Posts Tagged ‘recording’

Press “Pause” On That Recording

By Brian Taylor Goldstein, Esq.    Dear Law and Disorder In reviewing an engagement contract for one of my artists, I was surprised to see that the presenter wants the right to record the artist’s performance as a “work-for-hire”. The Presenter says that this is a standard requirement and also that its reasonable because my […]

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A Tribute To Copyright Infringement

By Brian Taylor Goldstein, Esq.    Dear Law and Disorder Could you please advise how a copyright application would be filed for a tribute musical of deceased popular singer? The show would consist of all of his songs. Would it be better to file it as a compilation or concert? Can all the songs be […]

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When Is A Plumber Worth More Than A Violinist?

By Brian Taylor Goldstein, Esq.    We spent a lot of money making a CD to promote our orchestra. Now the composer’s publisher wants mechanical royalties. I just don’t understand why I have to pay mechanical royalties for a CD I am not selling, just giving to donors. Doesn’t the Composer want people to listen […]

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Understanding Legalese

By Brian Taylor Goldstein, Esq.    Dear Law and Disorder: Every time someone sends us a contract, its always a lengthy document with lots of legalese that no one understands. Is there anything wrong with having a simple, one page agreement that everyone can easily understand and will sign? A lot of people mistake “legalese” […]

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The Lost Art of Negotiation

By Brian Taylor Goldstein, Esq.    Dear Law and Disorder: A longtime friend who is also a very successful artist who I greatly respect, asked me to do a project with him. He sent me a contract, but it doesn’t cover things like when and how I get paid. I want to mark up the […]

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How Much Is That Artist In The Window?

By Brian Taylor Goldstein, Esq.    Dear Law and Disorder My ensemble has been approached by a composer/musician who would like them to do two days of recording for music that she is composing for a theater company. My understanding is that this theater company does quite a bit of touring. Do musicians typically get […]

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Does Background Music Require A Dramatic License?

By Brian Taylor Goldstein, Esq.    Dear Law and Disorder: I have written a one-man show. Do I need to get a dramatic license for background music? Just to make sure we’re all on the same page, let’s review: In order for music to be “performed” (either live or via a recording) in a public […]

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What Do You Mean I Need To PAY For Music?

By Brian Taylor Goldstein, Esq. Greetings, I have recently been contacted by ASCAP asking for fees based on music played by live musicians. Are we required to pay if we do not pay the musicians? Any musician who plays at the location is not compensated for their efforts. Is anyone else who works at or […]

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Visas for Recording Artists

By Brian Taylor Goldstein, Esq. Dear Law and Disorder: If a foreign singer (who is not a citizen of a country that is eligible for the visa waiver program) gets a record deal in the USA, what kind of visa would they need to apply for? And if the singer is currently living in a […]

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“Fair Use” Just Isn’t Fair!

By Brian Taylor Goldstein, Esq. Dear Law and Disorder: I have read your clearly stated articles about mechanical use and rights.  What about “fair use”? Aren’t there specific scenarios where permission is not needed to use a recording of someone else’s music? Beware of what you ask. You are about to open a box whereupon […]

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