Posts Tagged ‘Serge Dorny’

Lyon and Paris Fail the Future

Thursday, June 6th, 2019

By: Frank Cadenhead.  The Tuesday news of the failure to find a replacement for Serge Dorny at the Opéra National de Lyon leaves opera in France’s second-largest city adrift. The announcement by the selection committee indicates that all of the finalist, and their proposals for season 2021-2022 and beyond, have been found insufficient. The members of selection committee, made up of city, regional and national officials plus the Chairman of the opera’s board of directors, have indicated that the process will begin again soon.

This means further delays in planning for the 2021-22 season and beyond. It was April of last year when the Bavarian State Opera announced that Dorny would take over. He is now a regular visitor to Munich and planning their future seasons, including his first, 2021-22, for over a year now.

There is the same problem with the Opéra de Paris. Everyone knows that every major opera house is very seriously planning for the next three or four years. Yet the top five contenders to succeed Stéphane Lissner in Paris, starting with that same 2021-22 season, were submitted to the Élysée Palace for President Macron’s final say in April. There is still no word as to when any announcement might be made.

There might have been a complication in Lyon. There are reports that a letter was sent to the selection committee by the principle union of artists at the opera which cautioned against one candidate, the top assistant to Mr. Dorny. The letter cautioned against his selection because his role was basically administrative and his lack of major artistic or innovative credentials.

Finding a replacement for Dorny might be hard. Since his arrival in 2003, Lyon’s opera, the second only after Paris, has moved dramatically into the larger international opera scene and won awards and recognition for its achievements. The repertory now includes little-known operas, a good slice of 20th Century works and new compositions. With creative and visionary productions, his opera house is full and the average age is one of the lowest in Europe.

Dorny would have been a likely candidate in Paris when it became known that Lissner would not be extended. But the failure of the opera’s board to move on this issue and with no leadership from the Ministry of Culture, etc. it was Munich which secured his services. Lyon will be trying again to find a replacement for Dorny and future planning remains in limbo. Both companies are now saddled with the job of working with the 2021-22 leftovers from all the other major houses.

Dorny, Jurowski to Staatsoper

Tuesday, March 6th, 2018

Vladimir Jurowski photographed by Simon Pauly in Berlin

By ANDREW POWELL
Published: March 6, 2018

MUNICH — The rumor emerged last fall, lingered, and today became fact during a Free State of Bavaria cabinet meeting: Serge Dorny, 56, and Vladimir Jurowski, 45, will in Sept. 2021 take over as Intendant and Generalmusikdirektor, respectively, at Bavarian State Opera. So said a statement from Bavaria’s Kultusminister Ludwig Spaenle, listing the appointments in that sequence. No contract term was disclosed, and no salary. The opera company will go without a GMD in the preceding season, after incumbent Kirill Petrenko steps down.

Lyon-based Dorny and Berlin-based Jurowski have been colleagues before, if not salaried together, notably by way of the London Philharmonic and the Glyndebourne Festival. Presumably they will get along, as have Petrenko and outgoing Intendant Nikolaus Bachler. Bavaria’s Culture Ministry did not answer questions about the joint nature of the new hiring.

Dorny drew attention around Germany when in 2014 he sued Dresden’s Semperoper for wrongful termination. He had been appointed Intendant of that company for five years, to start that fall, but was peremptorily fired in February, midway through an agreed preparative season, and suffered the further indignity of a Saxon minister’s televised description that he had behaved “like the Sun King.” He won the case, and pay and damages to the tune of a reported €1.5 million, and in July 2016 fended off the Free State of Saxony’s appeal.

Dorny grew up in a Flemish-speaking family on western Belgium’s French border. He began his career in 1983 as a dramaturge working for Gerard Mortier at the Théâtre Royal de la Monnaie. Four years later he was heading the Festival van Vlaanderen. From 1996 to 2003 he served as chief executive and artistic director of the London Philharmonic, a post that took him yearly to Glyndebourne, before he started in his present, acclaimed role as directeur général of the Opéra de Lyon.

The Moscow-born conductor, whose family emigrated to Germany in 1990, promises high standards and a slightly freer approach to music direction than Petrenko. His theater work has centered on projects at Glyndebourne, where between 2003 and 2013 he filmed operas by all three of BStO’s so-called “house gods”: Mozart, Wagner and Strauss.

Janowski debuted with BStO in Nov. 2015 leading an adrenaline-charged Akademiekonzert program of Liszt, Hindemith and Prokofiev, and weeks later presided over a musically and dramatically successful new Ognenny angel (Огненный ангел). Although he did return for one performance of that opera the next summer, he has not appeared with the company since.

Andris Nelsons’ name was also floated for the GMD position. He moved to Munich in 2015 and had seemingly been interested in vitalizing the thinnish opera side of his career at Germany’s biggest opera company. However, as Munich’s Merkur newspaper has reported, his schedule was deemed too full to take on all the GMD duties — a fair assessment but one that could equally apply to Jurowski, who today heads orchestras* in London, Berlin and Moscow. Four performances of Rusalka last June have been Nelsons’ only BStO assignment.

[*He is concurrently principal conductor of the London Philharmonic, chief conductor and artistic director of the Rundfunk-Sinfonie-Orchester Berlin and artistic director of the State Academic Symphony Orchestra of Russia (in Moscow, formerly the USSR State Symphony Orchestra) … as well as principal artist of the Orchestra of the Age of Enlightenment, in London, and artistic director of the George Enescu Festival, in Bucharest.]

Photo © Simon Pauly

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