Posts Tagged ‘Commentary’
Sunday, January 4th, 2015
By ANDREW POWELL Published: January 4, 2015 BAMBERG — When the Bamberger Symphoniker replaces its Chefdirigent next year, it could do worse than hiring Constantinos Carydis. The intense but discreet Athenian secured creative and technically superb playing in a Nordic and Impressionist program Nov. 29 here at the Joseph-Keilberth-Saal, confirming skills he has shown in […]
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Tags: Bamberg, Bamberg Symphony Orchestra, Bamberger Symphoniker, Commentary, Constantinos Carydis, Daniela Koch, Daphnis et Chloé, Debussy, Jonathan Nott, Joseph Keilberth, Nielsen, Pan og Syrinx, Prélude à l’après-midi d’un faune, Ravel, Review, Sibelius, Tapiola
Posted in Munich Times | Comments Off on Carydis Woos Bamberg
Thursday, December 11th, 2014
By ANDREW POWELL Published: December 11, 2014 MUNICH — Puccini lost even before the curtain went up Nov. 15 on Hans Neuenfels’ conceptual new staging of Manon Lescaut for Bavarian State Opera. Anna Netrebko, its titular star, abandoned the project in quiet disgust, understandably it turned out. Disaster did not follow, but the night and […]
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Tags: Abbé Prévost, Alain Altinoglu, Bavarian State Opera, Bavarian State Orchestra, Bayerische Staatsoper, Bayerischer Staatsopernchor, Bayerisches Staatsorchester, Commentary, Dean Power, Der Spiegel, Giacomo Puccini, Hans Neuenfels, Kaufmann, Kristine Opolais, Manon Lescaut, Markus Eiche, München, Munich, Netrebko, Okka von der Damerau, Review, Roland Bracht, Ulrich Reß
Posted in Munich Times | Comments Off on Manon, Let’s Go
Friday, October 31st, 2014
By ANDREW POWELL Published: October 31, 2014 SALZBURG — Alexander Pereira is now gone from the main festival here, and two tenuous summers are in the offing before Markus Hinterhäuser replaces him as Intendant in 2017. His exit, under a cloud, ends a budget tempest but threatens reversals of worthy initiatives he took: lengthening the […]
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Tags: Academy of St Martin In the Fields, Alexander Pereira, Bartoli, Beethoven, Brahms, Commentary, Damiano Michieletto, Ensemble Matheus, Enzo Capuano, Felsenreitschule, Fierrabras, Gluck, Haus für Mozart, Haydn, Helga Rabl-Stadler, Ingo Metzmacher, Ivor Bolton, Javier Camarena, Jean-Christophe Spinosi, Julia Kleiter, La Cenerentola, Markus Hinterhäuser, Mendelssohn, Michail Lifits, Mozarteum, Mozarteumorchester, Murray Perahia, Nicola Alaimo, Peter Stein, Review, Richard Strauss, Rolando Villazón, Rossini, Salzburg, Salzburg Festival, Salzburger Festspiele, Schubert, Sven-Eric Bechtolf, Tomo Keller, Ugo Guagliardo, Vienna Philharmonic, Vienna State Opera Chorus, Vilde Frang, Wiener Philharmoniker, Wiener Staatsopernchor, Wolfgang Amadeus Mozart
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Monday, September 29th, 2014
By ANDREW POWELL Published: September 29, 2014 ERL — Nothing tests funding for the musical arts like Der Ring des Nibelungen. Then again, nothing cements a support base so decisively. Take this Austrian village of 1,452 souls and several hundred brown cows, where the eighth Ring cycle in sixteen years turned smoothly Aug. 1, 2 […]
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Tags: Accademia di Montegral, Andrea Silvestrelli, Anne Schuldt, Col Legno, Commentary, Das Rheingold, Der Ring des Nibelungen, Die Walküre, Erl, Götterdämmerung, Gustav Kuhn, Hermine Haselböck, Jan Hax Halama, Johannes Chum, Michael Kupfer, Mona Somm, Review, Siegfried, Thomas Gazheli, Tiroler Festspiele, Vladimir Baykov
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Tuesday, May 20th, 2014
By ANDREW POWELL Published: May 20, 2014 MUNICH — In a rambling, two-page “personal statement” to Munich Philharmonic subscribers made public today (May 20), Valery Gergiev stressed the role of music as bridge-builder and affirmed his now divisive assumption of the post of Chefdirigent of the orchestra, effective in fall 2015. The statement covers a […]
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Tags: Commentary, Glinka, Hans-Georg Küppers, Linz, Mariinsky Orchestra, Mariinsky Theater, München, Münchner Philharmoniker, Munich, Munich Philharmonic, News, Paul Müller, Valery Gergiev
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Wednesday, April 9th, 2014
By ANDREW POWELL Published: April 9, 2014 MUNICH — Not a week goes by here now without media mention of Valery Gergiev. The musical friend of Vladimir Putin and, more to the point, high-profile employee-to-be of the City of Munich inspires comment even in modest suburban newspapers. Many want his alarmingly long contract (2015–20) shredded. […]
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Tags: Astana Opera, Christian Thielemann, Commentary, Green Party, Hans-Georg Küppers, London Symphony Orchestra, Lorin Maazel, Mariinsky Orchestra, Mariinsky Theater, München, Münchner Philharmoniker, Munich, Munich Philharmonic, Nursultan Nazarbayev, Paul Müller, Pink List, St Petersburg, Valery Gergiev, Vladimir Putin
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Tuesday, April 1st, 2014
By ANDREW POWELL Published: April 1, 2014 MUNICH — In every book on time management, there is a chapter about giving your work to someone else. Delegation, they say, is a virtue: an assistant exercises new authority and the delegator accomplishes other tasks, perhaps in other places. Maybe in another country. Or two. Take Valery […]
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Tags: A kékszakállú herceg vára, Alexei Tanovitski, Bassem Akiki, Béla Bartók, Commentary, Gidon Saks, Iolanta, Mariinsky Theater, Mariusz Treliński, Mikolaj Zalasiński, München, Münchner Philharmoniker, Munich, Munich Philharmonic, Nadja Michael, Polish National Opera, Sergei Skorokhodov, St Petersburg, Stravinsky, Tatiana Monogarova, Tchaikovsky, Teatr Wielki, Valery Gergiev, Warsaw
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Monday, February 10th, 2014
By ANDREW POWELL Published: February 10, 2014 MUNICH — Creative exhaustion appears to have arrived for a whimsical, multi-year promotional campaign here. Its subject: the Bavarian Radio Symphony Orchestra. Its budget and goals: inscrutable. The thing would never have seen the light of day in the U.S., if only for legal reasons, and its existence […]
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Tags: Bavarian Radio Symphony Orchestra, Bayerischer Rundfunk, BR Klassik, Brahms, Bureau Mirko Borsche, Commentary, Herbert Blomstedt, Mariss Jansons, München, Munich, Nikolaus Pont, Peter Meisel, Süddeutsche Zeitung, Symphonie-Orchester des Bayerischen Rundfunks
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Thursday, October 17th, 2013
By ANDREW POWELL Published: October 17, 2013 MUNICH — Spirograph needlemaniac defaces legendary (and conveniently deceased) Brünnhilde. And so on. Bavarian State Opera’s anticipated additions to its portrait gallery went public yesterday, their twenty-one victims — er, honored subjects — being depicted in various media by twenty-one visual artists. Scattered docent notes: • Anja Harteros […]
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Tags: Anja Harteros, Astrid Varnay, Bavarian State Opera, Bayerische Staatsoper, Brigitte Fassbaender, Christian Gerhaher, Commentary, Diana Damrau, Dietrich Fischer-Dieskau, Edita Gruberová, Fritz Wunderlich, Hermann Prey, Hildegard Behrens, Júlia Várady, Klaus Florian Vogt, Kurt Moll, Lucia Popp, Margaret Price, Maurizio Anzeri, München, Munich, National Theater, Nationaltheater, News, Peter Seiffert, René Kollo, Waltraud Meier, Wolfgang Brendel, Wolfgang Koch
Posted in Munich Times | Comments Off on In Your Face, Astrid
Sunday, October 13th, 2013
By ANDREW POWELL Published: October 13, 2013 MUNICH — Next Wednesday (Oct. 16) new portraits go on display in Bavarian State Opera’s lobby. Twenty-one new portraits. Astrid Varnay, Dietrich Fischer-Dieskau, Kurt Moll, Brigitte Fassbaender, Lucia Popp, Edita Gruberová, René Kollo, Hildegard Behrens and Waltraud Meier are among the worthy singing subjects, company troopers all. But […]
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Tags: Anja Harteros, Astrid Varnay, Bavarian State Opera, Bavarian State Orchestra, Bayerische Staatsoper, Bayerisches Staatsorchester, Brigitte Fassbaender, Christian Gerhaher, Clemens Krauss, Commentary, Diana Damrau, Die Frau ohne Schatten, Dietrich Fischer-Dieskau, Edita Gruberová, Fritz Wunderlich, Heinrich Vogl, Hermann Prey, Hildegard Behrens, Joseph Keilberth, Júlia Várady, Kaufmann, Kent Nagano, Kirill Petrenko, Klaus Florian Vogt, Kurt Moll, Lucia Popp, Margaret Price, München, Munich, National Theater, Nationaltheater, News, Nina Stemme, Peter Jonas, Peter Seiffert, René Kollo, Richard Strauss, Therese Vogl, Waltraud Meier, Wolfgang Brendel, Wolfgang Koch, Wolfgang Sawallisch, Zubin Mehta
Posted in Munich Times | Comments Off on Portraits For a Theater