Archive for 2016

Rozhdestvensky in Large Letters, Please.

Thursday, December 8th, 2016

By:  Frank Cadenhead Odd behavior marked the scheduled appearance of Gennady Rozhdestvensky at the helm of the Russian National Orchestra in Paris on Monday, November 28. The orchestra was at the Philharmonie for a short, two stop, tour. Two days before, at a concert in Baden-Baden, he conducted a program of Prokoviev’s Classical Symphony, the […]

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A Healthy Paris Opera

Tuesday, December 6th, 2016

By: Frank Cadenhead The numbers for the Opéra national de Paris’ 2015-2016 season, recently released, gives a positive impression despite the effects of the murderous series of terrorist attacks on the 13th of November of last year. Attendance has remained steady and private donations are up. The attack on the Bataclan Theater, which lasted over […]

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Bramall to Gärtnerplatz

Tuesday, December 6th, 2016

By ANDREW POWELL Published: December 6, 2016 MUNICH — London-born conductor Anthony Bramall, 59, has been appointed Chefdirigent of the Staatstheater am Gärtnerplatz here, effective next season. He succeeds Marco Comin. Bramall studied singing at the Guildhall School of Music and Drama, and conducting with Vilém Tauský. He has already led several productions with the […]

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Flitting Thru Prokofiev

Wednesday, November 30th, 2016

By ANDREW POWELL Published: November 30, 2016 MUNICH — As fluent as Valery Gergiev is in Prokofiev, he had precious little to say with a cycle of the symphonies here this month. Fluency meant wise tempos, a feel for the boldness in the scores’ structures, a facility in cuing the two orchestras on duty. It […]

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Can A Union Walk Away With My Contract?

Tuesday, November 29th, 2016

By Brian Taylor Goldstein, Esq.     Dear Law and Disorder:  Is it legal that a presenter can put “strike, lock-out or other labor controversy (including, without limitation, the picketing on the theater by representatives of any labor union having or claiming to have jurisdiction over theater’s employees” into a force majeure clause? I mean, […]

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Muti the Publisher

Saturday, October 29th, 2016

By ANDREW POWELL Published: October 29, 2016 RAVENNA — Imprints, sub-brands, and discreet licensing entities were once a way for artists with bargaining power to secure fatter stakes in the published output of their work. Among conductors, Herbert von Karajan, Leonard Bernstein and Nikolaus Harnoncourt enjoyed the privilege. Are such endeavors still viable, given social […]

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Fundraising!!! Part II: Corporate Sponsorships

Tuesday, October 25th, 2016

Mezzo-soprano Laurie Rubin has been blind since birth. However, this hasn’t stopped her from becoming not only a successful singer, but an author and arts administrator. In this segment, Laurie talks with Eugenia Zukerman and Emily Ondracek-Peterson of http://notedendeavors.com about the birth of Ohana Arts, an organization Laurie started with her wife, Jenny Taira. It’s […]

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USCIS Announces Fee Increase for Artist Visas!

Monday, October 24th, 2016

It is with the deepest bewilderment and frustration that we are compelled to announce: USCIS HAS IMPLEMENTED A FEE INCREASE FOR VISA PETITIONS On Friday, October 21, the US Department of Homeland Security announced that it has approved the request of United States Citizenship and Immigration Services (USCIS) to increase the fee for US visa […]

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Fundraising!!!

Wednesday, October 19th, 2016

Mezzo-soprano Laurie Rubin has been blind since birth. However, this hasn’t stopped her from becoming not only a successful singer, but an author and arts administrator. In this segment, Laurie talks with Eugenia Zukerman and Emily Ondracek-Peterson of http://notedendeavors.com about the birth of Ohana Arts, an organization Laurie started with her wife, Jenny Taira. It’s […]

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The Return of the Opéra Comique

Saturday, October 8th, 2016

By: Frank Cadenhead The September 15 press conference was unusually packed for the season announcement of Opéra Comique. After being closed for 18 months and under new management, the interest in the future of this iconic Parisian institution was high. The new director, Olivier Mantei, was the only speaker and occupied the stage for about […]

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