A Faust for our Times
Tuesday, July 14th, 2015By Rebecca Schmid “If opera wants to find the connection to ‘great theater’ again, it has to adopt a flexible form that represents new theater’s most valuable qualities,” wrote Kurt Weill in 1929, one year after the Threepenny Opera premiered at Theater am Schiffbauerdamm. A recent visit to that very theater for the Berliner Ensemble […]
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