Archive for July, 2017
Saturday, July 29th, 2017
By ANDREW POWELL Published: July 29, 2017 MUNICH — Not every week does the Bavarian Radio Symphony Orchestra devote a whole program to music written since 2000. Guest conductor Matthias Pintscher’s concert July 7 in the Herkulessaal proved an exception. It began spatially, extravagantly, with his own fantasy With Lilies White (2002); progressed to a […]
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Tags: Anna-Maria Palii, Augsburger Domsingknaben, Bavarian Radio Symphony Orchestra, György Kurtág, Herkulessaal, Jonathan Harvey, Kritik, Mark Andre, Matthias Pintscher, München, Munich, Petite musique solennelle, Review, Sarah Aristidou, Sheva Tehoval, Symphonie-Orchester des Bayerischen Rundfunks, Vinzenz Löffel, whence … whither, With Lilies White, woher … wohin
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Saturday, July 29th, 2017
By ANDREW POWELL Published: July 29, 2017 PASSAU — What more heavenly way to mark your 90th birthday than conducting a favorite symphony in four cathedrals on four successive nights, and with an orchestra that adores you? This, at least, was Herbert Blomstedt’s thinking, amenably realized by the Bamberger Symphoniker — in Bamberg’s Dom St […]
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Tags: Anton Bruckner, Bamberg Symphony Orchestra, Bamberger Symphoniker, Carlo Lurago, Carpoforo Tencalla, Dom St Stephan, Europäische Wochen, European Weeks, Giovanni Battista Carlone, Herbert Blomstedt, Kritik, Passau, Review, Stiftsbasilika St Florian
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Thursday, July 6th, 2017
By ANDREW POWELL Published: July 6, 2017 MUNICH — Under the incongruous stewardship of Valery Gergiev, the Munich Philharmonic intends to stress its Bruckner credentials the next three Septembers with filmed visits to the Stiftsbasilika St Florian. There, where the composer worked and rests, just south of Linz, the MPhil will record for DVD his […]
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Tags: Anton Bruckner, Christian Thielemann, Ferdinand Löwe, Hermann Levi, Kaim-Orchester, Linz, Münchner Philharmoniker, Munich Philharmonic, News, Sergiu Celibidache, Stiftsbasilika St Florian, Valery Gergiev
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Tuesday, July 4th, 2017
By ANDREW POWELL Published: July 4, 2017 OBERAMMERGAU — Amplification makes it possible; amplification limits the achievement. That is the dilemma for opera in this neat Bavarian town’s Passionstheater (1930), built to service a post-plague pledge made 384 years ago. Raked seating in the barn-like house confronts a fixed templar structure on a stage open […]
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Tags: Ainars Rubikis, Chor des Passionstheaters Oberammergau, Christian Stückl, David Danholt, Denzil Delaere, Der fliegende Holländer, Gábor Bretz, Guido Jentjens, Kritik, Liene Kinča, Neue Philharmonie München, Oberammergau, Review
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