Posts Tagged ‘stefan herheim’
Friday, May 17th, 2013
By Rebecca Schmid The tolerance of German audiences for extreme stage productions is a source of national pride and the envy of many abroad. But a production of Tannhäuser at the Deutsche Oper am Rhein which had to be stripped down to concert performance last week has set off a national debate about the sanctity […]
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Tags: Akademie der Künste, bayreuth festival, Burkhard C. Kosminski, Cicero, Der Spiegel, Deutsche Oper am Rhein, Düsseldorf, Hitler, Holocaust, Klaus Staeck, musical america, Patrice Chéreau, Rebecca Schmid, richard wagner, Sebastian Baumgartner, stefan herheim, Tannhäuser, World War Two
Posted in Berlin Times | Comments Off on Expunged ‘Tannhäuser’ opens Debate on Artistic Freedom
Friday, August 31st, 2012
By Rebecca Schmid „Kinder, schaff Neues,“ (Children, create something new) Wagner wrote in an adage frequently quoted by stage directors in Germany. In Bayreuth, 136 years after the founding of his festival, the spirit is alive and well. Provocatively-minded Regietheater, for lack of a better blanket term, has come to stamp the recently installed administration […]
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Tags: bayreuth festival, Burkhard Fritz, Camilla Nylund, Christian Marthaler, Christian Thielemann, Irène Theorin, katharina wagner, Kwangchul Youn, Michael Nagy, Michele Breedt, Peter Schneider, Philippe Jordan, Robert Dean Smith, Sebastian Baumgarten, stefan herheim, Susan Maclean, Torsten Kerl, Wolfgang Wagner
Posted in Berlin Times | Comments Off on In Bayreuth, Persisting with the New
Wednesday, May 23rd, 2012
By Rebecca Schmid The Komische Oper champions a populist approach through German-language productions and contemporary stage concepts that for some opera goers is synonymous with the most vexing of Regietheater. While the emphasis of the company’s founder Walter Felsenstein on living theater above musical purity remains a locally prized virtue, the house’s attendance rate sank […]
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Tags: Andreas Homoki, barrie kosky, Bertold Brecht, Brigitte Geller, Calixto Bieto, Dagmar Manzel, Dimitry Ivashchenko, Edward James, Gesine Völlm, Hagen Matzeit, Handel, Heike Scheele, Julia Giebel, Karolina Gumos, Katarina Bradic, Kings Theater, komische oper, Konrad Jünghanel, Kristiina Poska, Kurt Weill, Lotte Lenya, Manuel Brug, Seven Deadly Sins, stefan herheim, Stella Doufexis, The Three Penny Opera, Thilo Reinhardt, Xerxes
Posted in Berlin Times | Comments Off on Winds of Change at the Komische Oper: ‘Xerxes’ and ‘The Seven Deadly Sins’
Friday, April 6th, 2012
By James Jorden Most arts-related technology is at least slightly Jekyll-and-Hyde in its implementation, no matter how optimistic the intentions of its creator. For an example of the phenomenon, you need look no farther thafn Robert Lepage‘s Ring, clanking its way back to the stage of the Met this week. Amazing tech, that: all those […]
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Tags: calixto bieito, la monnaie, meta, robert lepage, rusalka, stefan herheim, the met, webcast
Posted in Rough and Regie | Comments Off on Water works
Friday, November 18th, 2011
By James Jorden Now that it has become apparent that Robert Lepage’s production of the Ring at the Met is a fiasco (too soon? Nah.)… well, anyway, since arguably the production is a dreary, unworkable, overpriced mess whose primary (perhaps only) virtue is that it actually hasn’t killed anyone yet, and since, let’s face it, […]
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Tags: ann ziff, benedikt von peter, blogs, blu-ray, bryn terfel, Deborah Voigt, deconstruction, eva-maria westbroek, fabio luisi, gesamtkunstwerk, gwyneth jones, hd, james levine, jonas kaufmann, julian crouch, lady gaga, lehman's syndrome, martin kusej, metropolitan opera, otto schenk, peter gelb, phelim mcdermott, pundits, regie, richard croft, robert lepage, satyagraha, stefan herheim, the enchanted island, the fortress of solitude, the machine, the met, wagner
Posted in Rough and Regie | Comments Off on Ring Recycle
Thursday, April 28th, 2011
It’s fortunate that Lulu at Den Norske Opera was the last stop on the “Regietournee,” because honestly anything after that would have amounted to an anticlimax. If there is a more brilliant director working in opera today than Stefan Herheim, well, maybe I shouldn’t see any of his work, because it might be too much […]
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Tags: alban berg, clowns, deconstruction, gesamtkunstwerk, lighting, lulu, metropolitan opera, realism, regie, stefan herheim, symbols, tennessee williams, the met, tone rows, vienna school, wooster group
Posted in Rough and Regie | Comments Off on She sees dead people