Posts Tagged ‘Munich Opera Festival’
Tuesday, May 2nd, 2017
By ANDREW POWELL Published: May 2, 2017 MUNICH — Like the miracle of compound interest, Bavarian State Opera’s pricing can chart smartly upwards when you’re not watching. The company sells using an astounding total of 128 price points — the product of eight price categories for its National Theater home and sixteen sliding scales. Things […]
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Tags: Andrea Battistoni, Bavarian State Opera, Bayerische Staatsoper, Charles Castronovo, Giuseppe Verdi, Leo Nucci, München, Münchner Opernfestspiele, Munich, Munich Opera Festival, National Theater, Nationaltheater, News, Plácido Domingo, Sonya Yoncheva
Posted in Munich Times | Comments Off on Plácido Premium
Wednesday, February 22nd, 2017
By ANDREW POWELL Published: February 22, 2017 MUNICH — Bavarian State Opera had a delicate problem. It was selling too many tickets online, more with each passing season. Its system, powered by CTS Eventim, was so robust and so fast that little was left to sell via phone or in person minutes after the 10 […]
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Tags: Bavarian State Opera, Bayerische Staatsoper, Commentary, CTS Eventim, München, Münchner Opernfestspiele, Munich, Munich Opera Festival, National Theater, Nationaltheater, News
Posted in Munich Times | Comments Off on Staatsoper Favors Local Fans
Sunday, August 7th, 2016
By ANDREW POWELL Published: August 7, 2016 MUNICH — Two evenings after an “Allahu Akbar” eruption here cost nine mostly teenage, mostly Muslim, lives, it felt perverse to indulge in 280-year-old French escapism stretching to Turkey, Peru, Iran and the future United States. But there we were July 24 in the Prinz-Regenten-Theater for Bavarian State […]
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Tags: Ana Quintans, Anna Prohaska, Balthasar-Neumann-Chor, Bavarian State Opera, Bayerische Staatsoper, Compagnie Eastman, Cyril Auvity, Elsa Benoit, François Lis, Goran Jurić, Ivor Bolton, John Moore, Kritik, Les Indes galantes, Lisette Oropesa, Mathias Vidal, München, Münchner Opernfestspiele, Munich, Munich Opera Festival, Prinz-Regenten-Theater, Rameau, Review, Sidi Larbi Cherkaoui, Tareq Nazmi
Posted in Munich Times | Comments Off on Bolton Saves Rameau’s Indes
Sunday, July 17th, 2016
By ANDREW POWELL Published: July 17, 2016 MUNICH — When Anja Harteros was singing her first Toscas three seasons ago, it was clear she had the vocal resources for the role, and the Mediterranean temperament. Even so, the portrayal didn’t quite compute. Enter Bryn Terfel, a Scarpia to rattle the aloofest, longest-legged of prima donnas. […]
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Tags: Anja Harteros, Bavarian State Opera, Bayerische Staatsoper, Bondy, Giacomo Puccini, Kaufmann, Kirill Petrenko, Kritik, München, Münchner Opernfestspiele, Munich, Munich Opera Festival, National Theater, Nationaltheater, Review, Terfel, Tölzer Knabenchor, Tosca
Posted in Munich Times | Comments Off on Harteros Warms to Tosca
Wednesday, September 23rd, 2015
By ANDREW POWELL Published: September 23, 2015 MUNICH — Post is under revision. Still image from video © Bayerische Staatsoper Related posts: Nitrates In the Canapés Muti the Publisher Honeck Honors Strauss Kušej Saps Verdi’s Forza Time for Schwetzingen
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Tags: Amanda Forsythe, Andrew Foster-Williams, Antonino Fogliani, Antonio Pappano, Antú Romero Nunes, Bad Wildbad, Bavarian State Opera, Bayerische Staatsoper, Bongiovanni, Bryan Hymel, Camerata Bach Chor Poznań, CD, Commentary, Coro del Teatro Comunale di Bologna, Damiano Michieletto, Dan Ettinger, Decca, DVD, Evgeniya Sotnikova, Gerald Finley, Graham Vick, Guillaume Tell, Günther Groissböck, Jochen Schönleber, John Osborn, Juan Diego Flórez, Judith Howarth, Kritik, Luca Tittoto, Malin Byström, Marina Rebeka, Michael Spyres, Michael Volle, Michele Mariotti, München, Münchner Opernfestspiele, Munich, Munich Opera Festival, National Theater, Nationaltheater, Naxos, Nicola Alaimo, Nicolas Courjal, Opus Arte, Orchestra del Teatro Comunale di Bologna, Pesaro, Raffaele Facciolà, Review, Rossini, Rossini Opera Festival, Royal Opera House, Sofia Fomina, Tara Stafford, Virtuosi Brunenses
Posted in Munich Times | Comments Off on Guillaume Tells
Monday, June 29th, 2015
By ANDREW POWELL Published: June 29, 2015 MUNICH — Noisy and sustained boos fell upon stage director Christiane Pohle and her team after Pelléas et Mélisande last night here in the Prinz-Regenten-Theater. Though not uncommon in this epoch of Regietheater, the intensity of the scorn for Bavarian State Opera’s new production was alarming coming from […]
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Tags: Alastair Miles, Bavarian State Opera, Bavarian State Orchestra, Bayerische Staatsoper, Bayerisches Staatsorchester, Christiane Pohle, Commentary, Constantinos Carydis, Debussy, Elena Tsallagova, Elliot Madore, Hanno Eilers, Kritik, Markus Eiche, München, Münchner Opernfestspiele, Munich, Munich Opera Festival, Nikolaus Bachler, Okka von der Damerau, Pelléas et Mélisande, Peter Lobert, Prinz-Regenten-Theater, Review, Tölzer Knabenchor
Posted in Munich Times | Comments Off on Mélisande as Hotel Clerk
Friday, August 29th, 2014
By ANDREW POWELL Published: August 29, 2014 MUNICH — Staged works and the legendary Lied evenings hold the limelight here at the annual Opernfestspiele, begun 139 years ago. But veins of chamber music and, since 2008, choral programming run through the five-week schedule, lending scope and affirming organizer Bayerische Staatsoper’s depth of musicianship. The chamber […]
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Tags: Adrian Mustea, Allan Bergius, Allerheiligen Hofkirche, Bavarian State Opera, Bavarian State Orchestra, Bayerische Staatsoper, Bayerischer Staatsopernchor, Bayerisches Staatsorchester, Beethoven, Court Church of All Saints, Cuvilliés Theater, David Schultheiß, Ernö Dohnányi, München, Münchner Hofkantorei, Münchner Opernfestspiele, Munich, Munich Opera Festival, Petite messe solennelle, Review, Rossini, Sophie Raynaud, Wolfgang Amadeus Mozart, Wolfgang Antesberger
Posted in Munich Times | Comments Off on Festive Sides
Monday, July 7th, 2014
By ANDREW POWELL Published: July 7, 2014 MUNICH — It was standing room only for Die Flut yesterday (July 6). Not only was Boris Blacher’s 1946 radio opera sold out, but the audience was expected to stand or stroll through it, as directed by Aernout Mik at a former riding hall here. Improbably part of […]
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Tags: Aernout Mik, Bavarian State Opera, Bavarian State Orchestra, Bayerische Staatsoper, Bayerischer Staatsopernchor, Bayerisches Staatsorchester, Boris Blacher, Dean Power, Die Flut, Guy de Maupassant, Heinz von Cramer, Iulia Maria Dan, Kritik, Miklós Sebestyén, München, Münchner Opernfestspiele, Munich, Munich Opera Festival, Oksana Lyniv, Reithalle, Review, Tim Kuypers
Posted in Munich Times | Comments Off on Blacher Channels Maupassant
Saturday, June 28th, 2014
By ANDREW POWELL Published: June 28, 2014 MUNICH — Verdi’s Macbeth is back, for its eighth run in six years at Bavarian State Opera, this time to open the dressy Opernfestspiele. The production’s giant chandelier, plastic sheeting, silly tent and field of skulls are now globally familiar, even if they don’t exactly transport us to […]
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Tags: Bavarian State Opera, Bavarian State Orchestra, Bayerische Staatsoper, Bayerischer Staatsopernchor, Bayerisches Staatsorchester, Giuseppe Verdi, Ildar Abdrazakov, Joseph Calleja, Kritik, Kušej, Macbeth, München, Münchner Opernfestspiele, Munich, Munich Opera Festival, Netrebko, Paolo Carignani, Review, Simon Keenlyside, Sören Eckhoff
Posted in Munich Times | Comments Off on Verdi’s Lady Netrebko
Saturday, August 24th, 2013
By ANDREW POWELL Published: August 24, 2013 MUNICH — What is written on skin? Craftsmanship “as immaculate as anything … composed since the heyday of Ravel” and “glimpses of a 21st-century tonality,” if you read Alex Ross in The New Yorker. And “a psychologically gripping, emotionally heart-pounding and viscerally satisfying drama,” according to Corinna da […]
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Tags: Barbara Hannigan, Christopher Purves, Eva Reiter, George Benjamin, Iestyn Davies, John Allan Clayton, Katie Mitchell, Kent Nagano, Klangforum Wien, Marie Victoria Simmonds, Martin Crimp, München, Münchner Opernfestspiele, Munich, Munich Opera Festival, Philipp Alexander Marguerre, Prinz-Regenten-Theater, Review, Written On Skin
Posted in Munich Times | Comments Off on Written On Skin, at Length