Archive for April, 2014
Friday, April 11th, 2014
By ANDREW POWELL Published: April 11, 2014 MUNICH — Watching Manfred Honeck lead the Munich Philharmonic in Strauss last Sunday (April 6), a question came to mind. Why isn’t this the man replacing Lorin Maazel next year? With refreshing conviction and broad arm gestures à la Carlos Kleiber, Honeck drew polished performances from the orchestra […]
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Tags: Anja Harteros, Carlos Kleiber, Ein Heldenleben, Gasteig, Lorin Maazel, Manfred Honeck, München, Münchner Philharmoniker, Munich, Munich Philharmonic, Pittsburgh Symphony Orchestra, Review, Richard Strauss, Rosenkavalier-Suite, Sreten Krstič, Vier letzte Lieder
Posted in Munich Times | Comments Off on Honeck Honors Strauss
Thursday, April 10th, 2014
By ANDREW POWELL Published: April 10, 2014 MUNICH — Local tenor Jonas Kaufmann and his wife, mezzo-soprano Margarete Joswig, have jointly announced their separation. The musicians began their careers in the middle 1990s. Both sang early on for the Saarländisches Staatstheater and at the Brahms Days festival in Tutzing, just south of here. They have […]
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Tags: Brahms Days, Brahmstage, Kaufmann, Margarete Joswig, München, Munich, News, Saarländisches Staatstheater, Tutzing
Posted in Munich Times | Comments Off on Kaufmann, Wife Separate
Wednesday, April 9th, 2014
By ANDREW POWELL Published: April 9, 2014 MUNICH — Not a week goes by here now without media mention of Valery Gergiev. The musical friend of Vladimir Putin and, more to the point, high-profile employee-to-be of the City of Munich inspires comment even in modest suburban newspapers. Many want his alarmingly long contract (2015–20) shredded. […]
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Tags: Astana Opera, Christian Thielemann, Commentary, Green Party, Hans-Georg Küppers, London Symphony Orchestra, Lorin Maazel, Mariinsky Orchestra, Mariinsky Theater, München, Münchner Philharmoniker, Munich, Munich Philharmonic, Nursultan Nazarbayev, Paul Müller, Pink List, St Petersburg, Valery Gergiev, Vladimir Putin
Posted in Munich Times | Comments Off on Gergiev, Munich’s Mistake
Thursday, April 3rd, 2014
By Brian Taylor Goldstein, Esq. Dear Law and Disorder: I have written a one-man show. Do I need to get a dramatic license for background music? Just to make sure we’re all on the same page, let’s review: In order for music to be “performed” (either live or via a recording) in a public […]
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Tags: artist, bmi, Brian Taylor, composer, composition, dance, dramatic license, Goldstein, music, orchestrations, performance license, performance rights, recording, sesac, venue
Posted in Artist Management, Arts Management, Copyrights, Law and Disorder: Performing Arts Division, Music Rights, Publishing, Venues | Comments Off on Does Background Music Require A Dramatic License?
Thursday, April 3rd, 2014
By: Edna Landau To ask a question, please write Ask Edna. Early one morning, a few weeks ago, I was listening to radio station WQXR, when I heard the following: “All of the artists you hear on WQXR play with heart, but not all of them play by heart.” It was the intro to an announcement […]
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Posted in Ask Edna, Communicating with Your Audience | Comments Off on Playing by Heart
Wednesday, April 2nd, 2014
George Balanchine is famously credited with saying that “ballet is woman.” This idea is boldly apparent in his Kammermusik No. 2, which premiered on New York City Ballet in January 1978, and more recently was performed by the company as part of their 2014 winter season.
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Tags: " Rebecca Krohn, "ballet is woman, Abi Stafford, Alastair MacAulay, Alexandra Hutt, Amar Ramasar, George Balanchine, Jared Angle, Kammermusik No. 2, New York City Ballet, new york times, The Juilliard School
Posted in The Torn Tutu | Comments Off on Women as Forces of Nature in Balanchine’s Kammermusik No. 2
Tuesday, April 1st, 2014
By ANDREW POWELL Published: April 1, 2014 MUNICH — In every book on time management, there is a chapter about giving your work to someone else. Delegation, they say, is a virtue: an assistant exercises new authority and the delegator accomplishes other tasks, perhaps in other places. Maybe in another country. Or two. Take Valery […]
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Tags: A kékszakállú herceg vára, Alexei Tanovitski, Bassem Akiki, Béla Bartók, Commentary, Gidon Saks, Iolanta, Mariinsky Theater, Mariusz Treliński, Mikolaj Zalasiński, München, Münchner Philharmoniker, Munich, Munich Philharmonic, Nadja Michael, Polish National Opera, Sergei Skorokhodov, St Petersburg, Stravinsky, Tatiana Monogarova, Tchaikovsky, Teatr Wielki, Valery Gergiev, Warsaw
Posted in Munich Times | Comments Off on Busy Week
Tuesday, April 1st, 2014
In addition to the “Forty Years of Renaissance Polyphony” advertised for this Saturday’s appearance by the Tallis Scholars at Midtown Manhattan’s Church of St. Mary the Virgin, the group will be premiering a new work by Michael Nyman. Two Sonnets of Sor Juana Ines de la Cruz is tailor made for the current Tallis forces, […]
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Posted in The New Classical | Comments Off on Tallis Scholars Premiere Nyman Work
Tuesday, April 1st, 2014
By Rebecca Schmid Given the range of works across the classical repertoire, one wonders how the same Brahms and Beethoven warhorses continue to dominate programming, especially in the midst of constant debate about how to keep the art form lively. The Deutsches Symphonie-Orchester Berlin manages to prove an exception. An evening of Honegger, Franck, Roussel […]
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Tags: Albert Roussel, Arthur Honegger, betrand chamayou, Cesar Franck, Deutsches Symphonie-Orchester Berlin, Maurice Ravel, musicalamerica, Rebecca Schmid, Stéphane Denève
Posted in Berlin Times | Comments Off on The DSOB breaks the Mold with Roussel and Honegger