The seventh annual Fall For Dance Festival came to a meaty close on October 13. Program five at New York’s City Center trafficked in high testosterone, thanks to China’s LPD-Laboratory Dance Project’s No Comment (2002) and Yaron Lifschitz’s Circa (2009), which is also the name of the Australian acrobatic troupe. In both works the body was treated like a battering ram.
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Choreographer Jonah Bokaer and visual artist Anthony McCall’s world premiere of Eclipse inaugurated the BAM Richard B. Fisher Building with six sold out performances from September 5th through 9th. The hour-long work (seen on the 9th) in the new black box theater was configured so that the audience flanked four sides of the dark, carpeted stage space. The performance began when Bokaer approached one of the lowest hanging bulbs and knelt to Thomas Edison’s invention. Like the sun god Apollo, Bokaer’s penetrating gaze into the bulb’s opaque surface caused its illumination.
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By Rachel Straus When the pressure is on to be romantic, delivering the goods is a challenge. The week before Valentine’s Day, four dance events intentionally (and unintentionally) dabbled in matters of the heart. Merce Cunningham’s 1998 Pond Way—as filmed by Charles Atlas—was surprisingly the most romantic. (It was screened at the Baryshnikov Arts Center [...]
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If you’ve ever sat in the theater watching a dance and wondered how the performers went from working with the choreographer in the studio to being masters of their own movement on the stage, the Emmy award-winning filmmaker Elliot Caplan has made just the documentary for you. It’s called 15 Days of Dance – The [...]
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