Posts Tagged ‘MusicAeterna’
Wednesday, August 30th, 2017
By ANDREW POWELL Published: August 30, 2017 SALZBURG — Qualitative upticks at the main festival here have heralded Markus Hinterhäuser’s installment as Intendant after a shaky two-summer void. The priority, it appears, is music itself over theater or opera, as might be expected from a boss who is also a professional pianist. Hinterhäuser is retaining […]
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Tags: Aida, Christina Gansch, Daniela Barcellona, Dmitry Belosselsky, Felsenreitschule, Francesco Meli, Giuseppe Verdi, Golda Schultz, Großes Festspielhaus, Jeanine de Bique, Kritik, La clemenza di Tito, Luca Salsi, Marianne Crebassa, MusicAeterna, Netrebko, Perm, Review, Riccardo Muti, Roberto Tagliavini, Russell Thomas, Salzburg, Salzburg Festival, Salzburger Festspiele, Sellars, Shirin Neshat, Teodor Currentzis, Vienna Philharmonic, Vienna State Opera Chorus, Wiener Philharmoniker, Wiener Staatsopernchor, Willard White, Wolfgang Amadeus Mozart
Posted in Munich Times | Comments Off on Netrebko, Barcellona in Aida
Sunday, April 30th, 2017
By ANDREW POWELL Published: April 30, 2017 FERRARA — Lanky Teodor Currentzis looms over his MusicAeterna players the way Basil Fawlty loomed over Manuel, and with comparable gestures. It is anyone’s guess how their 13-year relationship has survived, what with labor conditions in Russia, the quirks of period-instrument practice, their joint move from Novosibirsk (in […]
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Tags: Alexander Melnikov, Associazione Ferrara Musica, Beethoven, Ferrara, MusicAeterna, News, Perm, Recensione, Review, Südwest-Rundfunk, SWR, SWR Symphonie-Orchester, Teatro Comunale di Ferrara, Teodor Currentzis, Wolfgang Amadeus Mozart
Posted in Munich Times | Comments Off on All Eyes On the Maestro
Friday, February 28th, 2014
By Rebecca Schmid In the final scene of Bach’s St. John Passion, staged by Peter Sellars at the Philharmonie on Feb.27, the members of the Rundfunkchor gather in meditation around a spotlight, the rest of the hall submerged in darkness. The body of Jesus has been quietly removed during a lament of Mary Magdalene, his […]
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Tags: Anna Prohaska, Berlin Philharmonic, Camilla Tilling, Christian Gerhaher, Concentus Musicus, Dido and Aeneas, Dixit Dominus, J.S. Bach, Les Arts Florissants, Magdalena Kožená, Mark Padmore, MusicAeterna, MusicalAmerica.com, Nurial Rial, Perm Opera, peter sellars, Philharmonie, Rebecca Schmid, Roderick Williams, Rundfunkchor Berlin, Sir Simon Rattle, St Matthew Passion, St. John Passion, Teodor Currentzis, Thomas Quasthoff, Topi Lehtipuu
Posted in Berlin Times | Comments Off on Ritual in the Philharmonie: Bach’s ‘St. John Passion’ and MusicAeterna