Archive for the ‘Arts Management’ Category
Thursday, July 10th, 2014
By Brian Taylor Goldstein, Esq. Dear Law and Disorder: An orchestra commissioned one of our artists to make an arrangement of a work for them to perform. We agreed that it would be a “work for hire.” Now, the orchestra wants to record their performance of the arrangement and has come to us asking […]
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Tags: artist, Brian Taylor, composer, Goldstein, license, mechanical license, music, orchestra, permission, royalties, royalty, work
Posted in Artist Management, Arts Management, Contracts, Copyrights, Law and Disorder: Performing Arts Division, Licensing, Music Rights, Publishing, Recordings | Comments Off on When Is A “Work For Hire” Not A “Work For Hire”?
Thursday, June 19th, 2014
By Brian Taylor Goldstein, Esq. Dear Law and Disorder: We have booked one of our artists to perform at a venue. As we are the agent, our booking agreements are always between the venue and the artist, and we sign on the artist’s behalf. However, the presenter is insisting that, if we want to […]
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Tags: agent, Agreements, artist, booking agreement, breach, breaches, Brian Taylor, contract, damages, fiduciary duties, Goldstein, Liable, manager, payment, presenter, risk, university, venue
Posted in Agents, Artist Management, Arts Management, Contracts, Law and Disorder: Performing Arts Division, Liability, Venues | Comments Off on But I Don’t Want To Be A Producer!
Thursday, June 12th, 2014
By Brian Taylor Goldstein, Esq. Dear Law and Disorder: A longtime friend who is also a very successful artist who I greatly respect, asked me to do a project with him. He sent me a contract, but it doesn’t cover things like when and how I get paid. I want to mark up the […]
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Tags: artist, attorney, breach, breaches, Brian Taylor, contract, Contracts, exclusivity, Goldstein, insurance, lawsuit, lawyer, license, music, negotiation, presenter, promoter, recording, risk, visas, work
Posted in Acts of God, Agents, Artist Management, Arts Management, Contracts, Copyrights, Insurance, Law and Disorder: Performing Arts Division, Liability, Licensing, Music Rights, Presenters, Publishing, Recordings, Taxes, Touring, Venues, Visas | Comments Off on The Lost Art of Negotiation
Thursday, June 5th, 2014
By Brian Taylor Goldstein, Esq. Dear Law and Disorder: We are in production of a new “Tribute” show with a video component. We are grappling with what type of media is public domain or where public domain photos or video can be found. None of the video production companies seem to have a definitive […]
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Tags: artist, Brian Taylor, copyright, Copyrights, endorsement, Goldstein, image, images, license, Licensing, marketing, music, orchestra, photo, photograph, photographer, public domain, publicity, video footage, videographer, videotape, volunteer
Posted in Artist Management, Arts Management, Copyrights, Law and Disorder: Performing Arts Division, Licensing, Music Rights, Publishing, Trademarks | Comments Off on Licensing Video For A Tribute Show
Thursday, May 29th, 2014
By Robyn Guilliams Dear Law & Order I’ve been hearing a lot about a recent U.S. ban on ivory that will prevent string players from transporting their instruments in and out of the country. However, I recently travelled to Europe and back with my cello (my bow has a small ivory inlay in […]
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Tags: artist, orchestra, orchestras, passports, permission, risk, Robyn Guilliams, travel
Posted in Artist Management, Arts Management, Law and Disorder: Performing Arts Division, Touring | Comments Off on The Elephant and The Frog
Thursday, May 15th, 2014
By Brian Taylor Goldstein, Esq. Dear Law and Disorder I had a signed agreement with a promoter to present my artist. The contract provided for two deposits and a final payment on the day of the performance. I worked for over a year with this promoter to put this deal together. Not only did […]
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Tags: artist, breach, breaches, Brian Taylor, contract, Contracts, engagements, Goldstein, insurance, judgment, lawsuit, manager, money, negotiation, payment, presenter, promoter, relationships, risk, work
Posted in Agents, Artist Management, Arts Management, Contracts, Law and Disorder: Performing Arts Division, Presenters | Comments Off on The Hogwarts School of Contracting and Wizardry
Thursday, May 8th, 2014
By Brian Taylor Goldstein, Esq. Dear Law and Disorder: I recently received an RFE for a group touring the US this summer. The group is represented by a European manager who books their dates, but our US management company has previously filed petitions for them in the past, all of which have been approved […]
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Tags: agent, Brian Taylor, California, contract, engagement contract, engagements, Goldstein, immigration, interpretation, manager, petitioner, petitions, presenter, rfe, Tour, united states citizenship and immigration services, uscis, venue, visa petition, visa petitions, visas, work
Posted in Agents, Artist Management, Arts Management, Contracts, Law and Disorder: Performing Arts Division, Touring, Visas | Comments Off on The Invasion of the Visa Examiner Body Snatchers Continues! (aka “The Day The Visa Process Stood Still”)
Thursday, May 1st, 2014
By Brian Taylor Goldstein, Esq. Dear Law and Disorder: If a hypothetical rental company is hired, either by a venue or by the client using a venue, to supply the sound and/or video system for a corporate, non-profit or association event; and this hypothetical rental company is asked to provide “top 40” music to be […]
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Tags: ascap, bmi, Brian Taylor, CD, copyright, copyright infringement, damages, Goldstein, hotels, lawsuit, Liable, license, Licensing, necessary licenses, performance license, performance rights, proper licenses, risk, sesac, venue
Posted in Artist Management, Arts Management, Contracts, Copyrights, For Profits, Law and Disorder: Performing Arts Division, Liability, Licensing, Music Rights, Non-Profits, Presenters, Publishing, Recordings, Venues | Comments Off on Hypothetically Speaking About Liability
Thursday, April 24th, 2014
By Brian Taylor Goldstein, Esq. Dear Law and Disorder My ensemble has been approached by a composer/musician who would like them to do two days of recording for music that she is composing for a theater company. My understanding is that this theater company does quite a bit of touring. Do musicians typically get […]
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Tags: artist, box office, Brian Taylor, CD, composer, Goldstein, music, musician, negotiation, payment, recording, royalties, Tour, venue
Posted in Agents, Artist Management, Arts Management, Contracts, Copyrights, Law and Disorder: Performing Arts Division, Licensing, Music Rights, Recordings | Comments Off on How Much Is That Artist In The Window?
Thursday, April 3rd, 2014
By Brian Taylor Goldstein, Esq. Dear Law and Disorder: I have written a one-man show. Do I need to get a dramatic license for background music? Just to make sure we’re all on the same page, let’s review: In order for music to be “performed” (either live or via a recording) in a public […]
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Tags: artist, bmi, Brian Taylor, composer, composition, dance, dramatic license, Goldstein, music, orchestrations, performance license, performance rights, recording, sesac, venue
Posted in Artist Management, Arts Management, Copyrights, Law and Disorder: Performing Arts Division, Music Rights, Publishing, Venues | Comments Off on Does Background Music Require A Dramatic License?