By: Edna Landau To ask a question, please write Ask Edna. One of the seminars I have led most often in recent years is entitled “A Backstage View of Artist Management”. Here are some of the questions I am most frequently asked: How will I know when I am ready for management? The hardest thing about […]
Read the rest of this article »By Sedgwick Clark “He’s so variable.” That’s the first thing critics say about Valery Gergiev. He conducted his Mariinsky Orchestra three times at Carnegie Hall in an eight-day period early this month, interrupted by four Met performances (two on Saturday) and runouts to Newark and Washington, D.C. Even when he was busy at the Met, […]
Read the rest of this article »By: Edna Landau Dear Edna: I am a violinist with a Bachelor’s and Master’s degree from a major American conservatory. I have won top prizes in some competitions and have always expected that I would be able to attract management and enjoy a solo career. As of late, I have begun to have my doubts […]
Read the rest of this article »by Sedgwick Clark At the very moment I post this blog, 100 years ago in Paris there was a riot going on in the newly opened Théâtre des Champs-Élysées. Even those who have never heard Igor Stravinsky’s Le Sacre du printemps know about the uproar that ensued moments into its first performance. I’ve probably heard this work in concert […]
Read the rest of this article »By Rebecca Schmid The Deutsche Oper’s Tischlerei, a new wing for alternative music theater, hosted the results of Neue Szenen—a competition for composition launched by the Hans Eisler Conservatory—on April 8. Three young composers, Evan Gardner, Stefan Johannes Hanke and Leah Muir, emerged from a pool of 52 applicants with their musical settings of a […]
Read the rest of this article »By Rebecca Schmid Experimental Regie, free from the scrutiny of finicky patrons on the German opera scene, can in the best case scenario serve to illuminate hidden meanings of a score. In the worst case, it can drown out or obscure musical considerations. The Staatsoper Berlin’s Werkstatt (‘workshop’), a wing of the company’s temporary residence […]
Read the rest of this article »By: Edna Landau To ask a question, please write Ask Edna. When I opened the Arts section of The New York Times three weeks ago, I saw an interesting article about a singer who was new to me, the South African soprano Pretty Yende. The first name certainly called attention to itself, as did the large […]
Read the rest of this article »by Sedgwick Clark NOTE: BEGINNING THIS WEEK, I’LL BE POSTING MY BLOG ON THURSDAYS AT NOON RATHER THAN WEDNESDAYS. Amsterdam’s Royal Concertgebouw Orchestra and its current music director, Mariss Jansons, stopped by Carnegie Hall last week (2/13 and 14) for a pair of concerts to celebrate the ensemble’s 125th anniversary. They were a […]
Read the rest of this article »By: Edna Landau To ask a question, please write Ask Edna. In my first column of this year, I listed among my New Year’s resolutions “try to go to at least one concert a month that offers music unfamiliar to me, preferably new music.” Little did I know then how rewarding that would prove to be. […]
Read the rest of this article »By Rebecca Schmid Berlin may be the capital residence for young composers today, and no other time of year makes this more apparent than the Ultraschall Festival for New Music. They gathered in strong numbers during freezing temperatures for a concert on January 19 at the Haus des Rundfunks, where Brad Lubman led the Deutsches […]
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