Archive for May, 2014
Thursday, May 29th, 2014
By Robyn Guilliams Dear Law & Order I’ve been hearing a lot about a recent U.S. ban on ivory that will prevent string players from transporting their instruments in and out of the country. However, I recently travelled to Europe and back with my cello (my bow has a small ivory inlay in […]
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Tags: artist, orchestra, orchestras, passports, permission, risk, Robyn Guilliams, travel
Posted in Artist Management, Arts Management, Law and Disorder: Performing Arts Division, Touring | Comments Off on The Elephant and The Frog
Thursday, May 29th, 2014
By: Edna Landau To ask a question, please write Ask Edna. The summer is a special time for many of us, presenting an opportunity to take a break from our normal routine and relax sufficiently to enable us to reassume our job responsibilities with increased vigor and renewed enthusiasm. For those who are graduating, the summer […]
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Posted in Ask Edna, Listening to Your Inner Voice | Comments Off on Commencement Address Excerpts to Inspire Your Summer
Friday, May 23rd, 2014
By Rebecca Schmid The story of Billy Budd, a Herman Melville story which became the basis for Britten’s now classic opera, revolves around a seaman whose allure is so strong that John Claggart, the Master-at-arms on an 18th century war ship, conspires to eradicate his presence. Fate takes a strange twist when Budd, reduced to […]
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Tags: Alfred Brendel, Benjman Britten, Billy Budd, Burkhard Ulrich, David Alden, Deutsche Oper, Donald Runnicles, Francesco Piemontesi, Gidon Saks, John Chest, Konzerthaus Berlin, Maxine Braham, Paul Steinberg, Thomas Blondelle, Tobias Kehrer
Posted in Berlin Times | Comments Off on Artists on the Rise at the Deutsche Oper and the Konzerthaus
Friday, May 23rd, 2014
By Sedgwick Clark The critics’ darling series “Spring for Music” had four good years of thoughtful, sometimes innovative programs played by first-rate American orchestras from the provinces for a mere $25 a ticket in Carnegie Hall, no less. But none of our country’s billionaires or blue-chip companies was willing to chip in a couple mils […]
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Posted in Why I Left Muncie | Comments Off on Bye-Bye, Spring for Music
Thursday, May 22nd, 2014
By ANDREW POWELL Published: May 22, 2014 MUNICH — Composer first, virtuoso second. That, increasingly, is history’s view of Marcel Dupré, the long-lived, globe-trotting Frenchman whose suite Le Chemin de la Croix received a fluent and technically assured performance on Palm Sunday (April 13) from Munich organist Helene von Rechenberg. The hour-long score follows the […]
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Tags: Helene von Rechenberg, Le Chemin de la Croix, Lent, Marcel Dupré, Michael Radulescu, München, Munich, Palm Sunday, Paul Claudel, Review, Saint-Sulpice, Tutzing, Via Crucis
Posted in Munich Times | Comments Off on Rechenberg on Dupré’s Chemin
Tuesday, May 20th, 2014
By ANDREW POWELL Published: May 20, 2014 MUNICH — In a rambling, two-page “personal statement” to Munich Philharmonic subscribers made public today (May 20), Valery Gergiev stressed the role of music as bridge-builder and affirmed his now divisive assumption of the post of Chefdirigent of the orchestra, effective in fall 2015. The statement covers a […]
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Tags: Commentary, Glinka, Hans-Georg Küppers, Linz, Mariinsky Orchestra, Mariinsky Theater, München, Münchner Philharmoniker, Munich, Munich Philharmonic, News, Paul Müller, Valery Gergiev
Posted in Munich Times | Comments Off on Gergiev Undissuaded
Saturday, May 17th, 2014
By ANDREW POWELL Published: May 17, 2014 MUNICH — Something has happened to Moscow’s Bolshoi Orchestra. Perhaps steady funding? It has lost its old woolly sound, judging from an April 9 Bell’Arte tour stop here at the Gasteig, and found another: a gleaming, uniformly virtuosic persona that commands attention. Vassily Sinaisky, overseer of this transformation, […]
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Tags: Alan Buribayev, Bell’Arte, Bolshoi Orchestra, Bolshoi Theater, Gasteig, Mischa Maisky, München, Munich, Review, Tugan Sokhiev, Vassily Sinaisky, Vladimir Urin
Posted in Munich Times | Comments Off on Bolshoi Orchestra Stops By
Friday, May 16th, 2014
By Rebecca Schmid Classical music historiography of the 20th century tends to create neatly delineated periods, with World War Two creating a kind of indelible caesura in all things aesthetic and philosophical. This is particularly true in Germany, where the Nachkriegszeit (post-war period) is defined as a veritable epoch: a time in which the country […]
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Tags: Aco Aleksander Bišćević, Allan Clayton, Andreas Ottensamer, Aribert Reimann, barrie kosky, Castor et Pollux, Cenk Sahin, Christian Curnyn, David Robert Coleman, Felix Mendelssohn Bartholdy, Frans Helmerson, Gili Schwarzman, Guy Braunstein, Jerusalem International Chamber Music Festival, Jonathan Gilad, Katrin Lea Tag, komische oper, Mojca Erdmann, Mor Biron, Nicole Chevalier, Richard Strauss
Posted in Berlin Times | Comments Off on New works at the Jewish Museum; Rameau’s “Castor et Pollux”
Thursday, May 15th, 2014
By Sedgwick Clark New York Philharmonic/Christoph von Dohnányi; Paul Lewis, piano, April 10—If you like your Brahms Germanic, the British pianist Paul Lewis is not your cup of schlag. He has been praised for his Schubert and Beethoven performances in small venues hereabouts and on Harmonia Mundi recordings, but this was his first appearance with […]
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Posted in Why I Left Muncie | Comments Off on (Relatively) Short Takes
Thursday, May 15th, 2014
By Brian Taylor Goldstein, Esq. Dear Law and Disorder I had a signed agreement with a promoter to present my artist. The contract provided for two deposits and a final payment on the day of the performance. I worked for over a year with this promoter to put this deal together. Not only did […]
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Tags: artist, breach, breaches, Brian Taylor, contract, Contracts, engagements, Goldstein, insurance, judgment, lawsuit, manager, money, negotiation, payment, presenter, promoter, relationships, risk, work
Posted in Agents, Artist Management, Arts Management, Contracts, Law and Disorder: Performing Arts Division, Presenters | Comments Off on The Hogwarts School of Contracting and Wizardry