By Brian Taylor Goldstein, Esq. First and foremost: our thoughts and prayers go out to everyone recovering from and impacted by Hurricane Sandy. From property destruction to physical injuries and deaths, it has caused immeasurable damage. For those of us in the arts industry, its also caused cancellations and logistical nightmares, but performances can always […]
Read the rest of this article »By Rebecca Schmid The programming of the Berlin Philharmonic, while reportedly having gravitated away from the players’ specialty in German repertoire since Sir Simon Rattle took the reins a decade ago, not only gives equal weight to post-Romantic repertoire but consistently illuminates connections between works which seem disparate at first glance. Andris Nelsons conducted the […]
Read the rest of this article »by Sedgwick Clark Tuesday night’s first Philadelphia Orchestra concert in New York was exciting for several reasons. First and foremost, it featured a Verdi Requiem in Carnegie Hall. For others, it was a proving ground for Yannick Nézet-Séguin as a simpatico music director for the Orchestra at last. A short, compact, 36-year-old Montreal native, with […]
Read the rest of this article »By: Edna Landau To ask a question, please write Ask Edna. I am often asked by artists and ensembles how they can gain recognition for themselves and build a following. The easiest way to answer them is by way of example. Prior to March 1, 2012, I don’t think that Sybarite5 was on my radar screen. […]
Read the rest of this article »By Brian Taylor Goldstein, Esq. I own the video footage of a performance by a dance company. Recently, I learned that another choreographer purchased a license from the dance company to recreate and perform the same work. However, they used a copy of my video to help in recreating the choreography. In other words, they […]
Read the rest of this article »For people who don’t happen to read the Los Angeles Times, I would suggest clicking here for an excellent article posted on October 21 by Neal Gabler. It is headlined, “Hollywood’s perception of value versus real value [my italics]: America emulates Movieland’s way of measuring the worth of things, which teaches us to place the […]
Read the rest of this article »musica reanimata, Günter Grass, Süddeutsche Zeitung, Norbert von Hannenheim, Arnold Schönberg, Rainer Maria Rilke, Albert Breier, Gottfried Eberle, Konzerthaus Berlin, Deutschlandfunk, Moritz Ernst, Irena Troupovà , Jean-Claude Velin , Berlin Philharmonic , Vivaldi, Andrea Marcon, RIAS Chamber Chorus, J.S. Bach, The Four Seasons, Emmanuel Pahud, Albrecht Mayer, Johann Joachim, Andreas Buschatz, Lisa Larsson , Marina Prudenskaja
Read the rest of this article »By: Edna Landau To ask a question, please write Ask Edna. When I had the pleasure of meeting with participants in the Imani Winds Chamber Music Festival last summer, I addressed a number of questions that had been submitted in advance. One question concerned playing on music cruises, and how to apply for such opportunities. I […]
Read the rest of this article »The seventh annual Fall For Dance Festival came to a meaty close on October 13. Program five at New York’s City Center trafficked in high testosterone, thanks to China’s LPD-Laboratory Dance Project’s No Comment (2002) and Yaron Lifschitz’s Circa (2009), which is also the name of the Australian acrobatic troupe. In both works the body was treated like a battering ram.
Read the rest of this article »Dear Friends of Muncie, If all goes well, the editorial section of Musical America Directory will close today, and I’ll be able to turn to yet another episode of “Why I Left Muncie.” Keep the faith! SAC
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