Friday, March 22nd, 2013
By Rebecca Schmid Experimental Regie, free from the scrutiny of finicky patrons on the German opera scene, can in the best case scenario serve to illuminate hidden meanings of a score. In the worst case, it can drown out or obscure musical considerations. The Staatsoper Berlin’s Werkstatt (‘workshop’), a wing of the company’s temporary residence […]
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Tags: Beate Baron, Friederike Frerichs, Götz Friedrich, Gregor Fuhrmann, Hans Hirschmüller, Infinito Nero, Jenny Kim, Maria Maddalena de’Pazzi, Miss Donnithorne’s Maggot, Peter Maxwell Davies, Rebecca Schmid, Rowan Hellier, Salvatore Sciarrino, Sarah Maria Sun, Staatsoper Berlin, Vanitas, Werkstatt
Posted in Berlin Times, Uncategorized | Comments Off on Vanitas Vanitatum, Omnia Vanitas
Friday, June 29th, 2012
By Rebecca Schmid Few operas in history have gripped the human psyche to the same extent as Don Giovanni. Pushkin, Kierkegaard, and Bernard Shaw count among the literary figures to have written their own account of the daemonic seductor since Mozart and Da Ponte staged their ‘drama giocoso,’ a tragi-comedy, in Prague. Since the 19th […]
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Tags: Alexander Tsymbalyuk, Andrea Palent, anna netrebko, Anna Prohaska, Anthony Holgborne, Berlin Philharmonic, Boulevard Unter den Linden, C.P.E. Bach, Christian Schmidt, Christopher Maltman, Claus Guth, Da Ponte, Daniel Barenboim, dante, Don Giovanni, Dowland, Emmanuel Pahud, Erwin Schrott, Fine Arts Brass, Freundschaftsinsel, Friedrich the Great, Giuseppe Filianoti, Handel, Haydn Mendelssohn, Jürgen Flimm, La Scala, Maria Bengtsson, Meccore Quartet, mozart, Musikfestspiele Potsdam sanssouci, Peter Maxwell Davies, Potsdam, Purcell, Quantz, Robert Carsen, Röschmann, Rousseau, Salzburg Festival, Sanssouci, Schiller Theater, Staatsoper Berlin, Stefan Kocan, Water Music
Posted in Berlin Times | Comments Off on Claus Guth’s Forest-bound ‘Don Giovanni’ at the Staatsoper; Musikfestspiele Potsdam’s new Pleasure Garden