Archive for February, 2012
Wednesday, February 29th, 2012
by Sedgwick Clark It’s a most improbable New York story: Broadway salutes a theater critic, of all things, by dimming its lights during prime box-office time prior to curtain. How often has that happened? No one would have been more astonished to receive this honor than its recipient, Howard Kissel, theater critic of the New […]
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Tags: Beethoven, carnegie hall, Christine Brewer, Clark, David Merrick, Eric Owens, Howard Kissel, Jeremy Geffen, John Oliver, lincoln center, Maazel, Michelle DeYoung, musical america, New York, philharmonic, Sedgwick, sedgwick clark, Sibelius, Tanglewood, Woody Allen, Zankel
Posted in Why I Left Muncie | Comments Off on New York Was His “Howieland”
Tuesday, February 28th, 2012
Ten years later, I saw Crystal Pite’s “Dark Matters.” Her choreography augured a new movement style, a “Matrix”-like sense of physical wonder. On January 24 at Baryshnikov Arts Center (BAC), Pite’s choreography enthralled the audience. At the end of “The You Show,” made in 2010 with her company Kidd Pivot Frankfurt RM, Pite and her eight dancers received a standing ovation.
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Tags: Baryshnikov Arts Center, Beethoven, Cindy Salgado, Crystal Pite, Dark Matters, Eric Beauchesne, George Balanchine, Hugo Weaving, I don't believe in outer space, Isadora Duncan, Jermaine Maurice Spivey, Jiří Pokorný, Judson Dance Theatre, Keanu Reeves, Kidd Pivot Frankfurt RM, Marines, Martha Graham, Peter Chu, Piano Sonata No. 14 in C Sharp Minor, Robert Sondergaard, Sandra Marin Garcia, The Matrix, The You Show, Three Atmospheric Studies, William Forsythe
Posted in The Torn Tutu | Comments Off on Crystal Pite’s Futuristic Choreography
Monday, February 27th, 2012
by James Conlon On February 15, one of the great men of opera passed away. Charles Anthony will be long remembered for the stunning statistics of his career at the Metropolitan Opera: 2,928 performances of 111 roles in 69 operas in 57 years. He appeared there more than any other artist in the Met’s history. […]
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Tags: career, Charles Anthony, guinness book of world records, James Conlon, metropolitan opera, orchestra, ripley s believe it or not, symphony, the met
Posted in A Rich Possession | Comments Off on Charles Anthony, No Unsung Hero
Thursday, February 23rd, 2012
By: Edna Landau To ask a question, please write Ask Edna. It has been pointed out to me that in my column last week, I inadvertently misspelled the name of the author of an article entitled “Being a Professional Chorister” which appeared on Laura Claycomb’s website. His correct name is Martin L. Poock. My apologies to […]
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Tags: askedna, career, classical music, Edna Landau, leonard bernstein, musicalamerica, Perlman, young artist
Posted in Ask Edna, Listening to Your Inner Voice | Comments Off on Finding Your Unique Path to Success
Wednesday, February 22nd, 2012
by Sedgwick Clark First New York Philharmonic Music Director Alan Gilbert as a Musical America blogger and now Los Angeles Opera Music Director James Conlon. Welcome Maestro Conlon! His blog, entitled “A Rich Possession,” made its debut last Thursday, February 16, and demonstrated that those who love the arts really can make a difference. All […]
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Posted in Why I Left Muncie | Comments Off on MA Bloggers Span the U.S.
Thursday, February 16th, 2012
by James Conlon Public school districts throughout the country are struggling to meet mandated requirements with shrinking budgets. In such times, school boards are forced to make wrenching choices. The Los Angeles School Board met on February 14 to consider the elimination of a number of programs, including all elementary school arts instruction. The public […]
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Posted in A Rich Possession | Comments Off on The Fight for Arts Education
Thursday, February 16th, 2012
By: Edna Landau To ask a question, please write Ask Edna. Congratulations to soprano, Amy Oraftik, whose question below won Second Prize in The Ask Edna First Anniversary contest. Amy wins a free review of her press kit or website. Dear Edna: I am an opera singer who recently graduated from school. In my first year […]
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Posted in Ask Edna, Managing Your Own Career, Uncategorized | Comments Off on Which Matters More: What You Sing or Where You Sing It?
Wednesday, February 15th, 2012
by Sedgwick Clark Am I the only one who found Audra McDonald’s Bess jarring? The controversial pared-down adaptation of Porgy and Bess now on Broadway—updated, rewritten, politicized, feminized, call it what you will—was initially attacked by Stephen Sondheim prior to its Cambridge tryout last summer, sight unseen, for having the audacity to change the text. […]
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Posted in Why I Left Muncie | Comments Off on The Gershwins’ Electronic Porgy
Thursday, February 9th, 2012
By: Edna Landau To ask a question, please write Ask Edna. Congratulations to Patricia Goodson who is Third Prize winner of the Ask Edna First Anniversary contest, affording her a free review of her resume. I am grateful to all of you who submitted questions and will be answering many of them in the coming months. […]
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Tags: askedna, Edna Landau, musicalamerica
Posted in Ask Edna, Career Etiquette | Comments Off on Telling the Truth about Injuries
Wednesday, February 8th, 2012
by Sedgwick Clark Alan Gilbert and the New York Philharmonic are on a European tour for a couple of weeks, and for a change I didn’t roll my eyes in despair when I saw the list of repertoire. His predecessors as music director, Kurt Masur and Lorin Maazel, for all their superb work at building […]
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Tags: Alan Gilbert, Beethoven, Berg, Boulez, carnegie hall, Clark, copland, Frank Peter Zimmermann, Juilliard, Kurt Masur, leonard bernstein, Lindberg, Magnus Lindberg, Mahler, Mendelssohn, New York, New York Philharmonic, philadelphia orchestra, Sedgwick, sedgwick clark, Stravinsky, Tchaikovsky
Posted in Why I Left Muncie | Comments Off on A Genuine Jolt at the NY Phil