Archive for March, 2015
Tuesday, March 31st, 2015
By ANDREW POWELL Published: March 31, 2015 MUNICH — Arts projects in Europe with any visual aspect to them nowadays migrate to DVD whether or not there is a need, partly to justify public subsidy through distribution. Many are operas filmed too often, like Nationaltheater Mannheim’s just-released Der Ring des Nibelungen, which joins DVD tetralogies […]
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Tags: Alessandro Corbelli, Alvis Hermanis, Anne Sofie von Otter, Antifonale Ambrosiano, Antonio Pappano, Archiv, Armonia Atenea, Bartoli, Bejun Mehta, Benoît Jacquot, Berlin Philharmonic, Bernadette Manca di Nissa, B’Rock Orchestra Ghent, CD, Daniel Behle, Decca, Deutsche Grammophon, Die Soldaten, DVD, Edgardo Rocha, Emmanuelle Haïm, Erato, EuroArts, Frédéric Antoun, Georg Friedrich Händel, George Petrou, Gluck, Hippolyte et Aricie, Ingo Metzmacher, Iphigénie en Aulide, Iphigénie en Tauride, Ivan Alexandre, Javier Camarena, Jean-François Lapointe, John Osborn, Kaufmann, Kolokola, Konstantin Wolff, Kristina Hammarström, Laura Aikin, Laurent Alvaro, Le comte Ory, Le Concert d’Astrée, Libreria Musicale Italiana, Liliana Nikiteanu, Lo frate ’nnamorato, London Symphony Orchestra, Luciana d’Intino, Marc Minkowski, Massenet, Michel Plasson, Mikhail Petrenko, Mireille Delunsch, Moshe Leiser, Muhai Tang, Nicolas Testé, Nuccia Focile, Oliver Widmer, Opéra National de Paris, Opernhaus Zürich, Opus Arte, Orlando, Otello, Patrice Caurier, Pergolesi, Peter Kálmán, Pierre Audi, Rachmaninoff, Rameau, Rebeca Olvera, René Jacobs, Review, Riccardo Muti, Roberto de Simone, Rolando Villazón, Rossini, Simon Rattle, Sophie Karthäuser, Sophie Koch, Stéphane Degout, Sunhae Im, Teatro alla Scala, Ugo Guagliardo, Véronique Gens, Vienna Philharmonic, Warner Classics, Werther, Wolfgang Amadeus Mozart, Yann Beuron, Zimmermann
Posted in Munich Times | Comments Off on Winter Discs
Thursday, March 26th, 2015
By James Conlon Question: What do Arnold Schoenberg, Edouard Manet, Francois Rene Chateaubriand and Titus Andronicus have in common? Answer: My spell-check doesn’t recognize their names. About eighteen months ago, bending under a barrage of criticism and pressure to start tweeting, I began. Entering the world of social media was not my thing. […]
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Posted in A Rich Possession | Comments Off on Auto-Correct: The Great Leveler
Thursday, March 26th, 2015
By Rebecca Schmid There has been too much music to keep up with between the Konzerthaus’ Festival Mythos Berlin and the contemporary music festival MärzMusik. At the Konzerthaus, I caught the premiere of Christian Jost’s BerlinSymphonie, an homage to the German capital in all is mercurial energy. The approximately 27-minute work for full orchestra creates […]
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Posted in Berlin Times | Comments Off on A Glimpse at Jost and Aperghis
Wednesday, March 25th, 2015
By Brian Taylor Goldstein, Esq. Dear Law and Disorder: Hypothetical: A theatrical production company would like to produce a tribute musical production to a songwriter using only the songwriter’s music being performed by the cast of the production. The production would be held at a community theater which is not licensed by ASCAP or any […]
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Tags: ascap, bmi, composer, composers, dramatic license, Licensing, necessary licenses, performance license, performer, sesac, songwriter, venue, work
Posted in Arts Management, Contracts, Copyrights, Law and Disorder: Performing Arts Division, Liability, Licensing, Music Rights, Presenters, Publishing, Venues | Comments Off on Don’t Be Shy About BMI
Wednesday, March 25th, 2015
Cellist Joshua Roman talks with Eugenia Zukerman and Emily Ondracek-Peterson of Noted Endeavors about the importance of relationships and how those relationships can open doors to realizing projects. Josh realized the importance of relationships early in his career. Projects such as “On Grace” with Anna Deavere Smith – a work for actor and cello featuring […]
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Posted in Noted Endeavors | Comments Off on Noted Endeavors with Cellist Joshua Roman – Relationships Pave the Way to Financing Projects
Friday, March 20th, 2015
By Sedgwick Clark Next week, for the first time as a citizen of New York County, I shall descend to the lower depths of Manhattan and perform my solemn rite of jury duty without the concomitant joy of combing through the record bins of J & R Music. J & R closed its classical department […]
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Posted in Why I Left Muncie | Comments Off on My Date with Jury Duty
Monday, March 16th, 2015
By ANDREW POWELL Published: March 16, 2015 MUNICH — Ivo Pogorelich wants to continue to play. He has recital programs planned out till 2020. He keeps several concertos in his repertory, the Chopin F-Minor and Prokofiev Third performed here persuasively in recent seasons. He is “pleased,” he writes, about a new box of his old […]
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Tags: Bell’Arte, Brahms, Dante Sonata, Ivo Pogorelich, Liszt, München, Munich, Paganini Variations, Piano, Prinz-Regenten-Theater, Review, Schumann, Stravinsky, Trois mouvements de Pétrouchka
Posted in Munich Times | Comments Off on Pogorelich Soldiers On
Friday, March 13th, 2015
Linda Chesis talks with Eugenia Zukerman and Emily Ondracek-Peterson of Noted Endeavors about the vehicles for selling tickets effectively. The Cooperstown Summer Music Festival in the historic Village of Cooperstown is located in a small town in the heart of central New York with global appeal. Originally famous through its association with The Leatherstocking Tales by […]
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Posted in Noted Endeavors | Comments Off on Noted Endeavors with Flutist Linda Chesis – The Nitty-Gritty of Selling Tickets
Friday, March 13th, 2015
By ANDREW POWELL Published: March 13, 2015 MUNICH — This morning the Munich Philharmonic detailed the rehearsal hours put in by Valery Gergiev for a Stravinsky program here in December 2013. They totaled 14¼, a lavish allocation by the heavily branded maestro given his skimpy work in Poland and Russia the same week, to wit: […]
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Tags: Commentary, München, Münchner Philharmoniker, Munich, Munich Philharmonic, Polish National Opera, Teatr Wielki, Valery Gergiev, Warsaw
Posted in Munich Times | Comments Off on Gergiev Prep Hours Clarified
Thursday, March 12th, 2015
By Brian Taylor Goldstein, Esq. Dear Law and Disorder: A presenter wants to breach our engagement contract by cancelling. Our cancellation clause says that, in the event of cancellation, we get 50% of the engagement fee or actual damages. They are offering 50%, but at this stage want the full fee. If you have […]
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Tags: breach, cancellation, cancellation clause, contract, Contracts, damages, engagement contract, engagements, losses, presenter, risk, Tour
Posted in Agents, Artist Management, Arts Management, Contracts, Law and Disorder: Performing Arts Division, Liability, Presenters, Touring | Comments Off on The Damaging Truth About Cancellation Damages