coro del Teatro Comunale di Bologna, Emma Dante, Gezim Myshketa, La voix humaine, Marco Berti, Mascagni, Michele Mariotti, Orchestra del Teatro Comunale di Bologna, Poulenc, Recensione, Review, Teatro Comunale
Posted in Munich Times | Comments Off on Voix and Cav
Friday, March 25th, 2016
By ANDREW POWELL Published: March 25, 2016 BOLOGNA — Two years ago all was bleak in music circles here. Orchestra Mozart had folded. Claudio Abbado died. Teatro Comunale lumbered toward a fiscal guillotine mandated by the government. Now, the sun is back, much of it radiating from the reorganized opera house where Nicola Sani holds […]
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Tags: Andrea Faidutti, Attila, Beethoven, Bologna, Carmela Remigio, Coro del Teatro Comunale di Bologna, Daniele Abbado, Fabio Sartori, Gezim Myshketa, Giuseppe Gipali, Giuseppe Verdi, Ildebrando d’Arcangelo, Maria José Siri, Michael Schade, Michele Mariotti, Michele Pertusi, Nicola Sani, Orchestra del Teatro Comunale di Bologna, RAI, Recensione, Review, Riccardo Zanellato, Simone Piazzola, Stefanna Kybalova, Teatro Comunale, Teatro La Fenice, Teatro Massimo di Palermo, Veronica Simeoni
Posted in Munich Times | Comments Off on Mariotti Cheers Up Bologna
Thursday, January 23rd, 2014
By ANDREW POWELL Published: January 23, 2014 BOLOGNA — This accepting and slightly chaotic city, famous for mortadella, lies south of Munich on the road to Rome. Here Mozart studied, Rossini grew up, Verdi premiered Don Carlo for his compatriots and a Wagner opera, Lohengrin, was staged in Italy for the first time. Here too […]
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Tags: Accademia di Belle Arti, Andrew Richards, Anna Larsson, Bologna, Bühnenweihfestspiel, Claudio Abbado, Coro del Teatro Comunale di Bologna, Detlef Roth, Gábor Bretz, Lucio Gallo, Orchestra del Teatro Comunale di Bologna, Recensione, Review, Roberto Abbado, Romeo Castellucci, Teatro Auditorium Manzoni, Teatro Comunale, Théâtre Royal de la Monnaie
Posted in Munich Times | Comments Off on Parsifal the Environmentalist
Tuesday, January 8th, 2013
By ANDREW POWELL Published: January 8, 2013 RAVENNA — Sacred music has lent gravitas to Riccardo Muti’s career since the 1960s. Settings of the Ordinary and the burial service by Bach, Mozart, Cherubini, Schubert, Berlioz, Brahms and Verdi have drawn his attention and received, more often than not, a disciplined performance. No, this is not […]
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Tags: Alisa Kolosova, Arturo Toscanini, Bavarian Radio Symphony Orchestra, BR Chor, Cherubini, Claudio Abbado, Commentary, Giuseppe Verdi, Herbert von Karajan, Michele Pertusi, München, Munich, Orchestra Cherubini, Ravenna, Recensione, Review, Riccardo Muti, Rome Opera, Ruth Ziesak, Saimir Pirgu, Schubert, Symphonie-Orchester des Bayerischen Rundfunks
Posted in Munich Times | Comments Off on Muti Taps the Liturgy