Archive for February, 2016
Thursday, February 18th, 2016
By Brian Taylor Goldstein, Esq. I haven’t found an example that matches the situation of a 501(c)(3) I am familiar with. They throw a once-yearly art festival that spans a weekend (2days). They don’t charge the public any admittance. They raise money by charging fees for booth (10×10) spaces for (visual) arts vendors to […]
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Tags: artist, ascap, bmi, composer, composers, composition, copyright, copyright act, copyright infringement, copyright law, Education, Festival, Liable, license, music, musical composition, musician, non profits, original music, performance license, performer, permission, presenter, promoter, publishing company, risk, sesac, venue
Posted in Arts Management, Copyrights, Law and Disorder: Performing Arts Division, Liability, Licensing, Music Rights, Non-Profits, Presenters, Publishing, Venues | Comments Off on Who Has To Pay The Likes of ASCAP, BMI, Etc?
Wednesday, February 17th, 2016
Which came first, the arcade game Pac-Man or Mechanical Organ by Alwin Nikolais? Both came into being in 1980. With a child-like glee, both present an abstracted technicolor figure, fearsomely navigating every which way. Moreover, after watching the Alwin Nikolais Celebration at The Joyce Theater (Feb. 9), it became clear that the late choreographer (1910-1983) influenced more than the world of dance. In Nikolais’ productions, technology drove his visions. Like a Steve Jobs of the theater, Nikolais was a master mind. He conceived the concept and aesthetic of each work by controlling all the elements: composition of the electronic score, costuming of his dancers, décor creation, and choreography (albeit in collaboration with his zealous performers, who worked with him at the Henry Street Playhouse).
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Tags: Alberto del Saz, Alwin Nikolais, Crucible, Gallery, Rachel Straus, Ririe-Woodbury Dance Company, Tensile Involvement, The Joyce Theater
Posted in The Torn Tutu | Comments Off on Celebrating Alwin Nikolais: The Futuristic Choreographer
Monday, February 15th, 2016
By ANDREW POWELL Published: February 15, 2016 SALZBURG — There is a pleasure in arriving in Salzburg with snow on the ground. Or maybe the word is reassurance: the city will be real, not a theme park; the people mostly locals, despite the hollowing out of property ownership here; the profile quiet, even intimate, affording […]
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Tags: András Schiff, Bartabas, Commentary, English Baroque Soloists, Felsenreitschule, Großes Festspielhaus, John Eliot Gardiner, Katia et Marielle Labèque, Mendelssohn, Monteverdi Choir, Mozarteum, Mozarteumorchester, Mozartwoche, Nikolaus Harnoncourt, Piano, Review, Salzburg, Sonate écossaise, Variations sérieuses, Wolfgang Amadeus Mozart
Posted in Munich Times | Comments Off on Mozartwoche: January’s Peace
Friday, February 12th, 2016
You’re just out of school – what do you do now? Super-commissioner, violist, and radio host Nadia Sirota offers her advice for what young, aspiring musicians should be doing for a healthy career (and for one’s sanity). “A one-woman contemporary-classical commissioning machine” (Pitchfork), violist Nadia Sirota is best known for her singular sound and expressive […]
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Posted in Noted Endeavors | Comments Off on Nadia Sirota: Advice for Musicians Just Out of School
Wednesday, February 3rd, 2016
By Brian Taylor Goldstein, Esq. Dear Law and Disorder: What would be your response to an artist who re-books themselves in venues that an agent previously booked for them? Is that legally allowed? We booked this particular group to a major venue 2 years back and now they have re-booked themselves at this same […]
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Tags: agent, artist, bookings, breach, contract, Contracts, judgment, manager, presenter, venue
Posted in Agents, Artist Management, Contracts, Law and Disorder: Performing Arts Division, Presenters, Venues | Comments Off on It’s Time To Set Your People Free!