The Oblique Censor, Part 1 of 3
Friday, September 5th, 2014By James Conlon The following is adapted from James Conlon’s Keynote Address at the symposium “Music, Censorship and Meaning in Nazi Germany and the Soviet Union: Echoes and Consequences” on August 9, 2014, presented by the Ziering-Conlon Initiative for Recovered Voices at the Colburn School in Los Angeles with the cooperation of the Orel Foundation. […]
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