Archive for the ‘Artist Management’ Category

WE ALL NEED TO STREAM SOMETIME

Monday, June 15th, 2020

(Understanding Streaming Rights) As we all try to figure out how to cobble the performing arts world together, more and more venues, presenters, and artists are turning to streaming–live streams, virtual performances, and showing archived footage of previously recorded concerts. For now, these efforts are critical as a means to stay connected with audiences. Soon, […]

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USCIS JUST THREW ARTISTS A CRUMB!

Tuesday, April 7th, 2020

Unemployment and the CARES Act For Non-US Artists April 7, 2020 By Brian Taylor Goldstein Shocking as it may sound, USCIS has passed a tiny wind of hope in the direction of artist visas during this coronavirus pandemic. The Department of Homeland Security (which sets the policies for USCIS) has confirmed that applying for unemployment […]

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A CORONAVIRUS VISA ROUNDUP FOR NON-US ARTISTS

Tuesday, March 31st, 2020

Cancelled Engagements, Unemployment, Layoffs, and Visa Renewals March 31, 2020 By Brian Taylor Goldstein As the tumbleweeds blow through Times Square and we begin to consider the viability of Easter peeps or even kale to supplement the dwindling toilet paper supplies, there is an understandable amount of angst and confusion on many fronts. Not least […]

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What We Know So Far About Trump’s Coronavirus Travel Ban

Friday, March 13th, 2020

By Brian Taylor Goldstein In short, not much. As you can imagine, this was announced without any details as to how, exactly, this was going to work in terms of screening, implementation, flight schedules, etc. But here what we know so far… Anyone who has been in one of the 26 European countries in the […]

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Emancipating Artists From Your Roster

Tuesday, August 6th, 2019

By Brian Taylor Goldstein, Esq. Hi everyone! The issue of artists leaving a roster and re-booking themselves at a venue their manager/agent originally found for them is always an ongoing problem. I’ve been asked to re-post a blog we did on this several years ago. Here it is….. Dear Law and Disorder: What would be […]

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THE TRIALS AND TRIBULATIONS OF A TRIBUTE BAND

Wednesday, September 6th, 2017

By Brian Taylor Goldstein, Esq. We hope everyone had a great summer. Sorry we haven’t posted in a while, but we’ve been a bit “pre-occupied” with in the world of artist visas. It seems something changes every time Trump breaks wind. So, let’s take a break and go address two completely non-visa related questions that […]

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WHY ARE ARTISTS BEING DENIED ENTRY INTO THE US? HOW DID IT COME TO THIS AND WHO DO WE BLAME?

Friday, March 17th, 2017

By Brian Taylor Goldstein, Esq.    By now, you should all be aware that the incidents of artists and performers from a wide range of nationalities arriving in the United States as visitors (either on visitor visas (B-1/B-2) or through the visa waiver/ESTA program) and being refused entry are growing at an alarming rate. These […]

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Can A Union Walk Away With My Contract?

Tuesday, November 29th, 2016

By Brian Taylor Goldstein, Esq.     Dear Law and Disorder:  Is it legal that a presenter can put “strike, lock-out or other labor controversy (including, without limitation, the picketing on the theater by representatives of any labor union having or claiming to have jurisdiction over theater’s employees” into a force majeure clause? I mean, […]

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Termination For Convenience

Thursday, April 28th, 2016

By Brian Taylor Goldstein, Esq. Dear Law and Disorder: I recently received the following clause from a performing arts venue in a contract they sent: TERMINATION FOR CONVENIENCE: Either party may terminate this Agreement at any time upon written notice to the other party. If this Agreement is terminated before the performance, the University shall […]

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Dodging A Bullet With A Contract

Thursday, March 31st, 2016

By Brian Taylor Goldstein, Esq.    Dear Law and Disorder: I am a classical concert pianist and booking representative for my small ensemble. I just finished the negotiation of a performance contract with a presenter and, unfortunately, we could not reach an agreement. In my three years of working as a self-presenting artist, it was […]

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