By: Edna Landau To ask a question, please write Ask Edna. On Monday, October 15, while reading the Arts section of The New York Times, I was struck by the fact that more than half of one page was taken up by two reviews of concerts that had very small audiences and that were performed by [...]
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By Brian Taylor Goldstein, Esq. First and foremost: our thoughts and prayers go out to everyone recovering from and impacted by Hurricane Sandy. From property destruction to physical injuries and deaths, it has caused immeasurable damage. For those of us in the arts industry, its also caused cancellations and logistical nightmares, but performances can always [...]
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By: Frank Cadenhead Beethoven’s Missa Solemnis is a monument of world culture. It is not just a musical masterpiece but an extraordinary gift to our collective humanity. It is like a Michelangelo, a Titian, a Shakespeare play, a poem by Goethe – so utterly astounding that anyone has to wonder how the artist, a mere [...]
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By Rebecca Schmid The programming of the Berlin Philharmonic, while reportedly having gravitated away from the players’ specialty in German repertoire since Sir Simon Rattle took the reins a decade ago, not only gives equal weight to post-Romantic repertoire but consistently illuminates connections between works which seem disparate at first glance. Andris Nelsons conducted the [...]
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by Sedgwick Clark Tuesday night’s first Philadelphia Orchestra concert in New York was exciting for several reasons. First and foremost, it featured a Verdi Requiem in Carnegie Hall. For others, it was a proving ground for Yannick Nézet-Séguin as a simpatico music director for the Orchestra at last. A short, compact, 36-year-old Montreal native, with [...]
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By: Edna Landau To ask a question, please write Ask Edna. I am often asked by artists and ensembles how they can gain recognition for themselves and build a following. The easiest way to answer them is by way of example. Prior to March 1, 2012, I don’t think that Sybarite5 was on my radar screen. [...]
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By Brian Taylor Goldstein, Esq. I own the video footage of a performance by a dance company. Recently, I learned that another choreographer purchased a license from the dance company to recreate and perform the same work. However, they used a copy of my video to help in recreating the choreography. In other words, they [...]
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For people who don’t happen to read the Los Angeles Times, I would suggest clicking here for an excellent article posted on October 21 by Neal Gabler. It is headlined, “Hollywood’s perception of value versus real value [my italics]: America emulates Movieland’s way of measuring the worth of things, which teaches us to place the [...]
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musica reanimata, Günter Grass, Süddeutsche Zeitung, Norbert von Hannenheim, Arnold Schönberg, Rainer Maria Rilke, Albert Breier, Gottfried Eberle, Konzerthaus Berlin, Deutschlandfunk, Moritz Ernst, Irena Troupovà , Jean-Claude Velin , Berlin Philharmonic , Vivaldi, Andrea Marcon, RIAS Chamber Chorus, J.S. Bach, The Four Seasons, Emmanuel Pahud, Albrecht Mayer, Johann Joachim, Andreas Buschatz, Lisa Larsson , Marina Prudenskaja
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By Frank Cadenhead A top orchestra manager in Paris once told me in private “What is Mikko Franck still doing in Finland?” Born in Helsinki in 1979, he was already on the international circuit at 23 and has frequently guest-conducted in Paris. He would be an obvious choice for a major orchestra and his leadership [...]
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