Posts Tagged ‘lincoln center’
Wednesday, February 29th, 2012
by Sedgwick Clark It’s a most improbable New York story: Broadway salutes a theater critic, of all things, by dimming its lights during prime box-office time prior to curtain. How often has that happened? No one would have been more astonished to receive this honor than its recipient, Howard Kissel, theater critic of the New […]
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Tags: Beethoven, carnegie hall, Christine Brewer, Clark, David Merrick, Eric Owens, Howard Kissel, Jeremy Geffen, John Oliver, lincoln center, Maazel, Michelle DeYoung, musical america, New York, philharmonic, Sedgwick, sedgwick clark, Sibelius, Tanglewood, Woody Allen, Zankel
Posted in Why I Left Muncie | Comments Off on New York Was His “Howieland”
Wednesday, February 1st, 2012
by Sedgwick Clark I first met Omus Hirshbein in Carnegie Hall’s executive offices, where he worked for a brief time in 1973 between tenures at the Hunter College Concert Bureau and the 92nd Street Y. He was walking out of a planning meeting, saying in frustration to anyone nearby, “They won’t listen to me—they should […]
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Tags: Aaron Kernis, Alicia de Larrocha, Allan Kozinn, Berg, Brian Kellow, carnegie hall, Christopher Hunt, Clark, classical music, Deborah Borda, Festival, Jane Moss, Juilliard, Kirk Varnedoe, lincoln center, Mary Lou Falcone, mozart, musical america, New York, new york times, orchestra, performer, Schmidt, Sedgwick, sedgwick clark, symphony, Town Hall
Posted in Why I Left Muncie | Comments Off on Omus in Person
Thursday, January 26th, 2012
There is nothing like a good ballet spoof. At New York City Ballet’s January 21 matinee performance, the company danced at Lincoln Center Jerome Robbins’ “The Concert” (1956). Whether you get the inside jokes regarding specific ballets, Robbins’s jabs at ballet traditions—the good, bad and the ugly—directly communicate.
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Tags: Amanda Hankes, Andrew Veyette, Cameron Grant, Cedar Lake Contemporary Ballet Theater, concerto in d minor for two violins, Concerto Nuovo, Dancers Responding to AIDS, Danny Kaye, Frederic Chopin, J.S. Bach, Jeremy McQueen, Jerome Robbins, Knock on Wood, lincoln center, Maria Kowroski, Michael Kidd, New York City Ballet, Paramount Pictures, Russian ballet, The Concert
Posted in The Torn Tutu | Comments Off on The joys of the ballet spoof
Wednesday, January 4th, 2012
by Edna Landau To ask a question, please write Ask Edna. Dear Edna: I am a composer, recently graduated with two Masters degrees, and I have chosen the administrative route for a small and ambitious organization. In your earlier column entitled “Overqualified and Underemployed”, you rightly wrote that many connections can be made working in […]
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Tags: arts administration, askedna, career, chamber music, Edna Landau, kennedy center, lincoln center, Los Angeles Opera, musical america, musicalamerica, New York
Posted in Arts Administration, Ask Edna | Comments Off on Pursuing Two Careers Simultaneously
Thursday, November 10th, 2011
By: Edna Landau To ask a question, please write Ask Edna. A few nights ago, I attended a musical evening of sorts—not at Carnegie Hall or Lincoln Center but at Carolines Comedy Club in New York City. Intrigued by the advertisements I heard on radio station WQXR for its Classical Comedy Contest, I bought two tickets, […]
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Tags: askedna, carnegie hall, Deborah Voigt, Edna Landau, lincoln center, musicalamerica, Perlman, Zankel
Posted in Ask Edna, Communicating with Your Audience | Comments Off on Do We Take Ourselves Too Seriously?
Saturday, October 8th, 2011
By James Jorden The Metropolitan Opera debut of Donizetti’s Anna Bolena, an amazing 180 years into the work’s history, won mostly respectful reviews last week—in between snipes at Anna Netrebko’s momentary breaking of character during the “Tower Scene.” A common thread in both published and popular opinion, though, was that the piece itself was not […]
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Tags: anna netrebko, atys, black and white, Black Swan, carnegie hall, david mcvicar, donizetti, franco zeffirelli, glamour, john dexter, josef svoboda, joseph volpe, la traviata, lincoln center, live performance, metropolitan opera, new york observer, period costume, regie, repertoire
Posted in Rough and Regie | Comments Off on The Unglamorous Life
Friday, August 12th, 2011
by Sedgwick Clark Lincoln Center’s attempt to add variety to Mostly Moz is just fine with me, especially if the variety is Stravinsky. Audiences seem to agree too, for a Saturday afternoon of Stravinsky films and two concerts of his chamber music by the spiffy International Contemporary Ensemble (ICE) were packed. The first of the […]
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Tags: alice tully hall, anythingâ, Berio, Boulez, Charles Kuralt, choreographer pina bausch, Dumbarton, Finnissy, hungarian radio, Jeremy Denk, jessye norman, John Adams, julie taymor, lincoln center, Mark Swed, Murray Perahia, Oedipus, oedipus rex, Ozawa, sacre du printemps, Schnittke, sedgwick clark, Stravinsky, théâtre des champs elysées
Posted in Why I Left Muncie | Comments Off on Mostly Mozart/Some Stravinsky
Thursday, July 28th, 2011
By Edna Landau To ask a question, please write Ask Edna. In March of this year, I was invited to speak to a wonderful group of arts supporters in Pasadena, California, by the name of Metropolitan Associates. They were interested in hearing about my career in artist management and in having the opportunity to ask questions […]
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Tags: artist management, avery fisher hall, bruckner, cleveland orchestra, edna, jeffrey kahane, Landau, lincoln center, van cliburn competition, youth orchestra
Posted in Arts Administration, Ask Edna | Comments Off on A Möst Rewarding Partnership
Friday, February 4th, 2011
By James Jorden It’s not hard to guess why Peter Gelb would choose to import a recreation of the original production of Nixon in China instead of devising a new staging from scratch. It would hardly be prudent to blow a million dollars on a six-performance run of a work unlikely to be revived any […]
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Tags: Chiang Ching, english national opera, franco zeffirelli, houston grand opera, lincoln center, Mark Morris, new york city opera, peter gelb, peter sellars, ping pong diplomacy, puccini, republic of china, revivals, the met
Posted in Rough and Regie | Comments Off on Nixon in Amber
Friday, November 19th, 2010
By James Jorden Revival. Strange word, and creepy, when you think about it. Something used to be alive, then it wasn’t and now (presumably) it is, again. But it’s that last step, the actual reviving that seems so often to elude the revival of an opera production.
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Tags: cecilia bartoli, joseph volpe, lesley koenig, lincoln center, metropolitan opera, mozart, pr, regie, revivals
Posted in Rough and Regie | Comments Off on Night of the Living Dead