Posts Tagged ‘Staatsoper Berlin’
Friday, December 6th, 2013
By Rebecca Schmid While Il Trovatore counts as one of Verdi’s most gripping scores, the libretto’s sprawling tale of love and vengeance is not without dramaturgical challenges. A staging by Philip Stötzl which opened at the Staatsoper Berlin on Nov.29 featured several first encounters with the opera. Anna Netrebko, who attended the premiere of the […]
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Tags: Adrian Sâmpetrean, Anna Lapovskaja, anna netrebko, Conrad Moritz Reinhardt, Daniel Barenboim, fettFilm, Gaston Rivera, il trovatore, Mara Kurotschka, Marina Prundenskaja, MusicalAmerica.com, Olaf Freese, Philip Stötzl, Plácido Domingo, Rebecca Schmid, Salvatore Cammarano, Staatsoper Berlin, Ursula Kurdna, verdi
Posted in Berlin Times | Comments Off on ‘Il Trovatore’ at the Staatsoper Berlin
Friday, March 22nd, 2013
By Rebecca Schmid Experimental Regie, free from the scrutiny of finicky patrons on the German opera scene, can in the best case scenario serve to illuminate hidden meanings of a score. In the worst case, it can drown out or obscure musical considerations. The Staatsoper Berlin’s Werkstatt (‘workshop’), a wing of the company’s temporary residence […]
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Tags: Beate Baron, Friederike Frerichs, Götz Friedrich, Gregor Fuhrmann, Hans Hirschmüller, Infinito Nero, Jenny Kim, Maria Maddalena de’Pazzi, Miss Donnithorne’s Maggot, Peter Maxwell Davies, Rebecca Schmid, Rowan Hellier, Salvatore Sciarrino, Sarah Maria Sun, Staatsoper Berlin, Vanitas, Werkstatt
Posted in Berlin Times, Uncategorized | Comments Off on Vanitas Vanitatum, Omnia Vanitas
Friday, November 16th, 2012
By Rebecca Schmid As Regietheater becomes the norm on opera stages in Germany, it is a pleasant, if not shocking, surprise to see a production of Die Zauberflöte that looks like a throwback to the time of its world premiere. The Staatsoper Berlin has revived a 1994 staging modelled after designs by the nineteenth-century Prussian […]
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Tags: Adriane Queiroz, Alina Anca, Anna Lapkovskaja, August Everding, Aurelius Sängerknaben, Carola Höhn, Daniel Barenboim, Die Zauberflöte, Emmanuel Schikaneder, Friedrich Wilhelm, Julien Salemkour, Karl Friedrich Schinkel, Konzerthaus Berlin, Kyungho Kim, Narine Yeghiyan, Pavol Breslik, Rebecca Schmid, René Pape, Roman Trekel, Rowan Hellier, Schiller Theater, Staatskapelle Berlin, Staatsoper Berlin, The Magic Flute, W.A. Mozart
Posted in Berlin Times, Uncategorized | Comments Off on ‘The Magic Flute’ regains its Classical Garb
Thursday, July 12th, 2012
By Rebecca Schmid Infektion!, the name of the Staatsoper’s annual Festival for New Music Theater could easily extend to describe the presence of John Cage in Germany this year. No other country outside the U.S. has planned as many events for his centenary of his birth, and Berlin is in some people’s minds already ‘Caged […]
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Tags: Akademie der Künste, Alfredo Daza, Carl Darlhaus, Daniel Barenboim, Darmstadt, Die Zauberflöte, Dionysus, Don Giovanni, Elin Rombo, Esther Lee, Europeras, Frankfurt, Günther Albers, Infektion!, Ingo Metzmacher, Isabel Ostermann, James Cleverton, Joan La Barbara, John Cage, Jonathan Meese, Jorge Jara, Julia Faylenbogen, Liszt, MärzMusik, Matthias Klink, Mojca Erdmann, MOMA, mozart, Nicholas Isherwood, Nietzsche, Pierre Audi, Proserpina, Qi Gong, René Pape, Robert Farkas, Roman Trekel, Ruhrtriennale, Salzburg Festival, Schiller Theater, Sonic Arts Lounge, Sophia Simitzis, Staatsoper Berlin, Virpi Raisanen, wagner, Walkyrie, Wolfgang Rihm
Posted in Berlin Times | Comments Off on Infektion! ‘Europeras 3&4’ and Rihm’s ‘Dionysus’ at the Staatsoper
Friday, June 29th, 2012
By Rebecca Schmid Few operas in history have gripped the human psyche to the same extent as Don Giovanni. Pushkin, Kierkegaard, and Bernard Shaw count among the literary figures to have written their own account of the daemonic seductor since Mozart and Da Ponte staged their ‘drama giocoso,’ a tragi-comedy, in Prague. Since the 19th […]
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Tags: Alexander Tsymbalyuk, Andrea Palent, anna netrebko, Anna Prohaska, Anthony Holgborne, Berlin Philharmonic, Boulevard Unter den Linden, C.P.E. Bach, Christian Schmidt, Christopher Maltman, Claus Guth, Da Ponte, Daniel Barenboim, dante, Don Giovanni, Dowland, Emmanuel Pahud, Erwin Schrott, Fine Arts Brass, Freundschaftsinsel, Friedrich the Great, Giuseppe Filianoti, Handel, Haydn Mendelssohn, Jürgen Flimm, La Scala, Maria Bengtsson, Meccore Quartet, mozart, Musikfestspiele Potsdam sanssouci, Peter Maxwell Davies, Potsdam, Purcell, Quantz, Robert Carsen, Röschmann, Rousseau, Salzburg Festival, Sanssouci, Schiller Theater, Staatsoper Berlin, Stefan Kocan, Water Music
Posted in Berlin Times | Comments Off on Claus Guth’s Forest-bound ‘Don Giovanni’ at the Staatsoper; Musikfestspiele Potsdam’s new Pleasure Garden