Posts Tagged ‘Bartoli’
Saturday, June 3rd, 2017
By ANDREW POWELL Published: June 3, 2017 SALZBURG — When artistic control of the Whitsun Festival here moved to Cecilia Bartoli nearly six years ago, its programming changed from a steady focus on one period and place (18th-century Napoli) to shifting annual themes. First there was “Cleopatra.” Next came the idea of “sacrifice.” Then the […]
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Tags: Antonio Pappano, Ariodante, Bartoli, Christof Loy, Christophe Dumaux, Georg Friedrich Händel, Gianluca Capuano, Großes Festspielhaus, Haus für Mozart, Kathryn Lewek, Les Musiciens du Prince, Mendelssohn, Nathan Berg, Norman Reinhardt, Orchestra dell’Accademia Nazionale di Santa Cecilia, Review, Salzburg, Salzburger Bachchor, Sandrine Piau, Tatiana Serjan, Terfel, Whitsun Festival
Posted in Munich Times | Comments Off on Bartoli’s Scot-Themed Whitsun
Wednesday, January 11th, 2017
By ANDREW POWELL Published: January 11, 2017 ZURICH — Christof Loy’s staging of Alcina here, new in 2014 and just revived, imagines a blurred line between a theater troupe’s onstage roles and its members’ backstage passions and asks what it means to break free of illusion — this last substituting for Ariosto’s island magic, happily […]
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Tags: Alcina, Bartoli, Christof Loy, Georg Friedrich Händel, Giovanni Antonini, Julie Fuchs, Opernhaus Zürich, Orchestra La Scintilla, Philippe Jaroussky, Review, Varduhi Abrahamyan, Zurich, Zurich Opera House
Posted in Munich Times | Comments Off on Antonini Works Alcina’s Magic
Thursday, August 27th, 2015
By ANDREW POWELL Published: August 27, 2015 SALZBURG — Two beggars sat on either side of the entrance to the Haus für Mozart Aug. 6 as attendees arrived for Norma. As if this was not alarming enough — and it disturbed one’s thoughts more than the tense Résistance staging of Bellini’s opera inside — another […]
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Tags: Adrian Sâmpetrean, Alvis Hermanis, Artur Ruciński, Bartoli, Bellini, Boulez, Commentary, Coro della Radio-Televisione Svizzera, Decca, Della Miles, Ekaterina Semenchuk, Eleanor, Francesco Meli, Gianandrea Noseda, Giovanni Antonini, Giuseppe Verdi, Großes Festspielhaus, Haus für Mozart, Herbert von Karajan, Hilary Summers, John Osborn, Klangforum Wien, Kollegienkirche, Le marteau sans maître, Lonicera caprifolium, Maurizio Biondi, Michele Pertusi, Moshe Leiser, Netrebko, Norma, Olga Neuwirth, Orchestra La Scintilla, Patrice Caurier, Rebeca Olvera, Review, Riccardo Minasi, Salzburg, Salzburg Festival, Salzburger Festspiele, Sylvain Cambreling, Tyshawn Sorey, Vienna Philharmonic, Vienna State Opera Chorus, Wiener Philharmoniker, Wiener Staatsopernchor
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Tuesday, March 31st, 2015
By ANDREW POWELL Published: March 31, 2015 MUNICH — Arts projects in Europe with any visual aspect to them nowadays migrate to DVD whether or not there is a need, partly to justify public subsidy through distribution. Many are operas filmed too often, like Nationaltheater Mannheim’s just-released Der Ring des Nibelungen, which joins DVD tetralogies […]
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Tags: Alessandro Corbelli, Alvis Hermanis, Anne Sofie von Otter, Antifonale Ambrosiano, Antonio Pappano, Archiv, Armonia Atenea, Bartoli, Bejun Mehta, Benoît Jacquot, Berlin Philharmonic, Bernadette Manca di Nissa, B’Rock Orchestra Ghent, CD, Daniel Behle, Decca, Deutsche Grammophon, Die Soldaten, DVD, Edgardo Rocha, Emmanuelle Haïm, Erato, EuroArts, Frédéric Antoun, Georg Friedrich Händel, George Petrou, Gluck, Hippolyte et Aricie, Ingo Metzmacher, Iphigénie en Aulide, Iphigénie en Tauride, Ivan Alexandre, Javier Camarena, Jean-François Lapointe, John Osborn, Kaufmann, Kolokola, Konstantin Wolff, Kristina Hammarström, Laura Aikin, Laurent Alvaro, Le comte Ory, Le Concert d’Astrée, Libreria Musicale Italiana, Liliana Nikiteanu, Lo frate ’nnamorato, London Symphony Orchestra, Luciana d’Intino, Marc Minkowski, Massenet, Michel Plasson, Mikhail Petrenko, Mireille Delunsch, Moshe Leiser, Muhai Tang, Nicolas Testé, Nuccia Focile, Oliver Widmer, Opéra National de Paris, Opernhaus Zürich, Opus Arte, Orlando, Otello, Patrice Caurier, Pergolesi, Peter Kálmán, Pierre Audi, Rachmaninoff, Rameau, Rebeca Olvera, René Jacobs, Review, Riccardo Muti, Roberto de Simone, Rolando Villazón, Rossini, Simon Rattle, Sophie Karthäuser, Sophie Koch, Stéphane Degout, Sunhae Im, Teatro alla Scala, Ugo Guagliardo, Véronique Gens, Vienna Philharmonic, Warner Classics, Werther, Wolfgang Amadeus Mozart, Yann Beuron, Zimmermann
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Friday, October 31st, 2014
By ANDREW POWELL Published: October 31, 2014 SALZBURG — Alexander Pereira is now gone from the main festival here, and two tenuous summers are in the offing before Markus Hinterhäuser replaces him as Intendant in 2017. His exit, under a cloud, ends a budget tempest but threatens reversals of worthy initiatives he took: lengthening the […]
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Tags: Academy of St Martin In the Fields, Alexander Pereira, Bartoli, Beethoven, Brahms, Commentary, Damiano Michieletto, Ensemble Matheus, Enzo Capuano, Felsenreitschule, Fierrabras, Gluck, Haus für Mozart, Haydn, Helga Rabl-Stadler, Ingo Metzmacher, Ivor Bolton, Javier Camarena, Jean-Christophe Spinosi, Julia Kleiter, La Cenerentola, Markus Hinterhäuser, Mendelssohn, Michail Lifits, Mozarteum, Mozarteumorchester, Murray Perahia, Nicola Alaimo, Peter Stein, Review, Richard Strauss, Rolando Villazón, Rossini, Salzburg, Salzburg Festival, Salzburger Festspiele, Schubert, Sven-Eric Bechtolf, Tomo Keller, Ugo Guagliardo, Vienna Philharmonic, Vienna State Opera Chorus, Vilde Frang, Wiener Philharmoniker, Wiener Staatsopernchor, Wolfgang Amadeus Mozart
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