Archive for March, 2013
Thursday, March 14th, 2013
With one of my favorite opera productions returning to the Met tonight, I’ve been considering lately what makes Willy Decker’s Traviata so fine, so satisfying, and so worth a return visit.
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Tags: peter gelb, regie, the eternal now, the met, traviata, willy decker
Posted in Rough and Regie | Comments Off on Then is now
Thursday, March 14th, 2013
By: Edna Landau Dear Edna: I am Associate Professor of Piano at a university music school in the U.S. and enjoy reading your blog very much. I also encourage my students to read it. For a number of years, I have been researching piano compositions written by female composers and I have now collected enough […]
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Posted in Ask Edna, Fundraisng for Projects | Comments Off on Lessons Learned From Crowdfunding
Wednesday, March 13th, 2013
By Robyn Guilliams, Esq. Dear Law and Disorder: There seems to be some clarification needed regarding income earned by non-US artists we represent who perform in Canada. We act as the agent for the artists, so payment is always made to us. If an artist will be performing in Canada, but payment comes to us […]
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Tags: 1042s, agent, artist, canada, irs, money, payment, personal services, Robyn Guilliams, source income, tax obligations, tax withholding
Posted in Artist Management, Law and Disorder: Performing Arts Division, Taxes, Touring | Comments Off on Another Taxing Question
Saturday, March 9th, 2013
Although it’s been 22 years since Martha Graham’s passing, the Buglisi Dance Theater continues to perpetuate her legacy. The company, seen February 9 at The Joyce Theater, was founded by a handful of former influential members of the Graham Company. Jacqulyn Buglisi and Donlin Foreman, its founding choreographers, seek to reflect Graham’s dramatic aesthetic in which emotions, characters, and movements are boldly etched.
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Posted in The Torn Tutu | Comments Off on The Beauty of Buglisi
Thursday, March 7th, 2013
by Sedgwick Clark NOTE: MY BLOG IS NOW POSTED ON THURSDAYS AT NOON RATHER THAN WEDNESDAYS. Why? The kids aren’t jaded. No repertoire is too daunting. Their enthusiasm nearly always makes up for any momentary technical shortcoming. One skips concerts at Juilliard at his or her peril and often encounters first-rate conductors that the Philharmonic has neglected. […]
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Tags: carnegie hall, Clark, kennedy center, Mahler, pierre boulez, sedgwick clark, Shostakovich, Stravinsky, The Rite of Spring, Valery Gergiev
Posted in Why I Left Muncie | Comments Off on I Love Youth Orchestras
Thursday, March 7th, 2013
By: Edna Landau To ask a question, please write Ask Edna. I have always had great admiration for people who stay in the same job for long periods of time and who feel no need for change because they are presented with regular opportunities for learning and growth along the way. Typically they are in an […]
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Posted in Arts Administration, Ask Edna | Comments Off on Taking the Next Career Step
Wednesday, March 6th, 2013
By Brian Taylor Goldstein, Esq. Dear Law and Disorder: Does all music (if not in public domain) require a mechanical license to be recorded? I don’t quite understand when it is needed and when a person could pay a statutory fee and move forward without permission. Yes, anytime you want to make an audio recording […]
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Tags: Brian Taylor, copyright, copyright act, Goldstein, license, live performance, mechanical license, music, musical composition, permission, public domain, recording, statutory fee, statutory requirements, synchronization license, u s copyright office
Posted in Artist Management, Arts Management, Copyrights, Law and Disorder: Performing Arts Division, Licensing, Music Rights, Publishing, Recordings | Comments Off on The Mechanics of Mechanical Licenses