The Oblique Censor, Part 3 of 3
Monday, October 20th, 2014By James Conlon The following post is adapted from James Conlon’s Keynote Address at the symposium “Music, Censorship and Meaning in Nazi Germany and the Soviet Union: Echoes and Consequences” on August 9, 2014 presented by the Ziering-Conlon Initiative at the Colburn school with the cooperation of the Orel Foundation. A public cannot clamor for […]
Read the rest of this article »