Archive for July, 2015
Friday, July 31st, 2015
By Sedgwick Clark There is nothing hum-drum about the annual Lincoln Center Festival. Festival Director Nigel Redden likes to take chances, scouring the globe during off-summer months for new takes on traditional works in all the performing arts, balanced by newer works for which the word “unique” was invented. One of the latter was an […]
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Posted in Why I Left Muncie | Comments Off on Harry Partch from the Source
Wednesday, July 29th, 2015
Matt Haimovitz is redefining what it means to be a musician in the twenty-first century. In this segment with Noted Endeavors founders, Eugenia Zukerman and Emily Ondracek-Peterson, Matt tells the story of how he started the movement of classical musicians performing at alternative venues. Haimovitz made his debut in 1984, at the age of 13, […]
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Tags: Emily Ondracek-Peterson, Eugenia Zukerman, Matt Haimovitz, Noted Endeavors
Posted in Noted Endeavors | Comments Off on Matt Haimovitz with Noted Endeavors: The Birth of Alternative Performance Spaces
Friday, July 24th, 2015
By ANDREW POWELL Published: July 24, 2015 MUNICH — Bavarian State Opera has confirmed by phone it will announce a contract extension for Kirill Petrenko before the start of next season, in September. With the month of August being a house holiday, the news could come as early as next week when the company’s annual […]
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Tags: Bavarian State Opera, Bavarian State Orchestra, Bayerische Staatsoper, Bayerisches Staatsorchester, Berlin Philharmonic, Commentary, Kent Nagano, Kirill Petrenko, Ludwig Spaenle, Luisi, München, Munich, News, Nikolaus Bachler, Wolfgang Sawallisch
Posted in Munich Times | Comments Off on Petrenko to Extend in Munich
Monday, July 20th, 2015
By Sedgwick Clark NOT TO BE MISSED! This week, the Metropolitan Opera pays tribute to the late Jon Vickers by devoting its entire programming on Sirius XM to archival broadcasts featuring the great Canadian tenor. The second opera I ever heard live was this Peter Grimes, and I was fortunate to attend at least one […]
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Posted in Why I Left Muncie | Comments Off on Jon Vickers on the Met’s Sirius XM
Tuesday, July 14th, 2015
By Rebecca Schmid “If opera wants to find the connection to ‘great theater’ again, it has to adopt a flexible form that represents new theater’s most valuable qualities,” wrote Kurt Weill in 1929, one year after the Threepenny Opera premiered at Theater am Schiffbauerdamm. A recent visit to that very theater for the Berliner Ensemble […]
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Posted in Berlin Times | Comments Off on A Faust for our Times
Thursday, July 9th, 2015
By Brian Taylor Goldstein, Esq. We spent a lot of money making a CD to promote our orchestra. Now the composer’s publisher wants mechanical royalties. I just don’t understand why I have to pay mechanical royalties for a CD I am not selling, just giving to donors. Doesn’t the Composer want people to listen […]
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Tags: artist, ascap, bmi, CD, commission fee, commissions, composer, composers, composition, entertainment industry, license, mechanical royalties, money, music, musician, orchestra, performance license, performer, playwright, recording, royalty, sesac, work
Posted in Contracts, Law and Disorder: Performing Arts Division, Licensing, Music Rights, Presenters, Publishing, Recordings | Comments Off on When Is A Plumber Worth More Than A Violinist?
Monday, July 6th, 2015
If you hire a publicist, you’ll be the next Yo-Yo Ma, right? In this third installment of the publicist series (Watch Part 1 and Part 2), publicist and founder of DOTDOTDOTMUSIC, Steven Swartz, addresses what you outcomes you can expect when hiring a publicist. Interviewing are Noted Endeavors founders Eugenia Zukerman and Emily Ondracek-Peterson. Steven Swartz is […]
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Posted in Noted Endeavors | Comments Off on Noted Endeavors with Steven Swartz, Part III: What are reasonable outcomes when hiring a publicist?