Archive for September, 2014
Tuesday, September 30th, 2014
Eugenia Zukerman and Emily Ondracek-Peterson of Noted Endeavors interview Eric Jacobsen. Recently appointed Music Director of the Greater Bridgeport Symphony, cellist Eric Jacobsen is co-founder, along with his violinist brother, Colin, of Brooklyn Rider, the genre-defying string quartet. The Knights, an orchestra of friends from a broad spectrum of the New York music world, evolved […]
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Posted in Noted Endeavors | Comments Off on Noted Endeavors with Eric Jacobsen: From Friendraising to Fundraising
Monday, September 29th, 2014
By ANDREW POWELL Published: September 29, 2014 ERL — Nothing tests funding for the musical arts like Der Ring des Nibelungen. Then again, nothing cements a support base so decisively. Take this Austrian village of 1,452 souls and several hundred brown cows, where the eighth Ring cycle in sixteen years turned smoothly Aug. 1, 2 […]
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Tags: Accademia di Montegral, Andrea Silvestrelli, Anne Schuldt, Col Legno, Commentary, Das Rheingold, Der Ring des Nibelungen, Die Walküre, Erl, Götterdämmerung, Gustav Kuhn, Hermine Haselböck, Jan Hax Halama, Johannes Chum, Michael Kupfer, Mona Somm, Review, Siegfried, Thomas Gazheli, Tiroler Festspiele, Vladimir Baykov
Posted in Munich Times | Comments Off on Wagner, Duke of Erl
Wednesday, September 24th, 2014
By Brian Taylor Goldstein, Esq. Dear Law and Disorder Our group got a bad check from a venue for a performance. We called them and they sent us a new check, but that bounced, too. Now they won’t return our phone calls. Is there anything we can do? Many venues, especially smaller non-profits, wrongly […]
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Tags: agent, artist, Brian Taylor, cancellation, debts, Goldstein, judgment, lawsuit, Liable, money, payment
Posted in Agents, Artist Management, Arts Management, Contracts, Law and Disorder: Performing Arts Division, Liability | Comments Off on When Non-Payment Is A Crime
Tuesday, September 23rd, 2014
By James Conlon The following post is adapted from James Conlon’s Keynote Address at the symposium “Music, Censorship and Meaning in Nazi Germany and the Soviet Union: Echoes and Consequences” on August 9, 2014 presented by the Ziering-Conlon Initiative at the Colburn school with the cooperation of the Orel Foundation. Is it justified to speak […]
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Posted in A Rich Possession | Comments Off on The Oblique Censor, Part 2 of 3
Tuesday, September 23rd, 2014
Eugenia Zukerman and Emily Ondracek-Peterson of Noted Endeavors interview Paola Prestini. Prestini is a composer, producer, entrepreneur, and teacher who balances her own artistic endeavors while running several companies – VisionIntoArt and Original Music Workshop in Brooklyn. Her cross disciplinary projects, residencies, and collaborations bring disparate points of view together and redefine boundaries. She says, […]
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Posted in Noted Endeavors | Comments Off on Noted Endeavors with Paola Prestini: How to Create an Effective Board of Directors
Tuesday, September 16th, 2014
Eugenia Zukerman and Emily Ondracek-Peterson of Noted Endeavors interview David Handler and Justin Kantor, co-founders of Le Poisson Rouge. Le Poisson Rouge is a music venue and multimedia art cabaret in New York City founded in 2008 by David Handler and Justin Kantor on the former site of The Village Gate. Handler and Kantor, both […]
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Posted in Noted Endeavors | Comments Off on Noted Endeavors with LPR: Engage Your Audiences with Social Media
Tuesday, September 16th, 2014
The Slovak National Dance Congress 2014 recently asked me to speak about the state of New York City dance. Since I’ve been living in New York City on and off since 1979, I felt up to the task. In the following slides (which have been converted into a movie), I tease out the changes that have occurred for New York City concert dancers following 9/11. What I found most striking (and dismaying) in my research was that the U.S. capital of Terpsichore is increasingly recognizing dancers and dance organizations not as the obvious—as artists and art groups—but as brands for luxury consumption.
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Tags: 9/11, Dance/NYC, David H. Koch, Jose Limon, Martha Graham, Mayor Michael Bloomberg, nea, New York City, New York City Ballet, Newsies, Paul Taylor, Peter Martins, Rachel Straus, Stephen Petronio, Trisha Brown, Vacheron Constantin
Posted in The Torn Tutu | Comments Off on Dance as a Luxury Product: the Post 9/11 Environment
Thursday, September 11th, 2014
By Rebecca Schmid The annual 20th-century music festival Musikfest Berlin (Sept.2-22) this year undertook the ambitious agenda of exploring the evolution of the orchestra from Brahms and Strauss to Lachenmann and Widmann. Intriguing programs have emerged at the Philharmonie, with a roster of guest ensembles ranging from the Munich Philharmonic to the Cleveland Orchestra alongside […]
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Posted in Berlin Times | Comments Off on Musikfest Berlin takes German Focus
Thursday, September 11th, 2014
By Brian Taylor Goldstein, Esq. Dear Law and Disorder: We obtained a three year O-1 visa for one of our artists. We are the artist’s agent and served as his petitioner. A large venue wants to book the artist, but they are insisting that, according to their finance department, they cannot pay us as […]
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Tags: agent, approval notice, artist, Brian Taylor, contract, engagements, Goldstein, immigration, immigration law, independent contractor, manager, payment, petitioner, uscis, venue, visas, work
Posted in Agents, Artist Management, Arts Management, Employees, Law and Disorder: Performing Arts Division, Presenters, Taxes, Touring, Venues, Visas | Comments Off on The Recipe For Confusion
Wednesday, September 10th, 2014
To All Our Loyal Readers: Over this past summer, I came to the sad conclusion that it is time to take leave of “Ask Edna”. I have greatly enjoyed addressing a wide variety of questions on this blog and will continue to offer career advice through my other professional career development activities. I will miss […]
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Posted in Ask Edna | Comments Off on A Message from Edna Landau