Posts Tagged ‘Review’

Gerhardt, Osborne Team Neatly

By ANDREW POWELL Published: May 19, 2017 RAVENNA — Sometimes a musician just needs a good partner. Cellist Alban Gerhardt and pianist Steven Osborne work magically together but have a habit of starting their recitals apart, as if to establish credentials. So it was April 11 here at the Teatro Alighieri, home of the Ravenna […]

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All Eyes On the Maestro

By ANDREW POWELL Published: April 30, 2017 FERRARA — Lanky Teodor Currentzis looms over his MusicAeterna players the way Basil Fawlty loomed over Manuel, and with comparable gestures. It is anyone’s guess how their 13-year relationship has survived, what with labor conditions in Russia, the quirks of period-instrument practice, their joint move from Novosibirsk (in […]

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Voix and Cav

By ANDREW POWELL Published: April 25, 2017 BOLOGNA — Teatro Comunale’s busy direttore musicale Michele Mariotti, 38, ventured his 33rd and 34th operas* this month with a foray in verismo, the terse tribulations of Cavalleria rusticana, and, incongruously, La voix humaine, a vehicle for the Bologna-schooled soprano, former mezzo, Anna Caterina Antonacci. He chose big […]

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Spirit of Repušić

By ANDREW POWELL Published: April 24, 2017 MUNICH — It was a short courtship by recent standards. Dalmatian conductor Ivan Repušić (pr. REP-oosh-itch), 39, debuted with the Münchner Rundfunk-Orchester in a concert La rondine in Oct. 2015, returned for a gala two months later and signed his contract* last June. His background, happily, is stable: […]

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Mahler 10 from Nézet-Séguin

By ANDREW POWELL Published: March 9, 2017 MUNICH — Making a taut and impassioned case for Mahler’s Tenth Symphony (1910) here at the Herkulessaal Feb. 17, Yannick Nézet-Séguin still rather confirmed Leonard Bernstein’s dictum that the composer “had said it all in the Ninth.” Mahler’s inspiration sustained itself, as tidily executed by the Symphonie-Orchester des […]

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Christie Revisits Médée

By ANDREW POWELL Published: March 4, 2017 ZURICH — The goal presumably was to freshen the tale of Jason and his cooperative wife Medea as told by Thomas Corneille (filtering his brother Pierre and Euripides) and mise en musique by Charpentier. But stage director Andreas Homoki’s new Médée (1693) for Opernhaus Zürich, where he doubles […]

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Horses for Mozartwoche

By ANDREW POWELL Published: February 24, 2017 SALZBURG — The gimmicky proposition of Mozart’s Requiem enhanced with equine ballet dominated this year’s Mozartwoche schedule, and no doubt budget. It capped, in a way, five iterations of the festival lavishly managed by Marc Minkowski and his front-office counterpart Matthias Schulz, and it brought in for the […]

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Tonhalle Lights Up the Beyond

By ANDREW POWELL Published: January 27, 2017 ZURICH — It was not the most natural of programs. Beethoven’s familiar C-Major Piano Concerto (1795) prepared nobody for Éclairs sur l’Au-Delà … , or Lightning Over the Beyond … , the 65-minute theological ornithological astronomical would-be symphony Messiaen finished in 1991. Wary of the exotic fare ahead, […]

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Antonini Works Alcina’s Magic

By ANDREW POWELL Published: January 11, 2017 ZURICH — Christof Loy’s staging of Alcina here, new in 2014 and just revived, imagines a blurred line between a theater troupe’s onstage roles and its members’ backstage passions and asks what it means to break free of illusion — this last substituting for Ariosto’s island magic, happily […]

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Flitting Thru Prokofiev

By ANDREW POWELL Published: November 30, 2016 MUNICH — As fluent as Valery Gergiev is in Prokofiev, he had precious little to say with a cycle of the symphonies here this month. Fluency meant wise tempos, a feel for the boldness in the scores’ structures, a facility in cuing the two orchestras on duty. It […]

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