Archive for March, 2014
Wednesday, March 19th, 2014
By ANDREW POWELL Published: March 19, 2014 MUNICH — Bavarian State Opera’s flag-waving, Putin-skewering production of Boris Godunov had extra resonance in a revival on Sunday afternoon (March 16) as Crimeans engaged in their foregone conclusion of a referendum. Musically, too, all emerged tougher and more urgent than at last year’s premiere. Kirill Petrenko sharpened […]
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Tags: Ain Anger, Alexander Tsymbalyuk, Anatoli Kotcherga, Bavarian State Opera, Bavarian State Orchestra, Bayerische Staatsoper, Bayerisches Staatsorchester, BelAir Classiques, Bieito, Boris Godunov, Dmytro Popov, Gerhard Siegel, Kent Nagano, Kevin Conners, Kirill Petrenko, Markus Eiche, München, Munich, Review, Sören Eckhoff, Vladimir Matorin
Posted in Munich Times | Comments Off on Petrenko’s Sharper Boris
Sunday, March 16th, 2014
Like many choreographers who have persevered, Stoner has bore witness to many dance movements: the high drama of Martha Graham, the abstract formalism of Alwin Nikolais, the anti-virtuosity of Yvonne Rainer, the minimalism of Lucinda Childs, the fusion dancing of Twyla Tharp, and the formalism of Balanchine and Cunningham. Stoner’s work incorporates aspects of each of these 20th century U.S. dance movements, but she isn’t a direct descendent of any them. Perhaps it’s because her work never entered the mainstream dance world. There is something to be said for being on the outside of the concert dance machine, which grinds many a choreographer up. In “Distant Past, Ancient Memories,” Stoner seems to be dancing through part of her history, with the wisdom of one who has made many dances, and with a need to choreograph with a broader brush.
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Tags: Alwin Nikolais, Amos Pinhasi, Balanchine, Chase Booth, Jeanette Stoner, Lucinda Childs, Martha Graham, Mary Wigman, Merce Cunningham, Peter Davis, Rachel Straus, Twyla Tharp, Yvonne Rainer, Zvi Gotheiner
Posted in The Torn Tutu | Comments Off on Dark Days: Jeanette Stoner and Dancers
Friday, March 14th, 2014
By Rebecca Schmid The Rundfunk-Sinfonieorchester Berlin presented what was announced as a “French evening” on March 12 featuring the German premiere of Dutilleux’s Le temps l’horloge. The RSB has its share of competition between the Berlin Philharmonic, Deutsche-Sinfonieorchester Berlin (another orchestra with broadcast roots), the Staatskapelle and others. But it was a surprise to see […]
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Tags: Baudelaire, Bohuslav Martinu, Claude Debussy, Deutsche Grammophon, Henri Dutilleux, Konzerthaus Berlin, Laura Aikin, Le temps l’horloge, Ludovic Morlot, MusicalAmerica.com, Rebecca Schmid, Rundfunk-Sinfonieorchester Berlin
Posted in Berlin Times | Comments Off on At the Konzerthaus, a German Premiere and a half-empty Hall
Friday, March 14th, 2014
By Sedgwick Clark Which is more important, asks Richard Strauss’s opera Capriccio: the music or the words? With the Vienna Philharmonic onstage at Carnegie Hall and surtitles cuing every vocal line, the question (and answer) may be less whimsical than ever. Franz Welser-Möst led New York’s favorite visiting orchestra on February 28 at Carnegie Hall’s […]
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Posted in Why I Left Muncie | Comments Off on Two Wozzecks and a Salome in Concert
Wednesday, March 12th, 2014
Voices from the Killing Jar Kate Soper, composer and vocalist; Wet Ink Ensemble Carrier Records CD Carrier 021 On her first portrait album, composer and soprano Kate Soper inhabits the interior lives of eight women in various stages of danger and distress. Embodying characters penned by authors ranging from F. Scott Fitgerald to […]
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Posted in The New Classical | Comments Off on Kate Soper on Carrier Records
Tuesday, March 11th, 2014
We are living in the age of the male choreographer, again. Seventeenth and 18th century ballet masters were traditionally male and the acknowledged great names in ballet—Petipa, Fokine, Massine, Balanchine, Ashton, Tudor, MacMillan, Cranko, and now Ratmansky—are all men. Modern dance, on the hand, was until recently the domain of the female choreographer. (Think Isadora Duncan and Martha Graham.) Yet modern dance, which is now called contemporary dance, no longer boasts as many strong female choreographers as it did in its heyday (1910 to 1960). What happened to the predominance of powerful, highly visible female choreographers?
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Tags: Balanchine, Carol Schneeman, Clement Greenberg, Cunningham, Pam Tanowitz, Paul Taylor, Rachel Straus, Viola Farber, Yvonne Rainer
Posted in The Torn Tutu | Comments Off on Formalism in U.S. Dance
Friday, March 7th, 2014
By ANDREW POWELL Published: March 7, 2014 MUNICH — Kirill Petrenko unobtrusively passed the litmus test of Der Rosenkavalier here this week, shaping the score on his own terms (March 5) amid the hoopla of his Bavarian State Opera company’s 2014–15 season announcement. Energetic, vivid, not so flexible, often perilously fast or loud, but dynamically […]
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Tags: Alice Coote, Bavarian State Opera, Bavarian State Orchestra, Bayerische Staatsoper, Bayerisches Staatsorchester, Der Rosenkavalier, Hugo von Hofmannsthal, Kirill Petrenko, Mojca Erdmann, München, Munich, Peter Rose, Review, Richard Strauss, Soile Isokoski
Posted in Munich Times | Comments Off on Petrenko’s Rosenkavalier
Friday, March 7th, 2014
Vijay Iyer – Mutations Vijay Iyer, piano and electronics; Miranda Cuckson, violin; Michi Wiancko, violin; Kyle Armbrust, viola; Kivie Cahn-Lipman, violoncello ECM Records CD ECM 2372 Pianist and composer Vijay Iyer makes his debut on the ECM imprint with Mutations, a recording of three piano pieces (two of them electronically enhanced) and the title […]
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Posted in The New Classical | Comments Off on Vijay Iyer: Mutations
Thursday, March 6th, 2014
There Never is No Light Joshua Rubin Tundra TUN 002 CD On There Never is No Light, International Contemporary Ensemble’s clarinetist Joshua Rubin presents a program of new music for clarinet, bass clarinet, and electronics by a diverse group of composers, both elder statesman and those of the thirty/forty-something generation. The Soul is the Arena, […]
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Posted in The New Classical | Comments Off on ICE Clarinetist Rubin’s New Recording
Thursday, March 6th, 2014
By Brian Taylor Goldstein, Esq. Dear Law and Disorder We filed P-1 and P-1S visa petitions at the Vermont Service Center for a group we have been touring regularly for the past 5 years. This would have been their sixth P-1 visa. Last year, we were getting petitions approved in about week. This time, […]
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Tags: agent, approval notice, artist, artistsfromabroad, Brian Taylor, contract, Contracts, copy, engagement contract, Goldstein, immigration, immigration law, petitions, processing times, Tour, uscis, visa petition, visa petitions, visas, work
Posted in Agents, Artist Management, Arts Management, Law and Disorder: Performing Arts Division, Touring, Visas | Comments Off on US VISA WARNING: Beware of the Vermont Service Center! Abandon All Hope Ye Who File There!