Posts Tagged ‘musical america’
Friday, December 5th, 2014
Music of Peter Lieberson Volume 3 Piano Concerto No. 3 Viola Concerto Stephen Beck, piano; Roberto Diaz, viola; Odense Symphony Orchestra, Scott Yoo, conductor Peter Lieberson (1946-2011) was a composer capable of creating affecting works in a wide range of styles. He was well known for collaborations with his wife, mezzo-soprano Lorraine Hunt Lieberson; […]
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Tags: Bridge Records, CD Review, Lorraine Hunt Lieberson, musical america, Odense Symphony., Peter Lieberson, Scott Yoo
Posted in The New Classical | Comments Off on Peter Lieberson on Bridge
Tuesday, November 25th, 2014
In the 1980s, Punk Rock, Ridley Scott’s “Blade Runner,” and Mike Tyson’s boxing championships made the ear-splitting, the nocturnal, and the hard-hitting de rigueur. Contemporary dance followed, becoming faster, more brazen and muscular. When the Belgian Wim Vandekeybus arrived on the scene with his first work, “What the Body Does Not Remember” (1987), New York Times dance critic Anna Kisselgoff began her review with these six slamming words: “Tough, brutal, playful, ironic and terrific.” And so it was with great anticipation that I attended, at Madrid’s Teatros de Canal on November 23, the reprisal of the dance, which is making a two-year world tour in celebration of its 25th anniversary.
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Tags: Anna Kisselgoff, Francis Gahide, Livia Balážová, Maria Kolegova, musical america, Peter Vermeersch, Rachel Straus, Teatros de Canal, The Torn Tutu, Theodor Adorno, Thierry De Mey, Ultima Vez, Wim Vandekeybus, Zebastián Méndez Marín, “What the Body Does Not Remember”
Posted in The Torn Tutu | Comments Off on A 25th Anniversary Tour for Wim Vandekeybus
Friday, May 17th, 2013
By Rebecca Schmid The tolerance of German audiences for extreme stage productions is a source of national pride and the envy of many abroad. But a production of Tannhäuser at the Deutsche Oper am Rhein which had to be stripped down to concert performance last week has set off a national debate about the sanctity […]
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Tags: Akademie der Künste, bayreuth festival, Burkhard C. Kosminski, Cicero, Der Spiegel, Deutsche Oper am Rhein, Düsseldorf, Hitler, Holocaust, Klaus Staeck, musical america, Patrice Chéreau, Rebecca Schmid, richard wagner, Sebastian Baumgartner, stefan herheim, Tannhäuser, World War Two
Posted in Berlin Times | Comments Off on Expunged ‘Tannhäuser’ opens Debate on Artistic Freedom
Friday, April 12th, 2013
By Rebecca Schmid If tradition means not preserving the ashes but fanning the flames, in the words of Gustav Mahler, the Royal Concertgebouw Orchestra is celebrating its 125th anniversary with one foot firmly planted in the past and the other striding fearlessly into the future. Between a tour of six continents this season, the orchestra […]
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Tags: Bavarian Radio Symphony, Berlin Philharmonic, Beyond the Score, Bob Zimmerman, Ernst von Siemens Prize, Gramophone, Janine Jansen, Lang Lang, Mahler, Mariss Jansons, musical america, New World Symphony, Prince Willem-Alexander, Princess Máxima, Prokofiev, Queen Beatrix, Royal Concertgebouw Orchestra, Saint-Saens, Strauss, Tchaikovsky, Thomas Hampson, Vienna Philharmonic, wagner, Willem Mengelberg
Posted in Berlin Times | Comments Off on RCO Anniversary Extravaganza
Thursday, February 21st, 2013
by Sedgwick Clark NOTE: BEGINNING THIS WEEK, I’LL BE POSTING MY BLOG ON THURSDAYS AT NOON RATHER THAN WEDNESDAYS. Amsterdam’s Royal Concertgebouw Orchestra and its current music director, Mariss Jansons, stopped by Carnegie Hall last week (2/13 and 14) for a pair of concerts to celebrate the ensemble’s 125th anniversary. They were a great success, […]
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Tags: Bernard Haitink, Boulez, carnegie hall, Furtwängler, james levine, Leonidas Kavakos, Mariss Jansons, metropolitan opera, musical america, Riccardo Chailly, sedgwick clark, Staatskapelle Berlin, Yannick Nézet-Séguin
Posted in Why I Left Muncie | Comments Off on Where does the Concertgebouw Stand?
Sunday, January 20th, 2013
By Rebecca Schmid Berlin may be the capital residence for young composers today, and no other time of year makes this more apparent than the Ultraschall Festival for New Music. They gathered in strong numbers during freezing temperatures for a concert on January 19 at the Haus des Rundfunks, where Brad Lubman led the Deutsches […]
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Tags: Berlin, Berlin Times, Brad Lubman, Bruno Schulz, Chaya Chernowin, cleveland orchestra, Deutsches Symphonie-Orchester, Deutschlandradiokultur, Georg Friedrich Haas, Kulturradio RBB, Magarete Zander, Maria Staud, Michael Jarell, musical america, Rebecca Schmid, Ultraschall Festival, W.A. Mozart
Posted in Berlin Times, Uncategorized | Comments Off on Ultraschall as pan-New Music Haven
Friday, January 11th, 2013
By Rebecca Schmid Journeys have provided powerful inspiration to writers, painters and composers alike, opening eyes to new ways of seeing the world. The broadening of artists’ palettes has sometimes allowed them to capture a landscape more vividly than the natives could themselves. One only has to think of Dvorak’s New World Symphony, Gauguin’s portraits […]
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Tags: Andreas Ottensamer, Berlin Philharmonic, Berlin Times, bruckner, Daishin Kashimoto, Dvorak, Gauguin, Mendelssohn, musical america, Philharmonie, Rebecca Schmid, Riccardo Chailly, Switzerland
Posted in Berlin Times, Uncategorized | Comments Off on An Italian, and possibly a Swiss, Symphony at the Philharmonie
Wednesday, March 14th, 2012
by Sedgwick Clark Shaham’s 1939 Dark Horse Gil Shaham had an epiphany. After years of recognition as one of the brightest young lights of the concert circuit, the Israeli-American violinist conjured one of the most imaginative programming concepts in years. He had been struck by how many violin concertos written in the 1930s had entered […]
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Tags: alex ross, alice tully hall, avery fisher hall, BBC, Beethoven, Berg, carnegie hall, chamber music, Clark, Leinsdorf, leon botstein, metropolitan opera, musical america, New York Philharmonic, Sedgwick, sedgwick clark, Stravinsky, verdi
Posted in Why I Left Muncie | Comments Off on Finding the Right Gimmick
Wednesday, February 29th, 2012
by Sedgwick Clark It’s a most improbable New York story: Broadway salutes a theater critic, of all things, by dimming its lights during prime box-office time prior to curtain. How often has that happened? No one would have been more astonished to receive this honor than its recipient, Howard Kissel, theater critic of the New […]
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Tags: Beethoven, carnegie hall, Christine Brewer, Clark, David Merrick, Eric Owens, Howard Kissel, Jeremy Geffen, John Oliver, lincoln center, Maazel, Michelle DeYoung, musical america, New York, philharmonic, Sedgwick, sedgwick clark, Sibelius, Tanglewood, Woody Allen, Zankel
Posted in Why I Left Muncie | Comments Off on New York Was His “Howieland”
Wednesday, February 1st, 2012
by Sedgwick Clark I first met Omus Hirshbein in Carnegie Hall’s executive offices, where he worked for a brief time in 1973 between tenures at the Hunter College Concert Bureau and the 92nd Street Y. He was walking out of a planning meeting, saying in frustration to anyone nearby, “They won’t listen to me—they should […]
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Tags: Aaron Kernis, Alicia de Larrocha, Allan Kozinn, Berg, Brian Kellow, carnegie hall, Christopher Hunt, Clark, classical music, Deborah Borda, Festival, Jane Moss, Juilliard, Kirk Varnedoe, lincoln center, Mary Lou Falcone, mozart, musical america, New York, new york times, orchestra, performer, Schmidt, Sedgwick, sedgwick clark, symphony, Town Hall
Posted in Why I Left Muncie | Comments Off on Omus in Person