Archive for the ‘Law and Disorder: Performing Arts Division’ Category
Thursday, February 18th, 2016
By Brian Taylor Goldstein, Esq. I haven’t found an example that matches the situation of a 501(c)(3) I am familiar with. They throw a once-yearly art festival that spans a weekend (2days). They don’t charge the public any admittance. They raise money by charging fees for booth (10×10) spaces for (visual) arts vendors to […]
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Tags: artist, ascap, bmi, composer, composers, composition, copyright, copyright act, copyright infringement, copyright law, Education, Festival, Liable, license, music, musical composition, musician, non profits, original music, performance license, performer, permission, presenter, promoter, publishing company, risk, sesac, venue
Posted in Arts Management, Copyrights, Law and Disorder: Performing Arts Division, Liability, Licensing, Music Rights, Non-Profits, Presenters, Publishing, Venues | Comments Off on Who Has To Pay The Likes of ASCAP, BMI, Etc?
Wednesday, February 3rd, 2016
By Brian Taylor Goldstein, Esq. Dear Law and Disorder: What would be your response to an artist who re-books themselves in venues that an agent previously booked for them? Is that legally allowed? We booked this particular group to a major venue 2 years back and now they have re-booked themselves at this same […]
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Tags: agent, artist, bookings, breach, contract, Contracts, judgment, manager, presenter, venue
Posted in Agents, Artist Management, Contracts, Law and Disorder: Performing Arts Division, Presenters, Venues | Comments Off on It’s Time To Set Your People Free!
Thursday, December 10th, 2015
By Brian Taylor Goldstein, Esq. I realize there are other equally important issues out there than visas and international touring. However, in the wake of the recent terrorist attack in California, and as U.S. politicians and political candidates roll out a “Keep the Hate Alive” campaign, we are constantly receiving alarming updates from clients […]
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Tags: approval notice, audition, canadians, cancellation, competitions, exceptions, immigration, immigration law, performer, processing times, Tour, travel, university, uscis, validity period, visa petition, visa petitions, visa waiver program, visas, waiver, work
Posted in Artist Management, Law and Disorder: Performing Arts Division, Touring, Visas | Comments Off on International Touring: More Tales From The Front Lines
Thursday, November 19th, 2015
By Brian Taylor Goldstein, Esq. As the U.S. Legal Advisor to the International Artist Managers’ Association (IAMA), I’ve been asked to prepare an update on a variety of current issues involving international touring at the next membership meeting in London on November 27, 2015. Not only do I adore IAMA, but as this would provide […]
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Tags: boilerplate, canadian performers, contract, engagement fees, engagements, Festival, immigration, irs, ITIN, Licensing, London, money, musician, negotiation, opera, orchestra, orchestras, passports, payment, performer, petitions, presenter, processing times, SSN, tax return, Tour, travel, uscis, venue, visa petition, visa petitions, visas, waiver, work, work authorization
Posted in Artist Management, Arts Management, Law and Disorder: Performing Arts Division, Licensing, Music Rights, Taxes, Touring, Visas | Comments Off on International Touring: A Report From The Front Lines
Thursday, October 29th, 2015
By Brian Taylor Goldstein, Esq. Dear Law and Disorder In reviewing an engagement contract for one of my artists, I was surprised to see that the presenter wants the right to record the artist’s performance as a “work-for-hire”. The Presenter says that this is a standard requirement and also that its reasonable because my […]
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Tags: contract, engagement contract, excerpts, marketing, music, ownership, presenter, recording, release, work
Posted in Artist Management, Contracts, Copyrights, Law and Disorder: Performing Arts Division, Music Rights, Recordings | Comments Off on Press “Pause” On That Recording
Thursday, October 15th, 2015
By Brian Taylor Goldstein, Esq. Dear Law and Disorder: A presenter is refusing to pay one of our artists who has an O-1 visa, but does not have a Social Security Number. Does a foreign artist who is performing in the U.S. under an O-1 also have to get a Social Security number in […]
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Tags: artist, contract, contractual provision, engagement contract, engagement fees, immigration, immigration law, irs, ITIN, money, presenter, SSN, tax obligations, tax return, university, venue, work, work authorization
Posted in Agents, Artist Management, Contracts, Law and Disorder: Performing Arts Division, Presenters, Taxes, Touring, Visas | Comments Off on Paying By the Numbers
Thursday, October 1st, 2015
By Brian Taylor Goldstein, Esq. Dear Law and Disorder I’ve been asked sign a bad performance review with a number of inaccuracies. Can I be fired if I don’t sign it? Or should I insist that it be amended to reflect the truth? Our Executive Director is very emotional and hard to deal with, […]
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Tags: contract, exceptions, work
Posted in Arts Management, Employees, Law and Disorder: Performing Arts Division | Comments Off on Never Play Chess With Pigeons
Wednesday, September 16th, 2015
By Brian Taylor Goldstein, Esq. Dear Law and Disorder Could you please advise how a copyright application would be filed for a tribute musical of deceased popular singer? The show would consist of all of his songs. Would it be better to file it as a compilation or concert? Can all the songs be […]
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Tags: composer, composers, copyright, copyright infringement, creator, license, music, orchestrations, ownership, recording, work
Posted in Copyrights, Law and Disorder: Performing Arts Division, Licensing, Music Rights, Publishing, Trademarks | Comments Off on A Tribute To Copyright Infringement
Thursday, August 27th, 2015
By Brian Taylor Goldstein, Esq. Dear Law and Disorder: We got our P visa for a group returned because it included the tour manager. USCIS is saying we need to file a separate petition and get a separate union letter for him. But USCIS has approved prior P petitions with everyone on the same […]
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Tags: artist, artistsfromabroad, immigration, immigration law, petitions, processing times, uscis, visa petition, visa petitions, visas, work
Posted in Law and Disorder: Performing Arts Division, Touring, Visas | Comments Off on When It Comes To Visas: Plan For The Worst And Hope For The Best
Thursday, July 9th, 2015
By Brian Taylor Goldstein, Esq. We spent a lot of money making a CD to promote our orchestra. Now the composer’s publisher wants mechanical royalties. I just don’t understand why I have to pay mechanical royalties for a CD I am not selling, just giving to donors. Doesn’t the Composer want people to listen […]
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Tags: artist, ascap, bmi, CD, commission fee, commissions, composer, composers, composition, entertainment industry, license, mechanical royalties, money, music, musician, orchestra, performance license, performer, playwright, recording, royalty, sesac, work
Posted in Contracts, Law and Disorder: Performing Arts Division, Licensing, Music Rights, Presenters, Publishing, Recordings | Comments Off on When Is A Plumber Worth More Than A Violinist?