Posts Tagged ‘New York City Ballet’
Monday, September 21st, 2015
Two mid-size ballet companies in North America are in search of artistic directors. Gradimir Pankov is leaving his post at Les Grands Ballets Canadiens of Montreal after 15 years. John McFall is departing Atlanta Ballet after 20 years. In comparison to the majority of the 140-odd ballet troupes across the North American continent, which have minimal seasons and only a handful of dancers, Les Grands and Atlanta employ between 20 and 30 dancers and commission in-demand choreographers for their seasons and tours. So, what is required to helm a ballet company?
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Tags: American Ballet Theatre, Angel Corella, Atlanta Ballet, Christopher Wheeldon, Frederick Ashton, George Balanchine, Gradimir Pankov, Jerome Robbins, John Cranko, John McFall, José Manuel Carreño, Les Ballets Grands Canadiens, Lourdes Lopez, Miami City Ballet, Morphoses, New York City Ballet, Pennsylvania Ballet, Rachel Straus, San Jose Cleveland Ballet, Sarasota Ballet, Silicon Vallet Ballet
Posted in The Torn Tutu | Comments Off on Wanted: Artistic Director of a Ballet Company
Saturday, January 31st, 2015
Peck’s Heatscape video promo doesn’t express bohemian culture as much as it reveals the corporatization of culture, marketed to young people in spaces owned by real estate titans. Let’s hope Peck’s actual ballet doesn’t fumble so drastically into contested urban spaces, where art and big business are meeting. Let’s hope Heatscape is just a hot dance.
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Tags: Bohuslav Martinu, Camila Álvarez, Concerto for Piano and Orchestra No. 1 in D Major, David Edelstein, Deuce Coupe, Edward Villella, Ezra Hurwit, Heatscape, Justin Peck, Kravis Center, Lourdes Lopez, Miami City Ballet, Natalie Edgar, New York City Ballet, Paz de la Jolla, Rachel Straus, Right to Wynwood, Shepard Fairey, Tony Goldman, Twyla Tharp, Wynwood
Posted in The Torn Tutu | Comments Off on Justin Peck’s New Graffiti Ballet
Thursday, October 9th, 2014
Helene Davis, of Helene Davis PR, was good enough to send this short film, featuring Ashley Laracey and Harrison Coll in an excerpt from Dear and Blackbirds by Troy Schumacher. The excerpt appears to be shot in Colorado, or thereabouts… Ah, mountains, prairie and dark cumulous clouds. The statuesque dancers’ serious yet delicate interchanges mysteriously harmonize with the monumental landscape.
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Tags: Ashley Laracey, Dear and Blackbirds, Ellis Ludwig-Leone, Harrison Coll, Helene Davis, Judd Greenstein, New York City Ballet, Nico Muhly, Rachel Straus, Skirball Center, Troy Schumacher
Posted in The Torn Tutu | Comments Off on The Beauty of Nature (Trained and Untrained): A Schumacher Ballet Film
Saturday, October 4th, 2014
The blogosphere is alive with news about the current forays of New York City ballet principal dancers Robert Fairchild, Megan Fairchild, and Tyler Peck into Broadway.
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Tags: An American in Paris, Andrew Veyette, Broadway, Christopher Wheeldon, Edgar Degas, Fancy Free, George Balanchine, Jack Cole, Jerome Robbins, kennedy center, Little Dance, Little Dancer Aged Fourteen, marie van Goethem, Megan Fairchild, New York City Ballet, NY Export: Opus Jazz, On The Town, Rachel Straus, Robert Fairchild, Susan Stroman, Tyler Peck
Posted in The Torn Tutu | Comments Off on Ballet Goes to Broadway, Again
Tuesday, September 16th, 2014
The Slovak National Dance Congress 2014 recently asked me to speak about the state of New York City dance. Since I’ve been living in New York City on and off since 1979, I felt up to the task. In the following slides (which have been converted into a movie), I tease out the changes that have occurred for New York City concert dancers following 9/11. What I found most striking (and dismaying) in my research was that the U.S. capital of Terpsichore is increasingly recognizing dancers and dance organizations not as the obvious—as artists and art groups—but as brands for luxury consumption.
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Tags: 9/11, Dance/NYC, David H. Koch, Jose Limon, Martha Graham, Mayor Michael Bloomberg, nea, New York City, New York City Ballet, Newsies, Paul Taylor, Peter Martins, Rachel Straus, Stephen Petronio, Trisha Brown, Vacheron Constantin
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Wednesday, April 2nd, 2014
George Balanchine is famously credited with saying that “ballet is woman.” This idea is boldly apparent in his Kammermusik No. 2, which premiered on New York City Ballet in January 1978, and more recently was performed by the company as part of their 2014 winter season.
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Tags: " Rebecca Krohn, "ballet is woman, Abi Stafford, Alastair MacAulay, Alexandra Hutt, Amar Ramasar, George Balanchine, Jared Angle, Kammermusik No. 2, New York City Ballet, new york times, The Juilliard School
Posted in The Torn Tutu | Comments Off on Women as Forces of Nature in Balanchine’s Kammermusik No. 2
Friday, March 15th, 2013
Peck, a twenty-five year old City Ballet corps member, is not a complete novice in the art of choreography. La Jolla is his fourth work for City Ballet, following his most recent critical success, Year of the Rabbit. But La Jolla, set to Bohuslav Martinu’s Sinfonietta la Jolla, didn’t win me over. Peck’s choreography rarely conjures any sense of La Jolla as an actual place. The ballet seems to be in the service of displaying the dancers’ high level of technical ability, and Peck’s choreographic proficiency. He skillfully arranges his 18 dancers in geometric formations and patterns through an array of steps that feature the classical ballet lexicon. It’s a charming, impressive display. However the confounding part about La Jolla is what it actually evokes: the urgent, frenetic pace of New York.
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Tags: Alexei Ratmansky, Amar Ramasar, California, Cleo Person, Concerto DSCH, Jerome Robbins, Justin Peck, N.Y. Export: Opus Jazz, New York City Ballet, New York State Theater, Paz de la Jolla, Reid Bartelme, Sterling Hyltin, Tyler Peck, Year of the Rabbit
Posted in The Torn Tutu | Comments Off on Paz de la Jolla: A trip to the ballet, not to California
Wednesday, September 26th, 2012
Another event that featured music as much as dance was the September 17 Alice Tully Hall performance of the Simón Bolivar National Youth Choir and the José Limón Dance Company. The highlight of the one-night only occasion, celebrating Venezuala’s El Sistema, was Missa Brevis.
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Tags: Alexei Ratmansky, Alice Tully, Apollon Musagète, Ashley Bouder, Chinese Zodiac, Christopher Wheeldon, Doris Humphrey, El Sistema, Ellen Bar, Enjoy Your Rabbit, Francisco Ruvalcaba, Gabriela Poler-Buzali, George Balanchine, Guggenheim Museum, Igor Stravinsky, Jose Limon, Justin Peck, Kathryn Alter, Limon Dance Company, Michael Atkinson, Missa Brevis, Monte Carlo, New York City Ballet, Peter B. Lewis Theater, Peters Martins, Simon Bolivar National Youth Choir, Sufjan Stevens, Tiler Peck, Work & Process, Year of the Rabbit, Zoltan Kodaly
Posted in The Torn Tutu | Comments Off on Music and Dance Partnerships
Monday, May 7th, 2012
Have you ever wondered what it would take to partner a female ballet dancer? The May 6 matinee at New York City Ballet was an excellent primer for any one considering that question. In each of the four works from the All (Jerome) Robbins program, at the former New York State Theater, the male lead rarely left the side of his female partner.
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Tags: Andantino, Fokine, Frederic Chopin, George Balanchine, In G Major, In the Night, Jerome Robbins, Jock Soto, Maria Kowroski, Massine, Nancy McDill, New York City Ballet, New York State Theater, Petipa, Ravel, Robert Fairchild, Sebastian Marcovici, Sterling Hyltin, The Cage, Tyler Angle, Water Flowing Together
Posted in The Torn Tutu | Comments Off on Lifting Ballerinas
Thursday, January 26th, 2012
There is nothing like a good ballet spoof. At New York City Ballet’s January 21 matinee performance, the company danced at Lincoln Center Jerome Robbins’ “The Concert” (1956). Whether you get the inside jokes regarding specific ballets, Robbins’s jabs at ballet traditions—the good, bad and the ugly—directly communicate.
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Tags: Amanda Hankes, Andrew Veyette, Cameron Grant, Cedar Lake Contemporary Ballet Theater, concerto in d minor for two violins, Concerto Nuovo, Dancers Responding to AIDS, Danny Kaye, Frederic Chopin, J.S. Bach, Jeremy McQueen, Jerome Robbins, Knock on Wood, lincoln center, Maria Kowroski, Michael Kidd, New York City Ballet, Paramount Pictures, Russian ballet, The Concert
Posted in The Torn Tutu | Comments Off on The joys of the ballet spoof