Posts Tagged ‘Alexander Tsymbalyuk’
Friday, April 22nd, 2016
By ANDREW POWELL Published: April 22, 2016 MUNICH — Vasily Petrenko’s debut at Bavarian State Opera this weekend prompts a glance at two Russian-born, modestly profiled conductors who have built distinct careers in Western Europe while sharing a last name. The guest from Liverpool will lead Boris Godunov, last revived two years ago by company […]
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Tags: Ain Anger, Alexander Tsymbalyuk, Bavarian State Opera, Bavarian State Orchestra, Bayerische Staatsoper, Bayerisches Staatsorchester, Boris Godunov, Commentary, Kirill Petrenko, München, Munich, Mussorgsky, News, Oslo Philharmonic, Royal Liverpool Philharmonic, Sergei Skorokhodov, Vasily Petrenko
Posted in Munich Times | Comments Off on Petrenko Hosts Petrenko
Wednesday, March 19th, 2014
By ANDREW POWELL Published: March 19, 2014 MUNICH — Bavarian State Opera’s flag-waving, Putin-skewering production of Boris Godunov had extra resonance in a revival on Sunday afternoon (March 16) as Crimeans engaged in their foregone conclusion of a referendum. Musically, too, all emerged tougher and more urgent than at last year’s premiere. Kirill Petrenko sharpened […]
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Tags: Ain Anger, Alexander Tsymbalyuk, Anatoli Kotcherga, Bavarian State Opera, Bavarian State Orchestra, Bayerische Staatsoper, Bayerisches Staatsorchester, BelAir Classiques, Bieito, Boris Godunov, Dmytro Popov, Gerhard Siegel, Kent Nagano, Kevin Conners, Kirill Petrenko, Markus Eiche, München, Munich, Review, Sören Eckhoff, Vladimir Matorin
Posted in Munich Times | Comments Off on Petrenko’s Sharper Boris
Thursday, February 21st, 2013
By ANDREW POWELL Published: February 21, 2013 MUNICH — As dramaturgy, Calixto Bieito’s new staging here of Mussorgsky’s seven‑scene 1869 Boris Godunov (heard and seen yesterday, Feb. 20) runs into trouble almost immediately. Set in present‑day Russia — identifiable by the up‑to‑date, thug‑police gear and the wall map in Boris’s Terem (Scene V) — it […]
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Tags: Alexander Tsymbalyuk, Anatoli Kotcherga, Bavarian State Opera, Bavarian State Orchestra, Bayerische Staatsoper, Bayerisches Staatsorchester, Bieito, Boris Godunov, Gerhard Siegel, Kent Nagano, Kevin Conners, Mezzo TV, München, Munich, Mussorgsky, Okka von der Damerau, Review, Sergei Skorokhodov, Staatsoper Hamburg, Vladimir Matorin, Vladimir Putin
Posted in Munich Times | Comments Off on Bieito Hijacks Boris
Friday, June 29th, 2012
By Rebecca Schmid Few operas in history have gripped the human psyche to the same extent as Don Giovanni. Pushkin, Kierkegaard, and Bernard Shaw count among the literary figures to have written their own account of the daemonic seductor since Mozart and Da Ponte staged their ‘drama giocoso,’ a tragi-comedy, in Prague. Since the 19th […]
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Tags: Alexander Tsymbalyuk, Andrea Palent, anna netrebko, Anna Prohaska, Anthony Holgborne, Berlin Philharmonic, Boulevard Unter den Linden, C.P.E. Bach, Christian Schmidt, Christopher Maltman, Claus Guth, Da Ponte, Daniel Barenboim, dante, Don Giovanni, Dowland, Emmanuel Pahud, Erwin Schrott, Fine Arts Brass, Freundschaftsinsel, Friedrich the Great, Giuseppe Filianoti, Handel, Haydn Mendelssohn, Jürgen Flimm, La Scala, Maria Bengtsson, Meccore Quartet, mozart, Musikfestspiele Potsdam sanssouci, Peter Maxwell Davies, Potsdam, Purcell, Quantz, Robert Carsen, Röschmann, Rousseau, Salzburg Festival, Sanssouci, Schiller Theater, Staatsoper Berlin, Stefan Kocan, Water Music
Posted in Berlin Times | Comments Off on Claus Guth’s Forest-bound ‘Don Giovanni’ at the Staatsoper; Musikfestspiele Potsdam’s new Pleasure Garden