Posts Tagged ‘Bayerische Staatsoper’
Wednesday, September 23rd, 2015
By ANDREW POWELL Published: September 23, 2015 MUNICH — Post is under revision. Still image from video © Bayerische Staatsoper Related posts: Nitrates In the Canapés Muti the Publisher Honeck Honors Strauss Kušej Saps Verdi’s Forza Time for Schwetzingen
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Tags: Amanda Forsythe, Andrew Foster-Williams, Antonino Fogliani, Antonio Pappano, Antú Romero Nunes, Bad Wildbad, Bavarian State Opera, Bayerische Staatsoper, Bongiovanni, Bryan Hymel, Camerata Bach Chor Poznań, CD, Commentary, Coro del Teatro Comunale di Bologna, Damiano Michieletto, Dan Ettinger, Decca, DVD, Evgeniya Sotnikova, Gerald Finley, Graham Vick, Guillaume Tell, Günther Groissböck, Jochen Schönleber, John Osborn, Juan Diego Flórez, Judith Howarth, Kritik, Luca Tittoto, Malin Byström, Marina Rebeka, Michael Spyres, Michael Volle, Michele Mariotti, München, Münchner Opernfestspiele, Munich, Munich Opera Festival, National Theater, Nationaltheater, Naxos, Nicola Alaimo, Nicolas Courjal, Opus Arte, Orchestra del Teatro Comunale di Bologna, Pesaro, Raffaele Facciolà, Review, Rossini, Rossini Opera Festival, Royal Opera House, Sofia Fomina, Tara Stafford, Virtuosi Brunenses
Posted in Munich Times | Comments Off on Guillaume Tells
Friday, July 24th, 2015
By ANDREW POWELL Published: July 24, 2015 MUNICH — Bavarian State Opera has confirmed by phone it will announce a contract extension for Kirill Petrenko before the start of next season, in September. With the month of August being a house holiday, the news could come as early as next week when the company’s annual […]
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Tags: Bavarian State Opera, Bavarian State Orchestra, Bayerische Staatsoper, Bayerisches Staatsorchester, Berlin Philharmonic, Commentary, Kent Nagano, Kirill Petrenko, Ludwig Spaenle, Luisi, München, Munich, News, Nikolaus Bachler, Wolfgang Sawallisch
Posted in Munich Times | Comments Off on Petrenko to Extend in Munich
Monday, June 29th, 2015
By ANDREW POWELL Published: June 29, 2015 MUNICH — Noisy and sustained boos fell upon stage director Christiane Pohle and her team after Pelléas et Mélisande last night here in the Prinz-Regenten-Theater. Though not uncommon in this epoch of Regietheater, the intensity of the scorn for Bavarian State Opera’s new production was alarming coming from […]
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Tags: Alastair Miles, Bavarian State Opera, Bavarian State Orchestra, Bayerische Staatsoper, Bayerisches Staatsorchester, Christiane Pohle, Commentary, Constantinos Carydis, Debussy, Elena Tsallagova, Elliot Madore, Hanno Eilers, Kritik, Markus Eiche, München, Münchner Opernfestspiele, Munich, Munich Opera Festival, Nikolaus Bachler, Okka von der Damerau, Pelléas et Mélisande, Peter Lobert, Prinz-Regenten-Theater, Review, Tölzer Knabenchor
Posted in Munich Times | Comments Off on Mélisande as Hotel Clerk
Saturday, June 6th, 2015
By ANDREW POWELL Published: June 6, 2015 MUNICH — After the genetic mismatch of Kirill Petrenko and Gaetano Donizetti here, it was a relief to watch the conductor easily navigate and ignite the tone rows of Lulu last week (May 25 and 29) at the National Theater. Happily he did so using Cerha’s reconstitution of […]
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Tags: Bavarian State Opera, Bavarian State Orchestra, Bayerische Staatsoper, Bayerisches Staatsorchester, Berg, Bo Skovhus, Daniela Sindram, Dmitri Tcherniakov, Kirill Petrenko, Kritik, Marlis Petersen, Matthias Klink, München, Munich, Rainer Trost, Review, Wolfgang Ablinger-Sperrhacke
Posted in Munich Times | Comments Off on See-Through Lulu
Thursday, December 11th, 2014
By ANDREW POWELL Published: December 11, 2014 MUNICH — Puccini lost even before the curtain went up Nov. 15 on Hans Neuenfels’ conceptual new staging of Manon Lescaut for Bavarian State Opera. Anna Netrebko, its titular star, abandoned the project in quiet disgust, understandably it turned out. Disaster did not follow, but the night and […]
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Tags: Abbé Prévost, Alain Altinoglu, Bavarian State Opera, Bavarian State Orchestra, Bayerische Staatsoper, Bayerischer Staatsopernchor, Bayerisches Staatsorchester, Commentary, Dean Power, Der Spiegel, Giacomo Puccini, Hans Neuenfels, Kaufmann, Kristine Opolais, Manon Lescaut, Markus Eiche, München, Munich, Netrebko, Okka von der Damerau, Review, Roland Bracht, Ulrich Reß
Posted in Munich Times | Comments Off on Manon, Let’s Go
Friday, August 29th, 2014
By ANDREW POWELL Published: August 29, 2014 MUNICH — Staged works and the legendary Lied evenings hold the limelight here at the annual Opernfestspiele, begun 139 years ago. But veins of chamber music and, since 2008, choral programming run through the five-week schedule, lending scope and affirming organizer Bayerische Staatsoper’s depth of musicianship. The chamber […]
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Tags: Adrian Mustea, Allan Bergius, Allerheiligen Hofkirche, Bavarian State Opera, Bavarian State Orchestra, Bayerische Staatsoper, Bayerischer Staatsopernchor, Bayerisches Staatsorchester, Beethoven, Court Church of All Saints, Cuvilliés Theater, David Schultheiß, Ernö Dohnányi, München, Münchner Hofkantorei, Münchner Opernfestspiele, Munich, Munich Opera Festival, Petite messe solennelle, Review, Rossini, Sophie Raynaud, Wolfgang Amadeus Mozart, Wolfgang Antesberger
Posted in Munich Times | Comments Off on Festive Sides
Monday, July 7th, 2014
By ANDREW POWELL Published: July 7, 2014 MUNICH — It was standing room only for Die Flut yesterday (July 6). Not only was Boris Blacher’s 1946 radio opera sold out, but the audience was expected to stand or stroll through it, as directed by Aernout Mik at a former riding hall here. Improbably part of […]
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Tags: Aernout Mik, Bavarian State Opera, Bavarian State Orchestra, Bayerische Staatsoper, Bayerischer Staatsopernchor, Bayerisches Staatsorchester, Boris Blacher, Dean Power, Die Flut, Guy de Maupassant, Heinz von Cramer, Iulia Maria Dan, Kritik, Miklós Sebestyén, München, Münchner Opernfestspiele, Munich, Munich Opera Festival, Oksana Lyniv, Reithalle, Review, Tim Kuypers
Posted in Munich Times | Comments Off on Blacher Channels Maupassant
Saturday, June 28th, 2014
By ANDREW POWELL Published: June 28, 2014 MUNICH — Verdi’s Macbeth is back, for its eighth run in six years at Bavarian State Opera, this time to open the dressy Opernfestspiele. The production’s giant chandelier, plastic sheeting, silly tent and field of skulls are now globally familiar, even if they don’t exactly transport us to […]
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Tags: Bavarian State Opera, Bavarian State Orchestra, Bayerische Staatsoper, Bayerischer Staatsopernchor, Bayerisches Staatsorchester, Giuseppe Verdi, Ildar Abdrazakov, Joseph Calleja, Kritik, Kušej, Macbeth, München, Münchner Opernfestspiele, Munich, Munich Opera Festival, Netrebko, Paolo Carignani, Review, Simon Keenlyside, Sören Eckhoff
Posted in Munich Times | Comments Off on Verdi’s Lady Netrebko
Wednesday, March 19th, 2014
By ANDREW POWELL Published: March 19, 2014 MUNICH — Bavarian State Opera’s flag-waving, Putin-skewering production of Boris Godunov had extra resonance in a revival on Sunday afternoon (March 16) as Crimeans engaged in their foregone conclusion of a referendum. Musically, too, all emerged tougher and more urgent than at last year’s premiere. Kirill Petrenko sharpened […]
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Tags: Ain Anger, Alexander Tsymbalyuk, Anatoli Kotcherga, Bavarian State Opera, Bavarian State Orchestra, Bayerische Staatsoper, Bayerisches Staatsorchester, BelAir Classiques, Bieito, Boris Godunov, Dmytro Popov, Gerhard Siegel, Kent Nagano, Kevin Conners, Kirill Petrenko, Markus Eiche, München, Munich, Review, Sören Eckhoff, Vladimir Matorin
Posted in Munich Times | Comments Off on Petrenko’s Sharper Boris
Friday, March 7th, 2014
By ANDREW POWELL Published: March 7, 2014 MUNICH — Kirill Petrenko unobtrusively passed the litmus test of Der Rosenkavalier here this week, shaping the score on his own terms (March 5) amid the hoopla of his Bavarian State Opera company’s 2014–15 season announcement. Energetic, vivid, not so flexible, often perilously fast or loud, but dynamically […]
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Tags: Alice Coote, Bavarian State Opera, Bavarian State Orchestra, Bayerische Staatsoper, Bayerisches Staatsorchester, Der Rosenkavalier, Hugo von Hofmannsthal, Kirill Petrenko, Mojca Erdmann, München, Munich, Peter Rose, Review, Richard Strauss, Soile Isokoski
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